Denzel Washington (The London Sunday Times Magazine, August 12, 2018)

I order a Lyft car to go to the screening of Denzel Washington’s  The Equaliser 2 in Century City Los Angeles. Traffic on Santa Monica Boulevard is murderous and I’m agitated.
“Perhaps you can get to a later show,” says Grace the Lyft driver. No, I say puffing up. It’s a special screening because I’m interviewing Denzel Washington tomorrow. “Oh,” she says. “You’ll like him. His son and my son used to play basketball together. They’re friends. Denzel is a good man, family man. Gave lots of money to the school.”
I decide to run in heels the rest of the way to make the screening and in the opening sequence I learn that Denzel’s character Robert McCall is an undercover Lyft driver. He’s also an avenging angel who rights wrongs violently and proficiently before anyone even asks. He is a dark force for good and he does a lot of his research while driving his Lyft. That’ll teach me to dismiss Grace.
The  Equaliser 2 is the first sequel of Washington’s career which has spanned 2 Oscars, 3 Globes and 1 Tony. Although the next day when we meet he’ll shrug and say, ‘Well, nobody ever asked me to do anything twice,” I think it’s because he doesn’t want to admit he’s close to this character and that’s why he was able to so effortlessly revive it.
Also, there’s something perfect for the times that a powerful dark angel exists, a guy who can correct everything that goes wrong with brutality yes because you feel those wrongs. You root for him. It’s cathartic to watch.  The fight scenes are powerful, fast, shocking. Washington himself has spent years in boxing training ever since he played Rubin Carter in the 1999 film The Hurricane.
I’m in a suite at the Four Seasons Hotel. I hear him before he comes into the room. He’s got a great laugh – large, infectious and loud. And an even larger presence. He’s 6 foot 1 but seems taller in a black suit and black tee.
Washington likes to banter, to distract. He asks questions about the wallpaper with the utmost curiosity. He doesn’t enjoy questions about himself which is odd for an actor, although there’s nothing about him that’s “Hollywood”.
He grew up in Mount Vernon, New York. An odd buffer between the city and the rich Connecticut suburbs. It was mostly middle class. His father was a preacher who worked for the local water company by day and his mother owned beauty salons. They divorced when he was 14. His mother ruled him with tough love and tried to protect him from the bad boys.
He went to college to study medicine, changed to political science, also considered law and journalism and ended up in a job where he could investigate all of these professions. He started off in the theatre honing his craft and, in many ways, feels that’s where he most belongs. He has revived A Raisin In The Sun and The Iceman Cometh on Broadway as well as Julius Caesar.  He’ll stare at you but if you stare back he’ll look away.
We’ve met a few times before and he wants to know what city is my home. I ask is LA anyone’s home? He muses, “I used to tell people who would say oh you live in Hollywood. There’s no place called Hollywood. Hollywood Boulevard has some little stars that people walk by and look at.”
Does he have a star? “Do I?” he tries to recall. “No, I don’t, but I have hand and footprints.  “Why don’t I have a star?” he wonders.
I tell him that I loved The Equaliser 2 which I did. “Oh good,” he says, suddenly staring at the large TV screen that’s in the room. He absolutely cannot take compliments and when I call him out on that he says, “Do I look like I didn’t believe you?” No, you look like you can never take a compliment. He concedes, “No, I’m not good. But enough about me.”
We laugh but that’s really as he prefers it. An interview that’s not about him. Then he comes back to my Lyft driver and works out that it is his younger son Malcolm, 27 who’s twins with actress daughter Olivia, who played basketball a decade ago, although he won’t admit what he donated to the school or what basketball team he gave money to as Grace said he wouldn’t.
He’s been married to Pauletta for 35 years by film industry standards, even if there was a lot of partying that’s rock solid. His older son John David, 33 started as a football player but got his big time break in HBO’s Ballers and is upcoming in Spike Lee’s movieBlacKkKlansman. His eldest daughter Katia 30 is a producer. She worked on her father’s movie Fences and  Django Unchained.  In all they’re a super successful family, revered by people like my Lyft driver for their unity and kindness but I were ever dare to say he’s a role model he would hate it more than he would hate being given a compliment. Partly because being a role model is a compliment, partly because although he’s very aware of the platform he has as a famous actor and a famous black actor, he never takes advantage of it. That’s just him.
He started off his career where people thought he was a goody two shoes having total swallowed his bad boy past. That’s why I think he’s especially linked to this avenging angel character, McCall.
“No,” he dismisses. “You just want to make something good that people will enjoy. We had great success the first time around and when people say hey let’s do this again, why not?”
Equaliser 2 is better than Equaliser 1 I tell him. “I’ve been hearing that but why? Is it because now you know the guy or is it because it’s more personal?” All of that and it’s actually more emotional. You invest in his relationship with his best friend – Susan played by Melissa Leo and you invest in the father/son quality of the relationship he has with Ashton Sanders’ character.
Sanders shone in the Oscar winning Moonlight. He’s the kind of actor whose silence fills the screen with something deep.
In this movie Sanders is a teenager on the brink. He can go to art school or he can join a gang. In real life Sanders is an artist as well as an actor.
“Some of the drawings may have been his. He’s very talented and he’s in a unique place with all the success he’s had right off the blocks. He’s a good dude. I wish him well. He’s got his head screwed on right.”
When I last met Washington, almost a year ago, he was very solid with Sanders and industry people told me he was mentoring him. Washington didn’t like that word but clearly he identified with him.
“I’ve been where he’s going. He asks me questions because things are changing for him. His friends are changing.  I have been down that road.”
I wonder if Washington saw in Sanders his own youth? He and his three best friends were all in a band. The others did not fare well. One died through drug related AIDS and at least two of the others spent many years in jail. One of them at least I know Washington helped out by buying him new teeth and there’s always the thought it could have been him had his mother not tough loved him right out of that bad boy set.
Was that the bond? “It was a natural thing. We were spending all this time together and between takes we were talking.”
On screen they looked as if they were extremely close but they’re actors. “I think you can tell when it’s not genuine. At least I can.”
In the movie Sanders character is poised to join the gang with the bad boys and Washington’s character saves him from that. Art reflecting life. It is remarkable of four friends, three are in jail or dead and the other is a full on movie star, reportedly worth $220 million. That’s why the scenes with Sanders are so impactful. How things could have gone.
“It just shows you, in my case growing up I had someone who really cared about me and was willing to make sacrifices to see me succeed and my character takes on that role. In my case it was my own mother but he didn’t have that. He had no example of what it was to be a man.”
And he thought it was all about being a gangster. Washington nods slowly. This is sensitive, empathic Washington. You don’t see him for long and he refers it back to the movie.
“There’s this shot when I look down on him and the guys come and pick him up. That’s how it happens. You know, a kid is isolated alone and trying to fit in and here come the guys. ‘Come with us where the fun is’.”
Washington has always found the fun in being serious or in straight up laughing at me. Laughing at my rambling questions, laughing at my attempts of accents but it’s not a cruel laugh, more playful and curious.
In The Equaliser Robert McCall likes to read books. Washington replaced what was in the script with a book called Between the World and Me by Ta-Nehisi Coates.
It’s a book written to the author’s teenage son about the feelings, symbolism and realities about growing up black in America. It discusses the racist violence that has been embedded into the American culture and this is the book that Washington chooses to give Sanders character. It’s not obvious. It never is. But this is as close as Washington gets to using his powerful platform as an African American.
Washington likes detail. He’s not a natural preacher like his father although he could be a wonderful preacher. He is partial to an intriguing Bible quote and he himself once went to church with his mother and had the experience of speaking in tongues.
He says he met author Ta-Nehisi Coates randomly and then became intrigued. “I thought, that’s what our story is about – coming of age. My character in the movie reads books anyway so I thought this is a good book to give the kid.”
Because it’s about growing up as an African American? It’s about being black?
“Was there a question in there?” Well I’m just checking in which way the book relates as I haven’t actually read it. “Oh…ok,” says Washington, still not really wanting to go there. It’s not an ugly pause or a silent one. He doesn’t knock any questions back without laughing. In fact, he chortles quite a lot.
He recently did a very funny interview on the Jimmy Kimmel show talking about how he saved the Oscars in 2016. The Oscars he saved were the notorious wrong envelope Oscars where Kimmel was hosting and was mystified when Faye Dunaway and Warren Beatty read out La La Land for Best Picture and there seemed to be something wrong. Washington looked at Kimmel and gestured to him to get Barry Jenkins the director of Moonlight.
“I saved the Oscars. I didn’t win one. I must have been up for one because I was right down at the front.” He was absolutely up for Best Actor and Best Picture for Fences. He directed Fences adapted from the stage by August Wilson.
His first Oscar nomination came for freedom fighter Steve Bilko in Cry Freedom (1988) and then for political martyr Malcolm X in 1993. His first win was for Training Day in 2002 although I think he should have won in 2000 for The Hurricane and 2013 for Flight.
These days he likes to mix up his film work with some directing and the stage where he started off has become increasingly important to him. He’s just finished a couple of month’s run of The Iceman Cometh on Broadway.
He likes to add personal details to scripts such as in this year’s Roman Israel he added the concept of his characters love of peanut butter. In The Equaliser he walks into a room and knows who’s there because of the smell. Asparagus tips and soy sauce and a specific ladies perfume. That was not in the script. It was from Washington because that’s what he does. Smells out the room before seeing it.
“You don’t mean me personally? You mean the character.” I meant both.
Today I looked up the definition of Denzel. “It means a fortress, right?” No actually. It’s a small town in Cornwall, England.
“Really?” he says, disappointed. He was much happier with being a fortress. “I feel like now I’m a little hut on the side of the road and in my mind, I was a fortress.”
Antoine Fuqua the director said that Washington and his Robert McCall character were alike because they like to do good and they didn’t want to be seen doing good. Is that so? Another quizzical look.
Fuqua directed him in Training Day, Magnificent Seven and both Equalisers. Fuqua went on to say, “Denzel wouldn’t want me to talk about it, because he doesn’t want to take credit for it, but he does a lot for people. He taught me something he learned from Nelson Mandela: a shepherd leads from behind – not from the front.  He takes that idea and quietly helps people along the way.  I think that was important to him to express in Robert McCall.”

Washington corrects. “A leader like a shepherd, sends the fast, nimble sheep out in front so that the rest will follow, not realising they are all being led from behind. A good shepherd doesn’t lead from the front. That’s from Nelson Mandela but I don’t know where he got it from.”
We discuss Mandela’s possible career as a shepherd and the qualities of his leadership and Washington is quick to correct, “But I don’t want to assume I’m a leader.”
I always assume he’s a leader. “Thank you. But a leader of what?” Of course, there are so many ways in which he could be a leader but he doesn’t want to assume any of them.
Instead he tells a Biblical story about pigs being led off the edge of a cliff. “You’ve got to watch who you’re following.”
He took a decision on his 60th birthday (he’s now 63) to give up alcohol for what he calls his fourth quarter. “Moderation is the key. If you drink too much water you’ll drown. I’m not drinking alcohol.”
Has it changed his perspective? “On life? I hope so. I’ll put it this way. When you’re toasted you need a day to recover. You get a hangover. So that’s two days out of your life. I don’t have time to waste. Let’s say there’s 365 days in a year so in 10 years that’s 3650, so how many days do you want to waste?”
Does he still have dream roles? Something he would look forward to or any projects he wants to direct?
“I want to get back to doing some Shakespeare off the top of my head and plays by great writers. Be able to interpret August Wilson, Eugene O’Neill and William Shakespeare. That’s what I’ve been doing the last few years – acting in movies, acting in the theatre, directing movies so those three. That’s plenty.
On most days he boxes. You can tell because of the way he spars onscreen. Very nimble. Listening to music is also a big part of his day.
“When I was on Broadway I’d stay up half the night because I didn’t get home till 11.30 and I wouldn’t sleep till 3 or 4. My character doesn’t go on for the first 50 minutes so as soon as the play would start I would turn off the sound and start playing music.”
If his Equaliser character had a theme tune what would it be? “He’d stay away from certain music because it would bring him too many memories. He doesn’t want to open up to those emotional things.”
And just in case I was going to ask what Washington’s theme tune would be, he pre-empts me with, “Isn’t this a big TV? My TV at home is smaller than this TV but my room is bigger.”
I don’t have a TV. I watch everything on my MacBook. “Really?” he says incredulous. Yeah, because if a TV dominates the room it’s too distracting. “That’s a good point. You go to dinner and look what happens. Everyone’s sitting around a table like this.” He mimes texting.
Is that because you know the people you’re having dinner with so well you feel comfortable with them or you’re trying to avoid them? He laughs. “You’re speaking from experience and you’ve been on both sides,” he says knowingly and then checks his pockets.
“I don’t even know where my phone IS!”
On a recent red carpet, he said of fake news, “If you don’t read the newspaper you are uninformed. If you do read the newspaper you are misinformed. That quote is a hundred years old. Interesting, isn’t it? There’s fake news about me every week. I’ve died or something. Fake news doesn’t even have to be first anymore. It’s just got to be sensational.”
No wonder he’s wary of a newspaper interview.
Does he think that the film industry has changed in the post Weinstein era? “I hope so. I think there are just more rules in place. Time will tell on this one but it’s good right now.”
His daughter Olivia is an actress just starting out, honing her craft.  Does he feel that she is safeguarded as a young woman in the industry?
“Yes, plus I will break somebody’s back if they mess around with my daughter. Let that be the message to put out there. Their back will be broken.”
And all this from the man who says he is not an avenging angel.

Jeff Goldbum (The London Sunday Times Magazine, August 5, 2018)

Jeff Goldblum and Chrissy Iley
Jeff Goldblum and Chrissy Iley

We are in a small, dark supper club – The Rockwell. We are in a bohemian district of Los Angeles.  Packed to the rafters. The waiter  warns the food will take a while. But no one’s here for the food. They are here for Jeff Goldblum, to hear him play jazz piano with a curious charm.  Soon his be-ringed fingers will flash and sparkle across the keyboards.
Everybody loves Jeff. I’m not sure if that was always the case but somehow, rather stealthily he’s now Hollywood royalty. Not just for reprising roles as Ian Malcolm, the scientist in the Jurassic movies, for blockbusters like Thor and Independence Day. Not just for turning in so many expertly quirky roles including his recent gangster chief in Hotel Artemis. Not just for his iconic and still quiver making performance in The Fly in 1986. But because he survived it all. He’s 65 and has grown into his face and body. 6 foot 4 ½ no longer seems geeky. He’s sexy in a way that he never used to be.
He comes onstage and he’s so fully himself.  Random friends are texting me messages like ‘he got me through my college years’. I’m not sure what did other than be around and be a constant but he’s still doing it.
He’s in a sharp suit and thick rimmed glasses and snappy hat. He’s his own warm up guy. He plays a game with the audience called The Movie Game. Similar to that one a few years ago Six Degrees of Kevin Bacon where everything led back to him. Any film, any co-star and then it’s a direct Goldblum association.
Then, in manner of Dame Edna, he’ll select audience members, no point in cowering because he’s coming for you. In his game Would You Rather, first up it’s Johnny Depp vs Orlando Bloom. He asks “Chrissy Iley, which one smells better?” As one reviewer said “You haven’t truly heard your name unless you’ve heard Jeff Goldblum say it.” Its a great voice.
Then it’s Nic Cage vs Matthew McConaughey.  I go for Cage and tell the audience about the time McConaughey was getting a haircut and he made the stylist pick up all the hair from the floor in case someone would perform voodoo on it. I think he has researched every person I’ve ever interviewed.
Then the show itself begins. He favours cool jazz from the fifties and sixties. There’s an incredible energy to his playing and his band, the Mildred Snitzer Orchestra all have presence. He’s generous onstage. The audience whoops especially for ‘I Wish I Knew What it Felt to be Free’ which Brits would recognise as the theme tune to Barry Norman’s long running BBC film show.
He’s been doing these shows on and off for quite a few years but Decca Records picked up on his talent when he accompanied Decca artist Gregory Porter – who he met at an airport – on the Graham Norton Show.
The atmosphere at The Rockwell was recreated at Capitol Records with a club set up, Imelda May on guest vocals, Sarah Silverman on Me And My Shadow and a celebrity filled audience for the album recording of his version of Cantaloupe Island, My Baby Just Cares for Me and Straighten Up and Fly Right.
The next day we meet for brunch at the Chateau Marmont. Goldblum is wearing skinny black trousers, a multi coloured knit shirt that looks Italian and a very soft fawn suede jacket.  It’s a hug hello and I can feel it’s a body that he takes care of. He gets up at 5.30 am every day, practices piano and then works out. He became a daddy for the first time in his sixties. He now has two little boys, River Joe who’s one and Charlie Ocean who’s three with his wife Emilie Livingstone (35), a former Canadian Olympian gymnast.
He invites me to smell his neck so that at some future point I can compare his scent to Depp, Bloom etc. He smells of dark flowers. “Ah yes, the title of my first autobiography – Dark Flower.” He’s joking, of course. We agree it would be a good title. There is something dark about him but something deliciously floral.

Jeff Goldblum rocks Chrissy Iley's shades
Jeff Goldblum rocks Chrissy Iley’s shades

I’m wearing my wide, dark rimmed sunglasses so we match. We swap glasses for a quick photo op.

Jeff Goldblum's Jewelry
Jeff Goldblum’s Jewelry

He’s wearing more jewellery than me. A classic Tank Cartier watch and quirky gold and silver rings on every finger. His wedding band is platinum with rose gold on the inside and his wife Emily had put on an engraving ‘Patches plus Peaches eternal love.’
Who’s Patches and who’s Peaches? “She’s Peaches because she’s quite peachy and my first nightmare which I recalled to her was about a witch trying to tie me down on a tree stump. I was four or five years old and instead of cutting my head off she said ‘Peeeaaches, Peeeaaches.’ I told my two older brothers that dream. We all shared a room and when we went to bed at night they would all go ‘Peeeaaaches’ and scare me.’ He mimics a gurgling witchy tone.
“She is Peachy and she is Peaches and I have a nice distribution of hair on my torso but on one side, right here there’s a little bit of extra. It’s a patch so I’m Patches.”
Isn’t Patch a dog’s name? “I AM a dog!” he says enthusiastically. “I LOVE dogs.”
He was in the Wes Anderson animated movie Isle of Dogs where he was the voice of Duke.  He has a dog, a red poodle called Woody Allen. “Officially the term is apricot but Woody is darker and redder.”
Did he name his dog Woody Allen because he admires his namesake as a director or as a clarinettist? “It’s either or both”.
The names of his boys Charlie Ocean and River Joe “were not just tossed up.
I spent years before I had kids fantasising about what their names would be. What would go with Goldblum?”
Charlie had dark feelings about the introduction of his younger brother so we keep them safe and say you can hit the floor. You do not have to suppress your feelings. You can say you don’t like him but you can’t hurt him. And now there are many moments of friendship and sweetness. They bathe together and Charlie helps and protects his younger brother. River always wants to know what his brother is doing. He’s just started to walk. He’s a bit wobbly but he follows Charlie around.”
Goldblum too was a younger brother. One brother four years older (Rick who died at the age of 23 from kidney failure), the other (check name) five years older went into real estate. He also has a younger sister Pamela who is an actor and artist.
At the moment his wife and children are in Toronto with their mother and grandmother and last night Goldblum slept only with Woody. “He sleeps with us anyway. Last night it was just us and we are very close.”
Now we look at pictures on each others phones. I am showing him cat pictures, he is showing me dogs and babies. It’s almost like there’s no barrier and there’s instant intimacy, or maybe it just seems that way.  Maybe it’s all part of the smart illusion.
Actually No – he’s an insatiably curious person about all sorts of things . Where do I live? What do I like? Who am I? And I ask if this is a distraction technique just so we don’t talk have to talk about him. “No,” he says, a little abashed and refers me to his acting teacher Sandy Meisner who instructed him that the best performance was always about chemistry with other people and although this is not quite a performance it’s an exchange of sorts and I see him feeling around for the correct level and pitch of the interview. “He said you have to be interested otherwise you’re not interesting.”
Did everyone always love Jeff and how exactly did he help my friend through her teenage years? “Ah yes. I show up and sense somebody on this block having a difficult teenage time and I get them through,” he jokes, bemused at his sudden superhero status. In fact it’s taken a while for him to arrive even though his breakthrough performance was possibly in The Big Chill over 30 years ago.
There was a brief first marriage to Patricia Gaul 1980-86, The Fly co-star Geena Davis 87-90 and a brief engagement to Laura Dern but essentially over two decades as single man. When we tried to play the Would You Rather game at brunch I tell him I can’t throw female stars at him because I don’t know if he’s slept with them or not. “Well there’s that but I think it’s nicer these days in that setting to stick with men. I’m hypersensitive to the challenges of womanhood.”
Has he had experiences of female co-stars crying about having to touch the white bathrobe? “No. I was never reported to about Harvey Weinstein. I never worked with him but if you watch something like Mad Men and you have grown up in that culture you can imagine what women have been subjected to. I have had frank discussions and heard women’s stories. Who doesn’t have a story of some discomfort or even some kind of traumatic circumstance and women all over the world still need to fight and we need to fight it with them for equality and dignity.”
Indeed, Goldblum is a “nice fella”. His comedy skirts the edges of discomfort but never humiliation. He likes the idea that he’s very available. “I’m not trying too hard you know. I like the idea that I’m offering something of interest and amusement. I do it to set up the music. As a performer it’s all about a shared experience. I feel I’m hosting a show. It’s kind of like a sixties one – Playboy After Dark. Hugh Hefner early on had a TV show. When I was a kid I used to go to a special part of the dial to find it because it was at that point one of the only portals into adult sensuality. It was called After Dark and the conceit was you’re in some kind of living room, a salon and there’s talk and there’s music. He was in a smoking jacket and had couches in different areas. Ostensibly it was a party and there was a piano.”
The album has a living room party vibe about it. It immediately places you right there. It was produced by Larry Klein who is famous for producing Herbie Hancock, Tracy Chapman and Joni Mitchell.
Did he imagine that he’d ever have a jazz album? “As a kid I would write on the shower wall please God let me be an actor. I think around eight or ten something happened in middle school where I went to this camp and fell deeply in love with performing. I was baying at the moon about it.”
Was he always a person who fitted in or stood out? “Early on when I was a kid I fitted in to our little family. I developed into my own individual person and then through junior high school and high school I was a fish out of water. I didn’t fit in with some groups until I found the arts programmes in that camp. That in one way or another saved my life.”
Now he’s able to fit in and stand out.
“I had piano lessons from eight years old and studied but I didn’t study acting.
My parents both liked music, my dad particularly. If we went on vacation to Miami they would do the Mambo. They took dance lessons in the Cha Cha Cha. You can imagine that era. They also had a taste for jazz and Errol Garner. He was a famous (jazz) pianist from Pittsburgh and they would bring records home and play on the HiFi. He really is kind of wonderful so I was exposed to that kind of music early on. That’s how I got interested in jazz. When I was 15, I went into a room and locked the door because I felt it needed to be secret and I looked through the Yellow Pages and would call one club after another saying ‘hey, I understand you’re looking for a piano player.’ Most people would say no but a couple said, ‘How did you hear about this? Come down and play.’
So I got a couple of jobs when I was fifteen. My parents would drive me to them and somehow I met a girl singer who was older and could drive and I would play for her. It was never that I was trying to be a musician. It just happened. Even with this record. It just happened. I’m not saying it’s going to be my new career.”
And this career wouldn’t have happened if he hadn’t met Gregory Porter at an airport. “A few years ago I went up to him and said Mr Porter? I love your music. And then I was going to be on the Graham Norton show a few months ago and the musical guest was Gregory Porter promoting his Nat King Cole album so I offered to play the song with him. That’s how his record company Decca got the idea and here we are.”
We’ve yet to order as we’ve been talking thick and strong. He seems very in the moment but says, “I am nothing if not disciplined. I have a conviction about work ethic. When I was a kid I didn’t know about the joys of getting homework done but after that I couldn’t help but practise my piano and now I have to tear myself away. We’ve been playing for about 20 years and it just developed under the radar.  At first I wasn’t as good as I am now but I made sure I played so I could develop and memorise everything that we were playing. I would go through them most days even if I was on the road I would talk to the concierge in a hotel, find a music store down the road or play the piano in the lobby.”
So people in the lobby of a random hotel would find him giving an impromptu performance. “Yes I like to play with people around.”
Finally we get to order brunch. He wants scrambled eggs but it’s not on the menu. He doesn’t power order or suggest that most kitchens have eggs.  He goes for ancient grain bowl from the menu. He likes to eat clean.  “I get up at 5.30, do my piano and my workout first. I like to get eight hours sleep so it means going to bed at about 9.30.”
He now has a gym in his house where he and his wife workout. Emilie was a rhythmic gymnast. “Those are the dance gymnasts. They do all the hyperstretch contortions. She was the Pan American champion when she was young and she studied in Russia from 11 to 16. She’s now learnt Cirque du Soleil aerial stuff.  She doubled for Emma Stone in La La Land. She was the dancer whose body you see dancing outside the Planetarium. And that movie Valerian, Rihanna plays a part in it and every time you see her face it’s Emilie’s body who’s dancing. We met at the gym. I saw her working out and toddled over and said well you’re not the usual…”
That was his pick-up line? He stalked her in the gym? “It wasn’t a pick-up line. I was interested in what she was doing. I have no lines and formula but I did start up a conversation. It was Equinox on Sunset and that was seven years ago. I went to see her perform and then invited her to a gig. I said I wonder if she’s going to do some contortion dancing on the piano. I said to the guys we should do the song from Fabulous Baker Boys Makin’ Whoopee, the one that Michelle Pfeiffer sings. He sings “Another bride, another groom
Another sunny honeymoon
Another season, another reason
For makin’ whoopee”
And she got on the piano and she did an amazing routine. We got the dog first. We were talking about children. She introduced it,” he says with a proud daddy smile.
Everyone must have said how strange it was that he got to sixty and wanted children. “Yes, right. I had to think about that and I’m still thinking about what it all means and trying to navigate the calendar and my gift of living every day. But when she said maybe it would be nice to have a baby it was so sweet and deeply genuine. I said if you’re serious we should talk about it. I had a therapist at the time who I took her to see. Luanda Katzman – we began having several sessions over a period of time where we excavated considerations and finally we both got enthusiastic about having a child and getting married. We got married here – in the Chateau Marmont in one of the bungalows with fifty people – mostly her family.   We had already started to try to get pregnant and the day before the wedding she presented me with a sonogram saying ‘Look what happened’, so it made the wedding sweet and romantic.
I was a bachelorly kind guy of in the way I never had food in the house. The first time she opened my refrigerator I had a bottle of water and some Chinese takeout. Now it’s a family fridge with abundance all over. It’s great.”
He never wanted to have children before? “Not seriously even though I’ve been married before.”
Then he was alone for a long time. Was that on purpose or coincidence? “I never plotted it that way. There was no strategy but at this point it all seems to have been necessary and perfect, including the not having children.”
Because he wasn’t ready? “I think that may have been part of it, yes. Exactly.”
He wants to know if I can sing.  Maybe we could do a performance together.  I don’t tell him my story about when I blew Bryan Ferry off stage because my version of Jealous Guy was so much better. I just tell him no I can’t sing.
He suggests that maybe we could do poetry readings together. He once read the whole of Wuthering Heights out loud to someone. “Yes I’ve always loved Wuthering Heights and I was so touched by it I wanted to read the book to somebody. I have often read books out aloud and I’m about to do it professionally for the first time. My friend Norm Eisen who is the US Ambassador to the Czech Republic has written a very interesting book about working for Obama. He is a very wise and wonderful guy. I met him via Wes Anderson when we were doing Grand Budapest Hotel. He said ‘we have a guy who is a model for your character.’ So I went to Prague and he let me stay in the Ambassadors Palace and we’ve been in touch ever since.”
He loves food. Nothing fried or saucy. It’s part of the plan to stay healthy, not for getting good roles but for the role of daddy.
Does he think he’s going to go for a girl child? “I’d love a little girl. The other week Emilie said ‘gee I’d like to see you with a girl but I don’t think she really wants it. I think she’s happy to stop with these two.”
Perhaps he has a girl out there already who’s 25. “Not that I know of. I’ve been pretty good. If I could talk to my young self it would be to expose my young self to many lessons that I have come by gradually. I’ve not always been good. I’m still trying to learn about health and relationships and hygiene and how it keeps revealing itself to me in many more refined ways. It’s good that life happens the way it does really. You don’t get a view and no one can tell the future and it’s all a surprise.  I’m amazed and pleased at the way things have turned out. Come on, what’s unpleasing?” We make our exit where everyone seems to greet him to say hello/goodbye. I’m not sure if they are fans or friends. He’s all about making the world a happier place and at the same time he’s all about science, astrophysics, astronomy, practical ways to save the oceans.
“Science is pretty inspiring. The extent and size of the universe and the place of our planet in it. We’re fragile. We need to stick together and do right by ourselves.”
He is all about the feel good – and his gift is to make people feel happy when he plays

Jeff Goldblum debut album is out on Decca records