k.d. Lang (London Sunday Times Magazine, June 16, 2019)

Chrissy Iley and k.d. Lang
It’s hard to believe that in the 90s k.d. Lang was the world’s most famous lesbian. Back then a butch woman popstar was such a contradiction and such a revelation. Of course, the world has moved on to a very trans and gender fluid place and lesbian storylines in movies and television passed from acceptability to old hat.
     Back then Lang was a trailblazer for others who would come out later. Back then Ellen de Generes was closeted but unthreatening and Melissa Etheridge was just another country singer. 
     Lang was always a militant and a pioneer but then and now it’s about her voice. Erotic, soaring, soothing, the voice that Tony Bennett, her long-time collaborator said, “When she sings I can see angels.”
     Madonna described her as Elvis born again as a woman. The 1993 album Ingenue with its hits Constant Craving, Miss Chatelaine and Save Me was a landmark album. It went multi-platinum, won a Grammy and made her a star.  She catapulted into our consciousness by the Herb Ritts Vanity Fair cover image. Cindy Crawford in a camisole mock shaving Lang in shirt sleeves and pinstripe. It was provocative and brilliant and still remembered. It helped Ingenue become classic. Her writing partner Ben Mink said it was always supposed to be timeless in the vein of Gershwin or Weil.
     Last year, a re-mastered version of the album was re-released and this year there will be an Ingenue Redux tour in the UK.
   Lang now lives in Portland and when I arrive at the airport, I ask a woman selling vegan lipstick if she has heard of Lang’s street and how far away it is. She says rapturously “It’s a street where the buildings are beautiful because they are so strong and romantic.” Of course it is and it’s only half an hour away. 
   k.d. is abbreviated from Kathryn Dawn. I can never imagine that she could have been a Kathryn or a Dawn. She’s known she was gay since she was 5 years old.
     She comes to let me into her building. She’s tall and wearing a mandarin collared navy shirt and trousers, sort of Buddhist pyjamas. Her loft space has wide oak shiny floors and smells of a particular incense that comes from Tibet, which she says is letting the deities know we’re here.
     The space is high ceilinged and large. I sit in a 1960’s style wooden recliner while she does a photo shoot on the roof. She makes me strong, fluffy coffee. Behind me is a space reserved for her Buddhist practice, in front a large oak table with a 1960s typewriter. To the side a piano. In the centre, cosy couches and in the other corner her bedroom space with a neatly made bed and a  compelling framed picture by Joel Peter Whitkins of a beautiful woman with a beautiful penis between her legs. But more of that later.
    Her hair, now flecked with grey remains in a punkish crop. She still cuts it herself.  She noticed that I am rapt by the picture.
     “It was a gift from Joel Peter Whitkins to Herb Ritts. I would always talk about it with Herb and say I have to have it and then unfortunately I did end up with it because after Herb’s passing, I bought it from his foundation.” The picture was created long before there was photo shop and long before today’s current trans trend.
    Lang was already friends with Ritts when the famous shaving picture was unleashed on the world. One picture that really changed everything.
     “It did. It was a powerful image. It was just after Ingenue came out and it really helped it gain momentum. The common denominator for that was Herb. We were all kind of hanging out at the time. We all had a great deal of trust in Herb and his ability to capture in a provocative yet classy, elegant way. It’s something I’m really proud of.”
    She doesn’t write many songs these days. She finds it difficult, although there was an album last year with singers Laura Veirs and Neko Case. It was a somewhat torturous experience because they were all used to driving their own music. None of them had ever “shared the steering wheel before.”
     She is happier now reinterpreting the songs of Ingenue and looks forward to touring the UK. She’s already done the Ingenue tour in America and Canada.
     “Touring has completely changed for me. I need to have a very legitimate and all-encompassing reason to go on stage these days (She’s gone full circle from flirting with fame, in the eye of the storm to introspection and quasi anonymity).
     “Ingenue Redux anniversary tour IS a good reason. I love that record. I loved that moment in my life that really pivoted everything for me and the UK has always been important, sort of where I started.”
     Certainly, it was where women for the first time threw their knickers at a woman onstage. “They’re good at throwing knickers, yes. The knicker throwing has waned considerably these days but maybe that’s a good thing.”
    There’s a quietness to her and a thoughtfulness.  She’s still flirting but flirting like an introvert.    
     “I like to flirt with everybody, boys, men, moms. I think it’s an integral complex part of what human beings are. It’s a kind of acknowledgment, a baseline acknowledgment of desire and being human. 
 
    How did she convert from extrovert to introvert?
     “A combination of things – age (she’s 57), my Buddhist practice and for someone who’s had the fame experience it’s easy not to love the limelight any more – but I do love to sing. I don’t think I have the same confidence as thinking of myself as an authority on anything to write. I don’t really feel like writing about relationships anymore or love. I feel like I’m interested in saying something on a much deeper level, but I don’t feel that I’m an authority on a much deeper level.”
   Everyone wants to know about love. “Yeah…that’s why we’re alive.”
    When she sings about love, people feel it whether they are gay, straight or trans. There’s knickers to be thrown at her yet.
     As we talk her legs are curled under her on the couch. Her bare feet that are strangely elegant and strong. She has long, piano players fingers. She is tall and square shouldered but she has lost weight from the last time I saw her a few years ago, although still heavier than her girl Elvis days of her twenties.
     “I definitely don’t see myself as a sex object, but I do know the allure of the singer.”
   Maybe she never felt comfortable as a sex object. “I think I was very cocky about it but it’s not my desire to use that vehicle anymore. I’m interested in connecting emotionally and spiritually with people. My priorities have shifted.”
    Is that because she’s in a stable relationship with Canadian Heather Edwards? (She doesn’t confirm her partners identity, but the Daily Mail and Page 6 did.) Edwards ex-husband is Canadian oil billionaire Murray Edwards.  
     Is that why she doesn’t want to flirt with the audience the same way? “There’s an aspect of that but I think it’s just not who I am now.”
   She likes birds and there are several bird ornaments and pictures.  She stops talking every so often and closes her eyes to hear the birds sing. She misses the birds in Los Angeles. She moved to Portland in 2012.
     “And then I fell in love with a Canadian so I’m also in Calgary where I’m basically just 3 hours from my mom, so it’s like returning home.”
     Her mother is 96 and in a wheelchair but she is “strong and funny and my relationship with her is so enriching. For years I was on the road thinking I should cook more, I should hang out with my mom more.”
   And now she actually does both. She came out to her mother in her teens when her mother questioned why she was so miserable. It was because her girlfriend got a boyfriend.  At the same time, she told her mom that three of her four children were gay.
          “It was kind of cruel to also out my brother and sister but that’s where it was at that moment. I actually knew I was gay when I was five because I had a crush on the swimming instructor. I am over developed and under developed at the same time.”
     Did she ever let the swimming instructor know? “No, I hope not! But she was hot and I was aware of who I was at a very early age for sure.”
    She grew up in a very small town, Consort Alberta – population 600. Everybody knew everybody.
“I think my dad might have had some gay tendencies as well.”
     They were close but he left and ran off with another woman when Lang was about 12. “In England they tend to over focus on my relationship with my father saying that his leaving is why I was gay.”  
     But Lang was already fully formed gay.  She has always been in tune with her sexuality. Scorpio’s are like that.  I wonder, though, how her relationship with femininity has changed. It’s certainly been a long time since anyone has seen her in a dress.
     “I think my relationship with femininity has been exactly the same all the time. What I don’t think has been clear is my relationship with society’s view of what femininity is. To me it’s an approach, an emotional, spiritual approach to living. It’s not necessarily the exterior of what gender looks like. As you know, we are full on basking in gender fluidity and non-binary stuff right now. I feel very happy to be a woman, but I approach it differently from the norm.”
   Does gender fluid mean that some days one feels masculine and some feminine? And non-binary one feels that you don’t want to be defined by either.
   “I don’t know. It’s moving so quickly things change day to day.”
   I talk her about 14-year old girls all wanting to look gender fluid. It’s almost a fashion thing.
  “I understand it but I don’t understand it intellectually.”
   Where Lang has always liked to flirt with the idea of looking mannish, that doesn’t mean she’s ever wanted to be a man. In the 90s she broke boundaries as the first lesbian pop star, now that in itself seems old fashioned. It’s all about the trans and the gender fluid and the androgynous. She corrects, “Androgynous is so antiquated at this point.”
     Androgynous was David Bowie. If anything, Lang looks more feminine now. She no longer wears the heavy workman boots on stage. She sings barefoot.
     “I felt they were a little heavy and they portray an aggressive thing. I like to sing from the heart, so it helps me to feel grounded and natural to sing barefoot. And I have the most stability when I’m barefoot.”
   Onstage she wears suits similar to those worn on the original tour but updated. A lot of her clothes including a cowgirl outfit with lots of fringe (featured on the cover of Absolute Torch and Twang in 1989) are at the National Music Centre in Calgary, Canada. They sit with the effects of other famous Canadians Joni Mitchell and Leonard Cohen.
    She did a version of Cohen’s Hallelujah. Did he like it?
     “I don’t know. We didn’t talk about that.  We talked about Buddhism and finances as we both experienced a similar challenge with our business managers.”
     Cohen’s money was embezzled by his business manager and then he let go of everything anyway and became a Buddhist monk. Lang had to sell her house in LA because of a similar situation and downsize. 
     “Both my dogs passed away, my Buddhist teacher passed away so there was not too much reason to stay there. I had run out of money because it had been stolen. I didn’t want to downsize in LA.”
    Had she already broken up with her girlfriend Jamie Price? “No. I thought we were in a good place, but I wanted to move out of LA and she didn’t. that was all part of letting life in LA go. We are still good friends.”
    Is she good at being friends with her exes? “It depends if it’s a good relationship. I don’t necessarily believe in monogamy and I don’t believe in staying with someone for a long time. I believe in relationships and the fluidity of that is not constrained by social norms. It couldn’t stay the way it was. It shifted. Everything shifted and I needed to move on and we just made that decision”
     Was she seeing anyone else in Portland? “Nope.
      Is touring hard on relationships? “I hardly tour anymore. I’m not retiring, but I don’t have any plans for more music at this point.”
   Around the time of Ingenue, Madonna did not dismiss rumours that she and Lang were in a relationship and Lang didn’t dismiss it either. “We shared a publicist.” And she decided to put out those rumours so they could both sell records? “I don’t know the entire story. Maybe. Because I was kind of dating one of Madonna’s close friends, so we were in a circle. We hung out. The lesbian chic thing was something that both Madonna and I benefited from, but I didn’t know it was implied that we were actually doing it. But Madonna and I never did.”
    It’s easy to feel sad for first generation girl rock stars. They became stars as much for their looks as their music. It has has taken truck loads of botox, filler and stress  for these women to master a version of that look and still feel relevant in their fifties and sixties. Even those women who did have a great voice like Kate Bush and Annie Lennox don’t sing anymore. Lang never in any way traded on her allure to the opposite sex – she stayed in the game.
     “I knew at an early age that the physical promise wasn’t permanent. I studied men and how men’s portraits and men’s physicality increased as they got older. There’s a type of respect that you feel to men who get older. I tried to study this and understand it. Why in society it’s like that. Why in biology it is. I don’t have the answers, but I was certainly aware of it and I wanted to take the interest in my physicality away from people and put it squarely on an internal impact that my music might have.”
     Older men can stay good looking – they’re called silver foxes, whereas older women are dismissed for not being foxy anymore.
     “That’s the way we’ve constructed our society and both genders are to blame for that.”
     We wonder if men’s skin looks better because they never wear make-up. Lang’s skin is fine lined but soft and youthful with a natural pink blush.  She’s never worn make up. Maybe that’s the key to it. 
     There is a sheet of paper in the typewriter. “I do write on it sometimes. I like the graphic, but it feels like manual labour.”
    Is that how she sees writing now? Manual labour? “Yes.”
    She typed the lyrics of Constant Craving on fax paper and she still has that paper. Only a few minutes rifling around in a draw and she shows it to me. She’s so organised that she knows where everything is.
    “That’s just because I got rid of a lot of stuff when I downsized.”
     The print on the paper has faded into shadows, yet the lines are still there. These days she’s writing “very very very small amounts”.
     What will she do? “I will look after my mom, hang with my partner and my partners son and I will live my life. And I’ll cook things.”
     Maybe she’ll open a restaurant or a coffee shop. She made extremely good coffee. “Nope, sorry. I make a coffee because we have a purpose. You wanted fluffy and strong and you got fluffy and strong.”
 
k.d. lang’s Ingénue Redux tour comes to the UK in July
k.d. Lang and Chrissy Iley

Cher (Sunday Times Magazine, September 22, 2013)

I am waiting in Malibu in an over-stuffed flamboyant house, lots of velvet, gold leaf, plumped pillows, chandeliers. It could be Cher’s house but it is in fact the house of a rich Russian person who has rented it out for my interview. Cher lives in another Malibu house eight miles away in her own gothic glory.
Cher, her manager, her make-up artist, her photographer, get lost in those eight miles and arrive a little late. The photographer has been hired to take my picture with Cher. It wasn’t something I asked for but Cher thought that I might like it.
She arrives with a green drink in her hand, giant hazel eyes sparkling as much as her giant treble-diamond ring. She is wearing a black tailcoat, white waistcoat, foamy chiffony shirt, dark jeans, thick boots. Rock chick clothes. Oddly she pulls it off. Her best features are her hair and her eyes which are so mesmeric you forget to look to see if you can see if the skin on her face has been pulled and tightened.
What everyone really wants to know about Cher is how did Cher, gay icon, gothic rocker, activist, former hippie chick, disco diva, Oscar winning actress, daytime vamp, the woman who launched a thousand drag queens, really feel when her daughter Chastity first came out as a lesbian and then underwent full-on sex change therapy to become a man.
You wonder just how you are going to ask her about this because you’ve read that she was mortified and you could imagine she would be. Cher, so slinky and feminine, loves men, manicures, sequins.
She made dresses for golden ringleted Chastity who would appear with her parents on the Sonny and Cher Show in the Seventies. How could she have imagined that her little girl would grow up first of all thinking she was a bull dyke and then realising she wanted to be a man, a very fat man at that?
I am surprised that Cher is warm with a relaxing motherly presence. Still, how does she feel about her daughter becoming a son is a difficult question.
Now the only child of Cher and Sonny Bono is 43 and renamed Chaz and is delighted to be burly, bearded hairy backed. He had death threats when he appeared as a male partner on Dancing With Stars, the US equivalent to Strictly.
I stumble over the pronoun. She and the he somehow get mixed up in my mouth and Cher gives me a look of concern and empathy for my embarrassment.
‘You mean Chaz. Don’t worry. I screw up the pronouns all the time,’ she says with a Mona Lisa smile and it reminds me that she won an Oscar for Moonstruck. Is this calm facade brilliant acting? Remember she was also nominated for her very un-Cher downbeat role in Silkwood, and so hilarious in The Witches of Eastwick. Of course more recently there was Burlesque where she simply a parody of Cher-isms. I decide rather than studied introspection what I see before me is real.
‘I would have said that Chaz is like Sonny and there is a portion of him that’s like me.’
What about when Chas became Chaz? ‘Oh yes, I had a hard time.’ She looks me right in the eye. You can tell her heart was quite pierced by this.
‘I didn’t have a hard time in the beginning because when Chaz came to see me and told me this is what I want to do I said well if you’re miserable then you’ve got to do it. But then as it was starting to happen, you know, it’s a strange change for a mother to go through.’ To suddenly have two sons instead of a boy and a girl. ‘Right,’ she says. I am surprised by how easy it is to talk to her about this.
When it was first happening she was afraid to see him in case she didn’t recognise him. She asked if he would save his old answering voice because it was his girl’s voice before it had been lowered by his daily injection of testosterone.
He had his breasts cut off and fat redistributed in a thickset blokish sort of way. As yet he has not had an operation to reconstruct his clitoris into a penis. He talks at transgender conferences and provides counselling for others in a similar situation. He is a pioneer. Perhaps he really is like his mother.
‘When I’m talking about Chaz in the old days it’s very difficult. [to get the pronouns right]. If I’m talking about something that’s happened with Chaz when we were in Aspen and when Chaz was little, he was she. But things that happen from now, or from a little while ago, Chaz is he.’
Did she have a sense of loss and mourning for her daughter? ‘It was difficult but now I don’t think about it so much. We talked about it on and off for years. He would talk about doing it and then he would go off it. And then finally he did it. It’s a huge decision and not something you make lightly. But it’s turned out well.’
Her voice has a certainty in it, and almost a soothing quality. ‘For the people who don’t understand it I try to help them understand it by saying, you know, I just love being a woman so much, but if I woke up tomorrow and I was a man I couldn’t function. And that is the only way to describe it to someone who doesn’t understand. But it’s hard to relate to, oh, I must change my sex. But I know that if by some miraculous something I woke up as a man I would hate it so much I can’t tell you.’
I look at Cher with her white fingernails, the pointed tips painted black, her ultra pouty pink lips and feathery-mascaraed eyes, her long dark glossy curls. There’s something almost doll-like about her. I stare at all of this. How could Cher, the most girlie of girls, cope with having a daughter who wanted to be a son?
‘You know, your children go their own way and I think it took so much courage. I don’t think I would have had that much courage. But he was so miserable in that body and now he is happy. Totally happy.
‘When I say I knew he wanted to be a man I don’t know what I really knew. I knew that he wasn’t happy but I didn’t know the exact reason he wasn’t happy, but this seems to be the thing that was missing. [When he was a lesbian] he was in a relationship [with a girl] but they broke up a long time ago. She is a lovely girl.’ Jennifer Elia, an attractive brunette, was his partner for five years and he’d always told her about his gender struggle, but when the change was complete the relationship faltered.
Was that because she was in love with him as a girl? ‘I don’t know. I think she was having a hard time with her sobriety for a while. But also they had been together for a really long time and I think the transition for her was really difficult.’
Apparently when Chaz was charged with all the male hormones he got aggressive and sexually demanding and in a documentary Being Chaz, Jennifer admitted that her sobriety had been tested over her girlfriend becoming her boyfriend and she said, “He’s not the person I fell in love with.” Indeed he (she) wasn’t.
What’s impressive is that Cher is old school. You ask her a question, she answers it unflinching. She doesn’t even try to plug her new record. She is not like some newbie pop star who only wants to talk about her music. That said, it doesn’t mean she doesn’t know how to be modern. She has come up with a record that is relevant – tracks produced by Paul Oakenfold and a song with Jake Shears from Scissor Sisters and songs written by Pink.
At 67 she still has the stamina to tour constantly (new world tour in 2014) and in silly tiny sequined outfits where she must feel she’s literally turning back time. At the end of her hot and throbby performances during her residency at Caesars Palace, Las Vegas from 2008 to 2011 she always said, “Top that, you bitches.” Sure, she likes to run with a young set because she likes to outrun them.
‘You know we were working out this morning, my teacher and a couple of friends and I said give me a break, I’m older than everybody here, but the teacher said, you’re full of shit, you’re 30. You work out better than my 30-year-olds. So in some ways I forget how old I am and in some ways I don’t.
Cher’s age is indeed a conundrum. I’m not sure what 67 looks like but it doesn’t look like Cher, and she doesn’t act it. Sure, she might have had a little help with her face. She admits to a nose job and a breast reduction. She denies the constant rumour that she had one of her ribs removed. She says that her good friends are often the teenage and twenty something children of her friends. ‘Young people like me. I don’t know why.’
Certainly she was friends with Lady Gaga. There was going to be a collaboration with Gaga’s prolific producer RedOne – a track called The Greatest Thing. RedOne thought instead of the original plan of Cher singing it, it would make a great duet. In the end Gaga was disappointed with the result and vetoed it. Cher voiced her own disappointment that the two icons could not be on song. When someone leaked a version of The Greatest Thing. Cher was all over Twitter in her anger at the unfinished version’s appearance.
Cher is an epic tweeter. I’m surprised she could take the time off tweeting to talk to me. She tweets whatever comes into her head. No censorship, lots of swear words,1.7 million followers. In her tweets she is forthright, funny, and likes to complain about Madonna. In person she is a lot less flighty.
Her new album Closer To The Truth will be her first in eleven years. ‘I am not a Cher fan. I don’t listen to the records I’ve made for fun. This one I’m surprised by.’
Has she now become a Cher fan? ‘No, no, no, let’s not go that far. It’s just my voice is very distinctive and it’s not a voice that’s appealing to me. And on this record there are a couple of songs, Silence and My Love, that I sing in a different way, a kind of straight way, no vibrato.’ Indeed, these songs do not sound like Cher. The voice is high and melodic.
Does she feel like a different person to who she was ten years ago? ‘I feel like an older version of myself. I don’t think I’ve changed much in what I think is right or wrong or what I think is bullshit. My mother is 87 and she’s pretty much the same person as when I was little.’
Recently she made a documentary – Dear Mom, Love Cher – about her mother. Georgia Holt looks tall and strong and at least 20 years younger than her 87 years. She also sings and sounds exactly like Cher. Her mother was six times married and says, “Don’t pay attention to age and it won’t pay attention to you.” Her mother is part Cherokee, hence the high age-defying cheekbones.
‘I had two grandmothers, one died at 87, the other at 97, and I said to the 97-year–old one, “Nana, how old do you feel?” And she said, “Darling, I look in the mirror and wonder who that old lady is because I feel so young.” And that’s sometimes how I feel. I forget that I’m older.
‘The other day somebody said how old are you and for a minute I forgot. I thought I was ten years younger and I still thought that was old. It’s not easy getting older in this business for sure.’ I notice she doesn’t mention any numbers here.
Does she feel that in her business becoming old is the same as becoming extinct? ‘No, there’s just not the access to older performers that there is to younger performers, especially women, because it’s a young person’s art.
‘More than any other time in history the people who came up in my time are now having a hard time. We don’t want to stop singing. The Stones don’t want to stop and I don’t want to. But it’s hard. You try to find your niche and stay relevant in your music and you keep going.
‘I hoped there wouldn’t be a prejudice because I was a certain age and people wouldn’t even give the record a listen.’ She says this in a deadpan way but it is obviously something she’s thought about.
Was that why it took so long to get the record out? ‘No. In those eleven years I wasn’t thinking about it. Honestly. I just forgot. I forgot to make a record. I was on the road, I was in Vegas. I did the movie Burlesque. I had some vacation and I didn’t really have a contract for a while, I was in limbo, so I went on the road and didn’t think about it.’
She performed a lot of shows. ‘That was very stressful. On the last day I wanted to kill myself. I cried and cried and cried. We were at the Hollywood Bowl and I spent the night on the tour bus. I’d never done that before. It was so weird that suddenly I just didn’t want to stop. The only thing that is stressful about being on the road is the road. The shows themselves are fabulous. I love that part. I just don’t like the road, the isolation of the road.
‘It’s hard because I can’t go many places. We might buy out a movie theatre or miniature golf course or paint china or go bowling. The only way we’d do those things is if we buy them out and no one else is there. We want to be where there’s no people with iPhones.
‘I remember going to the movies thinking why is everybody texting and emailing, and then I realised they weren’t, they were taking photos of me. So it’s hard for me to go about in a normal way. I love having freedom. In the old days the paparazzi were polite. They would say can we take a picture? They wouldn’t ambush you and be aggressive.’
‘Once we had to get a restraining order against a paparazzi. He made my boyfriend go into a ditch and we rolled our car. This was in the eighties.’ Her then boyfriend was bartender Robert Camilletti.
‘My boyfriend went to jail because he was so angry he went to their car and he ripped it apart and they said he tried to kill them. If you saw these guys they were just old and just wankers. If he wanted to kill them he could have done easily. But after they’d forced us to roll the car he was so furious he tore their car up. He went to jail for a day and then got so much community service. I think he could have killed someone and got less community service.
‘We had a restraining order on these paparazzi and they came on the property and they broke the restraining order and he was angry the whole time because he was trying to look after me. Whenever I went out I’d have to sneak out the driveway and lay on the floor of the car.’
Is being too recognisable a double-edged sword? Is there pleasure in being an icon as well as pain at the lack of freedom? Would she swap?
‘No, I’d rather have both of course.’ She pauses: ‘I’d probably go for freedom. Fame is great and then it gets hard. Like things you used to take for granted you can no longer do. Like if I wanted to make a run to Safora (a beauty supplies shop) I have to know exactly what I want to get and go for it, like a hunting expedition.’
It must be tough being Cher. It must be even tougher being Cher’s boyfriend. Traditionally Cher has dated men who are younger than her, but not always less gothic looking than her. There’s been Val Kilmer, Gene Simmons of Kiss, Bon Jovi Richie Sambora, and biker Tim Medvetz.
Did she find it unsettling that boyfriends didn’t like being Mr Cher? ‘It wasn’t so much unsettling for me. I’ve also had some amazing boyfriends and some really famous ones but it takes a certain kind of man to be able to put up with it. It certainly puts a strain on them. Like Robert for instance. He didn’t buy into go into jail or having people chase him. He’s a private citizen and people were very mean to him. That stuff doesn’t keep you from having relationships it just makes it harder to go for a walk on the beach or something like that. You have to outsmart people and try and just live your life.’
What have the men she’s gone for had in common? She perks up. ‘Actually many of them have had amazing senses of humour and they’ve all been really kind. I love people who are kind and I wouldn’t date anyone who wasn’t, it just wouldn’t work for me.’ Kindness is very underrated. ‘Yes, and it’s a game changer for me. Intelligence is great but I don’t know that it trumps everything. Kindness and an adventurous spirit is what does it.
‘I still like to do dumb things. I like to do kid things. So I like it when the person I’m with wants to ride a paddleboard or go-karting or take a run to Disneyland or go to Hawaii. I like people who are adaptable because I have to pick my moments.’ Meaning if she suddenly finds a break in her schedule she likes to make the most of it.
Does she have a boyfriend now? ‘Er, well, actually, no. I just broke up with someone. Or let me rephrase that. It went to a certain place and I couldn’t see me putting any more time into it so it wasn’t really a break-up. I think relationships have to go in stages and we just couldn’t go to the next stage. We are really good friends but there was no impetus to keep going. Love feels to me like unbelievable fun, and if it’s not unbelievable fun you stop it.’
Is she the person that ends a relationship? ‘Most of the time. I am a serial monogamist. My relationships seem to go for two and a half years, maybe three, and then that’s it.’
She was married to Gregg Allman, from The Allman Brothers, from 1975 to 1979, but her longest relationship was with Sonny Bono. They met in 1963 and broke up in 1972, but didn’t divorce until 1975. He died in a freak skiing accident in January 1998, aged 62. Meeting him, loving him and losing him were the most important things that happened to her.
‘Meeting him changed everything and leaving him changed everything as well, and losing him was huge. It’s like when people say losing a parent is a huge defining moment. It was like that. Even though we weren’t that close at that point in so far as we weren’t seeing each other very often, but it was a huge, huge loss.
‘I was in England when it happened and I remember going to a certain place that I didn’t think the paparazzi would follow because I was so upset. I got there and I was sobbing and sobbing.
‘It was the end of an era for me. It was the end of a time that had been so important for me. It was the end of something that had been a major part of my life. It was like a parent dying. When I met him I was 16 so he was…’ I finish the sentence, a father figure. ‘…Well he was a mentor. He got me a job background singing and he always believed in me and wanted me to be a solo artist and I didn’t really want to and then we became famous together. I had so many milestones with him that would never have happened without him. I wouldn’t have done any of that. I had the energy but I was so scattered. He was the person who focused it all.’
She was born on May 20, 1946, the last day of Taurus. In some astrologers view the beginning of Gemini. Is that scattered energy her Gemini side? ‘If you knew me you would see that I am very Taurus. I am sturdy, in my own way a plodder, but I have the vocal energy of a Gemini.
‘Taureans can be very spontaneous and are stubborn. And I’m really stubborn, ridiculously. A lot of Taureans can end up quite corpulent because they like food, like Orson Welles, and I like food when it is good, but it’s not a major thing for me to eat for the sake of it, but I’m very materialistic. I like my house and I love things.’
Did she have to fight against the love of good food? Is she very disciplined? ‘No. When I was growing up we were very poor and my mother was from the South and we didn’t eat a lot of meat because it was expensive so I never got a taste for it. I eat vegetables because meat is something l don’t like the taste of. I do have a terrible sweet tooth.’
They moved around a lot when she was growing up and her circumstances could change dramatically depending on who her mother was married to or if she was on her own. Mostly she grew up in California where her mother had bit parts on TV shows.
‘She married my dad twice, I don’t know why. She told me she never loved him that much. She just said he was very convincing but that never made much sense to me. I didn’t meet him until I was 11.’
How was that? ‘He was nice. I enjoyed him.’ Wasn’t her whole life trying to find her missing father figure? ‘No, because when I met him it was fun. I was a lot like him in certain ways. Suddenly I knew where a lot of my expressions came from.’
So nature rules over nurture? ‘Right. Elijah is like that too with his dad.’
Unfortunately, Elijah, 37, inherited his father’s addictive personality. Gregg Allman was a heroin addict. Elijah had a problem with drugs. ‘There are so many thing that Elijah that Gregory does which is odd because they never spent much time with each other.’
Didn’t Allman once try to kill her when he was high on drugs? ‘No, he didn’t try to kill me. He would never have done that. But he lost his temper when we were in Jamaica and I had to spend the night on the beach with this fabulous who was the housekeeper in the house we rented and we sat on the beach all night while guys with torches hunted crabs. It turned out to be an interesting adventure. We didn’t split then. Not then. He and I went back and forth, back and forth because I was crazy about him. But you can’t have people that are doing drugs that are around your kids.’
Elijah inherited that side of him? ‘Well, yes. But he’s okay now. He’s great. But it took a chunk out of his life. A chunk out of both of them. He very much looks like his dad. I think he is going to be a manager.
Does she think not having her father around made her attracted to a certain type of man? ‘It might have done because Sonny was very nurturing. And when I first met him I was very sickly. He was much older than me and he had a vision. I was just running around dancing and hanging around with my friends. I wanted to be a singer, I wanted to be an actress. I didn’t have any focus. Maybe I would have got there anyway, but Sonny was the one who said if you do this, this will work. This will be the right thing to do. He was a catalyst for everything.’
Was that when she fell in love with him? ‘Oh no, I did that way before. We didn’t work together at first. I think I hero-worshipped him because he was as very extraordinary person. Not fabulous all the time for sure, but he was a very forward thinker, interested in life. He would do things that maybe men would have had a problem with. Like I used to dress him crazy in the beginning and he just said okay, fine, this is fun. He was open to a lot of things. He wasn’t open to a lot of things as well and we got into fights, but he liked to stretch himself. I think he’d given up before he met me and I was a spark for him too. He tried to have a career that didn’t work out so we sparked each other.’
So what happened with this man that was such a huge influence, what went wrong? ‘It didn’t go wrong. I was just finished. It started to become more about the work than the relationship. Plus I was 27 and I didn’t need to be told what to do any more.’
She says this without a trace of regret because regretting nothing is all part of her mantra. She takes a swig from her wheatgrass drink. ‘Honestly, it doesn’t taste disgusting. It’s got powdered vitamins in it. I’m not the kind of person who wants to suffer ill health.’
I’d heard she had a phobia of getting sick ‘No, that’s not true. But a long time ago I had Epstein Barr (syndrome) and it made my life a misery for two years.’ The symptoms are extreme tiredness, lethargy. ‘I’m not very phobic at all. In general, I’m very happy.’ If this is not the case, she’s done a very good job of convincing me.