Idris Elba (Sunday Times Magazine, Aug. 13, 2017)

Chrissy Iley & Idris Elba
Chrissy Iley and Idris Elba

What is it about Idris Elba? Everyone seems to be in love with him. Certainly I was hooked on his TV series Luther where he played good copy/bad cop all in one.  Luther was tough and smart but also haunted. You see this haunted quality in his work and in the man himself quite a lot. You also see that he likes to deliver dichotomy to his roles.  In The Wire he was a vile Baltimore drug kingpin but utterly beguiling. His Mandela was as ruthless as it was heartfelt (for which he was nominated for a Golden Globe in 2014).

His latest role as the gunslinger in The Dark Tower also shows him as haunted but extremely violent – a hero with brutality. He enjoys al this multi-dimensional stuff. He enjoys not being pinned down. It’s his art form. The Gunslinger is based on the Stephen Kings books and King himself talks about the Gunslinger as being a concentrated force, a reticent hero and that Elba was perfect for the part.

When you meet him you see that force.

He’s a thinker, onscreen and off. He’s always weighing things up, eyes rolling. I met him several years ago socially. He was a friend of a friend, we were in the Soho House Los Angeles. It was post Luther, pre Mandela, TV star, pre film star but he carried himself with a shuddering presence. We talked about being only children – probably my attempt to bond or flirt.  All the obvious things like if you’re on your own it’s good for developing imaginary characters, a sense of self, a sense of independence but it also makes you selfish and not good at sharing.  He remembers the next part of the story slightly differently. There was a plate of cookies which we both pounced on and both announced that we never share dessert. He says he let me have them.

Today I’m waiting for him in a chic London hotel in Soho, the waiting room has a cookie plate but only the chocolate macaroons are good so I order a plate of just the chocolate macaroons. Then I’m summoned to Elba’s suite. Guess what? He has a plate of only the chocolate macaroons. Nobody has to share. Good.

He doesn’t look like he’s been indulging in too much chocolate recently. He lost a lot of weight when he was on an extreme diet for a year of kick boxing – proper matches, the lot. He looks svelte in his stone coloured ribbed sweater and navy slacks. He’s narrow hipped. I tell him he’s much thinner than I expected and he complained that I was inferring he used to be fat in that typical I’m not going to take a compliment from you kind of way.

He’s chatty and distant all at once. Extremely tired because two days after we meet he is to start shooting on his first film in a directorial role, Yardie, based on the book by Victoria Headley set in London in the late 80s, charting the life of a boy who comes from Jamaica. Maybe he’s a little daunted.

“No not really” he shakes his head. And there’s the thing. He is available then unavailable, all in a moment. It’s completely tantalising because when he’s there he’s 100% there, present, fills the room, fills every pore of himself and he fully connects with you. His presence is so strong and so sexy you could bottle it, call it Idris and it would sell out, but the unavailable thing – he courts it, treasures it. He has over one million followers on Instagram yet follows no one. Connected and disconnected, see what I mean. Elba grew up in London, Hackney on an infamous estate called Holly Street – later on the family moved further east to Newham. His father, originally from Sierra Leone worked a variety of poorly paid jobs. His mother from Ghana also worked hard at many unrewarding jobs. They were strict and aspirational as parents. They liked rules and had hard work ethic instilled into Elba, who’s always throwing himself into something. No switch off button. Life was hard and rough. The kind of place where, “I got run over once and they just drove off. But I stayed out of trouble on the straight and narrow and my parents were very protective.”

His father wanted him to be a footballer. “Even though he didn’t think English kids were as good as African footballers.” Was he any good? “Yeah but if I hadn’t been into acting it would have been music. Although I was in all the sports teams, drama was more cool. He passed the audition to get into the National Youth Theatre but his mother said he couldn’t go because he didn’t have the money.  His drama school teacher advised to him to apply for a grant from The Princes Trust. “Without that £1500 I don’t know what I would have become. It got me into drama school.”

When he prepped to become Mandela he ended up recording an album with some South African musicians which inspired the documentary Mandela, My Dad and Me.  His father died just before the movie was released and he linked Mandela, international freedom fighter and his dad, the union guy, to be the inspiration for it. Mandela’s family invited Elba to the private funeral. There he was with every world leader and when it was announced that here was the man who recently portrayed Nelson Mandela, people clapped. “All I heard was Elba, my old man’s name…”

As an only child he was close to both of his parents. I don’t detect anything but love and respect when he talks about them, although he is happy on his own. “You make up your own language. You make up your own friends.”

He tells me softly, “I’ve become less selfish now. I like sharing. I like the feeling of sharing more.” Why is that because it’s a new feeling? “Yeeeah,” he laughs, a big old laugh. “It’s different!”

How different? We have our own separate plates of chocolate macaroons. “Well it would be rude of me to offer you any of those they’re just a bunch of crumbs now. You’d be ‘no thanks mate!’” On the contrary. I’d take his crumbs.

He looked in splendid form as the gunslinger Roland Deschain in the Dark Tower. In the movie he says things like “I shoot with my mind and I don’t kill with a gun. I kill with my heart.” He is a gunslinger with depth and troubles. A similar kind of vibe to his character in Luther which he’s about to start making another four part series. Even though we all thought Luther had ended, The BBC tagline to the new series is “The face at the window. The hand under the bed. The shadow at the end of the street. Who’s going to stop them, if not John Luther?”

“Interesting you saw them both that way and you’re right. Luther is a haunted man, character and Roland Deschain is a haunted man. It’s true. He’s also a loner and he’s a very good gunslinger. He’s haunted because he’s the last of his kind which makes him responsible for the salvation of Dark Tower.  “Everything has been taken away from him and he is on a quest for vengeance – it’s become part of him and his consciousness. I do like the action and I really get into that. I’m really into the fight sequences. I love the choreography of it. Being able to work out these really complicated moves and then learning it and doing it again and again. I really love that!  It was a tough film to make but after all is said and done, I’m very glad that I made it.”

Do you know the Stephen King books at all? Not that the movie’s anything like the books. The books are very cerebral, very descriptive, very deep. You can really get into the wormholes. It’s based on eight books, each one of them 700 pages.”

Elba is undaunted by this. He’s very much a reader.  Our conversation wanders to discussing Netflix. We think we’ve seen everything on Netflix as well.  Elba is a man with an appetite.  At one stage of his life he read the book The Alchemist by Paul Coehlo twice a year because he found it transformative.  Every time?  He nods.

“It’s a story that reminds me to pay attention to being present. There are things to remember in your own life, sort of counting your blessings. Seeing something that you might deem as a bad thing at the time actually propels you forward. It’s clever and I think it can touch people. I first read it when I was 22/23.”

Was that the living in a van period? He spent a while homeless in New York looking for acting work. He did this because he thought the Big Apple had more diversity, more parts.

Back then in the early nineties, British black actors seemed to struggle to land leading roles. They were always the drug dealer or the gigolo.

He recollects. “My van period in New York was later.” Early in my acting career was when the book was really good to read.” Was that because it was hard starting out and he had to see disappointments as opportunity to survive? “That’s right.” He pulls at his beard. It’s an unconscious twiddle. And then he suddenly looks nostalgic, sad even and I wonder the haunted gunslinger, the haunted Luther – how much of this is haunted Idris?.  Is it just because he loves identifying with other people’s hauntedness? Or perhaps because he seems not to prefer not to answer questions in full sentences

“I’m not sure. If I think honestly about my characters…” his voice trails.  He’s thinking. “Luther is haunted and now this character, but I don’t think I am haunted so it’s not a trait, but I like to think that characters who have something of a past they suppress are interesting to play because there are a lot of different dynamics.”

He even made the sea lion in Finding Dory seem like an angry outsider. He laughs and does his cockney sea lion performance where he played up against his Wire co-star Dominic West. “No I’m not haunted. I feel I’m an open spirit. I’m not really afraid of anything.”

He certainly likes to test his fear muscles. In 2015 he not only entered the arena of kickboxing, he learnt how to drag race and broke a land speed driving record. As well as this he writes, he directs, he DJ’s, he raps, he sings, he lives dangerously.

“I feel like fear is a really boring waste of time.” Logically of course it is but fear is illogical.  How does he rationalise, diminish it? “It’s a muscle. It’s an exercise. It’s pushing the uncomfortable zone, going past the comfort zone. I think being an actor you get asked to do lots of things that are outside your comfort zone. Trepidation happens when you’re in your trailer and you go onset and do it. That’s the process and I’ve gone through it a few times.” And you’re saying it served you well? “Yes, I suppose so.” But isn’t the risk too much? Kickboxing is very dangerous. I read that his mother could scarcely watch the hits and he could have been a gunslinger with broken legs.

“And I could have got run over on my way here today. You can’t live a life thinking it could go bad. You go into things thinking what’s going to be great about this?

I’m directing a film at the moment. That’s what I’m really doing so I’m sort of low energy today. My brain is a little fried.” You can expect first time directors to be a little haunted but Elba doesn’t come over as quite that, just simply tired from learning how to work the new demands of the film director.

But there again Elba has a kind of super brain.  He once read that we only use about 12% of our brains so he began working on how to access the rest of his brain and become superhuman in the process.

“Well yes. I’m not sure whether doctors think it’s possible to expand your brain capacity, but there are certain exercises – rubbing your belly and tapping your head at the same time that extends capacity.”

I had a friend recently who did brain training. It’s all the rage in LA. My friend showed me some exercises that were crossing one arm and using the other to tap his ear.  Elba nods enthusiastically. “If you push that even further and do more, do everything that you can, all the different things that you can do, I feel you can push capacity. So putting the same amount of detail into DJ’ing as you do acting means that you can push the capacity of the brain a little bit more. I’ve got a theory that the answer is yes. People think I’m good at this and that’s all I can do and I’m saying if you did something else you’d be good at that as well.  Listen I’m going to be 45 this year. Life expectancy is about 80. I’m over half way there so I just wanna live – live more. I just wanna do everything.”

So that’s one reason he’s directing. “Yeah… It’s a human story about a kid from Jamaica who comes here. I play a small part in it as well. It’s being shot here and in Jamaica. I’ve written parts of it. Well I’m not really a writer.  I’ve rewritten parts of it. The writers have written it but there are things that I’ve jigged about. I’ve also got The Mountain Between us (with Kate Winslet) and Molly’s Game (with Jessica Chastain) and Thor (with Benedict Cumberbatch and Cate Blanchett)  coming out this year. It sounds a lot but they were shot over the last 2 years and with the exception of Thor they’re all leading roles.”

So how was being stuck on a mountain with Kate Winslet? He laughs very naughtily. I’m not sure why. “You’ll have to wait and see,” he says.

The kickboxing overlapped the movies. They weren’t all planned to come out at the same time. It just happened that this is the summer of Elba.

“The end of my fighting was the end of last year but I’ve been doing a lot of DJ’ing. It’s a reset button. I love it. I’m falling in love with it more and more and I’ve been making music as well.” Yes, there’s one track called Sex in your Dreams where the lyric talks about ‘a dick thick like homemade butter’. I ask him to explain.

“Homemade butter,” he says deadpan, very serious. “You won’t get me going on that one. “Homemade butter is what is says it is on the can.” But butter is soft. He says, “Homemade butter?”   I’m slightly confused. I tell him I don’t’ get it.  I don’t get it at all. If he made it would it be runny or thick?  “Thick because that’s the way you like your butter.”  He pauses then laughs.  I’ve really no idea what we’ve been talking about but it feels like it was very filthy. He tell me that when he went on James Corden’s show Corden asked him about his homemade butter lyrics so when I met Corden I asked if he could shed any light. He didn’t know either. Maybe that’s an only child thing. The need to have thick butter? “That’s right that’s right. You need that butter.”

I wonder if being an only child influenced him as a father. He has two children – a daughter Isan now 14 (born 2002) and a son Winston aged 3 with different mothers. “I don’t want to talk about my kids today. I can’t talk about being a father without talking about my kids. I love being a father. It’s my favourite thing.” But then we would talk about how busy he is and how he’s away a lot of the time and how he probably doesn’t see much of them and he wouldn’t want to talk about that that. “But I DO see my children. I see a lot of them.  I live a busy life. But I love being a dad. It’s very fulfilling.”

There’s a pause of non-flowing conversation and to make it even more awkward I ask him to clarify details of his wives and girlfriends. He was married to make-up artist Hanne Norgaar in 1999 and they split up shortly after she gave birth to Isan after 3 years. He was going through a very transitional phase and then he had a very brief marriage of only 6 weeks to real estate attorney Sonya Nicole Hamlin and his current girlfriend Naiyana Garth is described as being on/off. Is that correct?

“On an off with who? I’ve been married yes, married again, yes and I’ve had a girlfriend for a long time. That’s right.” Long pause. “But I’m also human. That’s normal I think.”

I’m not sure exactly what’s normal, all the details about his being human but one certainly sees or hears of him linked to various beauties like Jourdan Dunn (actress and model) and he’s also got about 35 years left and lots of women want him. He said recently that suddenly his demographic of women who fancied him had increased. That it used to be one demographic, now it’s older women, younger women. Basically all women.

He laughs, not bashfully though. “A lot of people find actors attractive. They find a certain man attractive and he’s an actor. He’s very attractive. It’s amplified because of what we do for a living. The point I was making is it’s not just the girls in my neighbourhood but everyone. Well not everyone but a lot of women.”

We’re staring at each other. It’s one of those very connected and not connected at all moments and the PR pops her head round the door. “Last couple of minutes.” OK, the moment, if there was one, was gone, so I change the subject completely.  Apparently President Obama is a fan. “Oh yes Mr Obama. What a lovely man. What a kind human being. What a good leader and he was a fan of The Wire, or he liked the character called Omar, not my character. But he had the grace to tell me I like you too and I’m just getting into Luther. His wife Michelle was well into Luther.”

I can imagine. Why do you think Michelle liked Luther? Because he’s complicated.  Because she likes complicated?

“OK, yes, yes, you’re right.” So where did you hang out with the Obamas? “We had dinner at an event he threw.” Did he share dessert with him?

“No I didn’t have dessert. I was on my regime where I had to lose a lot of weight.  I had to cut out certain food groups like sugar and gluten, very low carb and I had to eat fish and chicken.”

Was he forced to have it steamed? “No, baked and every now and again I had it…” long pause, eyes roll, “I had fried chicken.” I’m not sure why but the way he says fried chicken is as if he’s saying fried sex, he makes it sound really, really naughty. “I’ve lost a few pounds. Are you saying that you remember me really chubby?”

No, I’m saying. that he is now looking very fit. “I’m only teasing you. I do remember the whole plate of cookies that we demolished. I think if you remember, it was you who ate the cookies. And I was like I don’t share desserts, you have all of them……. I like your bag,” he says. My Bag has a cat on it and says Meow. He sits on his couch, still looking a little tired, purses his lips and says “Meow”.

The Dark Tower is out Aug 18

James Corden (Sunday Times Magazine – July 2017)

Outside Television City in Los Angeles – the CBS building – here’s a giant billboard of James Corden smilingly promoting the Late Late Show, which has been one of the most runaway successes a television host has ever had. He inherited the show when it was bottom of the rung for guests and viewers alike. Now The Late Late Show’s You Tube channel has over 2.6 billion viewers and after his first year the show was nominated for 4 Emmy Awards in 2016. Once inside he reminds me that he’d been working at CBS for nine months and the show had been on air for several weeks and he still had to show ID to get into the building.  Not any more. In 2015 he was knocking on publicists doors hopeful to get someone to sit on the sofa and he could only dream that proper stars could do Carpool karaoke with him. A year later he’s driving around the grounds of the White House with Michelle Obama and Missy Elliot singing Get Your Freak On.

I’m here to watch the show, which is fast paced, high energy and filled with joy.  The guests were Diane Lane, Benicio del Toro and Michael Fassbender.  And a new Carpool Karaoke with Harry Styles was premiered. I’ve sat in taped talk shows many times. They’re usually boring with sound bites edited and re-taped, mistakes etched out and filmed over. Not here. It’s a continued burst of infectious jaw aching laughter and pace with the odd self-deprecation where he’ll say things like he thinks he’s thin until he watches the show back. But more of that later.

Afterwards in the green room I tell him his show was great and he seems genuinely touched, modest to a fault. He’s bringing the show to London June 6-9th He’s more anxious than excited about it.  The UK loved him as a Fat Friend (he co-wrote wrote with Ruth Jones of Gavin and Stacey fame) and in Gavin and Stacey but then he became scrutinised. He could do no wrong and then he could do no right. He was called arrogant. His sketch show with Matthew Horne was panned yet on stage in One Man, Two Guvnors he enthralled. He took it to Broadway in 2012 and this in many ways set him up to become the talk show that he is – part musical theatre performer, part television actor, part existential joy. The guests all love him. He manages to be funny without being cruel. A rare gift.

The next morning I see him on the rooftop of the CBS building. He’s mid shoot and pretending to eat a chip from a newspaper wrapping. Quintessentially English but not necessarily quintessentially Corden. He tries to be good about the chips and he’s already done an hour in the gym. Once we’re ensconced in his office he abandons his desk in favour of a cosy sofa and comforting green juice. He shrugs, “I try.”

The office outside is filled with rails of suits and shoeboxes from Prada and Paul Smith. In one of the boxes is an award from Victoria’s Secret. TV’s sexiest host. He blushes pink and shuts the box tight.

With Corden there’s no interview tightrope walking. There’s no awkward moments. There’s no warm up. He’s very much as he is on TV. Always on always present, always to the max. Producers and assistants weave in and out to ask questions about the London shows. He asks them if he can tell me who the guests are or anything about it. They tell him no and he obeys.

Is he excited to return to the UK with a super successful show? “I feel more anxious than excited. Shows have gone across America but taking it to the UK brings a lot of technical problems.  What does the stage look like? How do we build the set? How do we afford it?”

Is he also anxious that the Brits may not embrace him in the same way as the Americans? You see him thinking as if it’s the first time it’s occurred to him but he’s used to people embracing him and then not embracing him.  “I guess, maybe but not really.  I think we have to be mindful that we are making a show or a predominantly American audience but it airs in 150 countries so were just going to make it as exciting as we can.”

So the guests that you’re not going to reveal. Do you choose people that you love or people that you already know? (he always seems to get on intimately with the occupants of his sofa). “I never know who they’re going to be till they’re here at the show. Most people are lovely and the environment of our show is warm and we just create organic conversations as much as you can.”

Of course nothing was organic as the start of his because American publicists did not want their clients to share a sofa with other guests. They were used to the traditional talk show format with guests coming on separately. “That’s where Graham Norton’s show was unbelievably useful.  We couldn’t book anyone for a long time.  The show traditionally had not been a slot with the widest of audience and after driving around to publicist’s offices they would often say my clients don’t sit with anyone else and I would say but they already did a year ago on Graham Norton. So we were starting below zero and that can be incredibly daunting. But what you have to do is take in all of the negative and make them plus points and people love an element of discovery. And as much as I was painfully aware of how unknown I was here, I had done my 10,000 hours.”

Malcolm Gladwell said you had to have done 10,000 hours of something to be good at it in his book The Story of Success and now in a total of 2 years, on You Tube alone, 2.6 billion You Tube views and ten million subscribers making it the fastest growing subscription channel in history. “It’s lovely,” he beams. There’s a padded heart on his shirt which seems a perfect metaphor. He’s wearing his heart on the outside and he’s not afraid to show the love. People feel at ease with him which is why Carpool Karaoke – the guests and James sing as they drive around in a car – works so well.

“There’s a humanising environment.” Oddly Mariah Carey was the first Carpool Karaoke of the Late Late Show although the idea had been premiered with George Michael back in 2011 and Gary Barlow for Comic Relief in 2017. Was he nervous? “Not really because I knew it was a good idea but in many ways I’m always nervous. I’m a fan of nerve. Nerves are good because if you’re nervous of something it matters. You want to do your best.   Like when we did One Man, Two Guvnors I remember so vividly the first preview of that show at the National Theatre. I wasn’t onstage for the first seven or eight minutes and I’d wait behind this door. The most nerve-wracking moments of my career have been behind that door and the day before this show started airing and I was behind the curtain and you know there’s a moment where you’re going out on the stage you have to enjoy nerves.

Does he fear being judged? “Of course, everybody does.” You’re only ever setting out to do something that’s your best. No-one sets out to do something bad.  You just want any criticism to be fair.” His eyes look a little distant. A little pained. Ever such a little.  Perhaps because there was a tine I the UK where criticism was heaped upon him. Was that one of expected? Was it one of those we’ll build you up to knock you down? Themes? He wasn’t allowed to stay on a Gavin and Stacey high forever. He nods. “It got out of proportion perhaps but the fundamental ting was the work I was doing wasn’t good enough. The sketch show (with Matthew Horne) wasn’t good enough. I hosted the Brits not well enough and then the film came out called the Lesbian Vampire Killers and it was awful. Really bad. But in many respects I’m thankful to it because it makes you realign yourself and think this is a serious thing and you’ve got to take your work seriously. The only time I got obsessed by it was the only time I felt there was an enjoyment I the bashing.”

I’d meant to warm up to this moment. I hadn’t meant for this difficult stuff to come so early in our conversation but he doesn’t mind. “Also something has changed in the retelling of this that somehow my career was over. I was responsible for the film, the Brits and the show that wasn’t good enough but it wasn’t like my career was over. At the very point that all these things were happening I was writing series 3 of Gavin and Stacey the most anticipated comedy of the year. So if that’s my low point I’ll take it.”

The shows finale which went out on New Year Day 2010 had an audience of 10 million and considering the show started off on the scarcely watched BBC3 this was an absolute milestone.  Does he feel he’s more appreciated in the US because Americans like a warmer tone and maybe the British humour is crueller? “No. Victoria Wood was warm, French and Saunders were quite warm. I don’t subscribe to that notion. “I don’t have any interest in making people feel uncomfortable. It’s not enjoyable to be constantly elevating yourself as a superior being which is what it is when you’re mocking someone or something. It can be funny once or twice but it’s a sure-fire way to get your show cancelled if you have one note and one tone. You have to keep changing it up and making it interesting for people.

I think the biggest difference is America doesn’t have a national press. It’s harder to get a momentum going…” The Corden bashing seems to him “a long, long time ago. It was before I met my wife about 8 years ago.”

This co-incides with a period where he seemed to be looking for love at all the wrong parties. He was on/off with Sheridan Smith then he met his wife Julia who worked for Save the Children and has been described as ‘a hot Mother Theresa’. He chuckles, “That wasn’t my line. That was Ben. Ben Winston my best man (and producer at CBS). It feels like another lifetime. Then I did a series called The Wrong Mans which I’m very proud of the I was in Into the woods and then I moved to America and launched this show. I’ve had my ratio of hits to misses. I hope I’m on the right side of hits. The misses had zero impact on my career. I never felt I came here and had to start again. I just carried on. Some people wrote things which weren’t very nice but you carry on. I think there’s a fine line between confidence and arrogance and I would say I haven’t always trodden that line properly. I can understand why people might think I’m arrogant but I also don’t think it’s true.  I do have a sort of confidence if you like which can be perceived as something different. I don’t even know if that’s true. I think you can’t sum up the people of Britain buy what a few journalists have said. You can find something bad in anybody.”

And as Corden well knows, you can also find something good in anyone or any situation. “Part of the reason we want to take this show home is we felt a huge and overwhelming sense of positivity from the UK.  To appear on Carpool Karaoke you can’t take yourself seriously, yet Corden has had Adele, Michelle Obama, Stevie Wonder (driving) Madonna, One Direction, Katy Perry. Harry Styles, Red Hot Chili Peppers and Justin Bieber singing live with Corden, all of which have gone global. He has introduced a new audience to the show so they feel invested in its newfound success. Carpool Karaoke has had a zillion Facebook shares which means there’s a genuine anticipation for his return to the UK.  And I think he returns to feel the love.

Corden was born in August 1978 (38) in High Wycombe, the only boy with two sisters. His father was a musician in the Royal Air Force and is now a Christian bookseller. Corden seems remarkably well adjusted. His childhood was nothing like Oranges Are Not the Only Fruit but when he grew up both of his parents were in the Salvation Army. “Being in the Salvation Army was a huge part of our life until our parents realised that the particular Salvation Army we went to was full of the least Christian people you could ever meet. They were people who just wanted to wear a uniform.”

His mum and dad had the uniform but he left before it got to the stage of him wearing gone. “Maybe all churches are strange organisations because religion is one thing and people are another.” Is he still a Christian? “I don’t know…” There’s a pause while we shuffle cushions around on his couch. “I struggle with it sometimes. I am not one to question science. Science is great but at the same time if you’re growing up in a house but have the overwhelming feeling that all of this can’t be for nothing, it means you don’t know.  I don’t think it’s as cut and dried as heaven and hell but I hope there’s something else.”

Now a few years back when he was going through a bad time his mum and dad came round and his dad said, “We should all pray,” and they did. He found it comforting. “It was essentially my parents saying ‘you’re not on your own now. We’re here.’ And it’s incredibly moving when you spend any of those moments with your parents. I feel very fortunate that I’ve always had supportive parents… they pop up in the show and I’m sure they’ll be in London every night. My dad will be playing in the band.” (He plays saxophone, clarinet and flute).

They were in the audience at the Grammy’s and possibly will be again next year when he hosts the 70th Grammy’s in Madison Square Garden. This ear he’s not doing the Tony’s. “I felt I might have a little too much on my plate but the Tony’s is one of the best nights of my career.”

He was really at home on stage there. He knew everybody who was winning and losing. “It was an unbelievably supportive room.”

I’m not sure if it’s thinking of his recent trip to New York on the red eye and back again the next day but he yawns. I yawn. Why is yawning contagious? “It’s weird isn’t it? Also why can’t you tickle yourself?” we laugh.  It’s a very good thing laughing is contagious. “We bank on that on our shows. Last night he’d had a drink with Michael Fassbender and Benicio del Toro while Harry Styles was rehearsing. “It was lovely,” he smiles “And Harry. I’m very proud of him. I believed in all of those boys.”

At one point Styles moved in with the show’s producer Ben Winston who was like a godfather mentor figure. Did he ever have a mentor? “There have been people who have been unbelievably influential. Shane Meadows who cast me in a film called 24/7, a boxing movie with Bob Hoskins. He was 24 at the time. If you’re 17/18 working with a director who’s 24 you think oh, you don’t have to wait to do anything. You can just do it. He was an incredibly influential person in my life and the other one is theatre director Nick Hytner. I’ve worked with him twice in the History Boys and One Man Two Guvnors and these were both incredibly formative points in my life. I remember when I watched the first cut of the first ep of Gavin and Stacey. I was incredibly down and called him and he said are there three moments that you think are good enough and I said yes. I suppose so. And he said if you think there’s three there’s at least 10. It’s a bit like if you watch the movie of the book you wrote you’re visualising what was going on and what could never ever be but the more you live with what’s on screen the more you’ll fall in love with it.” He was completely right.”

Fortunately for Corden a lot of people fell in love with it.  Corden created Gavin and Stacey with Ruth Jones when he saw his peers, the other actors in The History Boys and his flatmate Dominic Cooper being offered roles in movies – leading roles and he would get offered the fat boy who delivers a TV to Hugh Grant. If there was no future for chubby boys as leading men he would have to create one so he and Jones created Smithy who was so loveable in Gavin and Stacey.  Does he miss acting? Being onstage? Acting on TV? His schedule is so intense it makes it almost impossible although he did do a few days shooting for a little part in Oceans 8.

He also plays Hi Five in Emoji Movie which opens this summer. It’s a big part and it’s super cute but it’s animated voiceover so it’s the kind of movie you can show up in your pyjamas and still do a great job. From doing so many TV shows he’s not only put in his ten thousand hours but his comedic timing is honed to perfection.

“I’ll be really disappointed in myself if I didn’t do another play.  I’m doing this show 4 days a week but not 4 days a week until I die.  We’ll see. We’ll burn that bridge when we get to it.”

Corden was always a natural actor and prankster. When he was about 13 “I called in Richard and Judy on This Morning and told them I was being bullied at school. I was off school on a teacher training day but my Auntie Marilyn recognised my voice and called my mum and then I had to hang up. I’m not proud of it but I guess there were worse things I could have been doing at the age of 13. I said I was Chris from Buckinghamshire or something.”

In reality he was never bullied at school. He was never the fat boy who had to make jokes to be popular, and he even says there were plus points. 2my size and shape has helped me as many times as it hasn’t and that was the very thing that made me want to write.  That’s when I started talking to Ruth Jones about Gavin and Stacey.  There were eight of us boys as History Boys, all of similar ages and points in our careers and I’d be the character who’d drop a TV off or be the newsagent and everyone else was coming in with film scripts under their arms. And I had to think I’m only being offered these parts because some people would say if you look a certain way you’re not interesting to people and your stories are not as valid as other people’s. I always felt like I’d be offered a lead in something and then it became clear that that wasn’t going to happen and that’s when I thought OK. I ‘m going to have to muscle my way in here because no one was saying come and have a seat at the big table. That’s how the writing of Gavin and Stacey came about.”

His weight has been constantly fluctuating. He’s been stones bigger than he is now and lighter. He lost a lot of weight doing Amelia Freer diet that was successful for Boy George (look up) Her book was Eat Nourish Grow. “It’s always going to be a constant battle. I went to the gym this morning and look at the green juice. I’m trying.  There’s so secret to it. It’s eating less and doing more and trying to avoid bread. That’s my biggest weakness.”

And what about drinking? “I don’t really drink very much. I’ve never been a big drinker. I’ve never been let’s get a glass of wine. There’s a delicious cocktail at the Soho House called Eastern Standard and I like them but my biggest problem is avoiding toast. My children are always eating toast. Me and my wife in bed with marmite on toast at 10.30 watching Big Little Lies.” He beams, an extraordinary ear to ear blissful beam.

He has a six year old son Max and a 2 year old daughter Carey. “There’s not a diet I haven’t done. I’m trying to be good and going to the gym and there’s a dance class I like to go to every now and then.”

Is he not too famous for a dance class open to the public? “No, clearly not. Who is too famous to do a dance class?” Harry? “No he’s not.” Katy Perry? “No. once you’re in it you’re in it. You can’t start living your life like that.”

I tell him about when I did a Pilates class with Nicole Kidman and there were 300 paparazzi’s outside the watching us leave. He enthuses about the dance class. “It’s called Plyo-Jam and it’s dance using Plyometrics. Lots of jumping and moving and sweating for 45 minutes and old fashioned fucking star jumps.”

He finishes off his green juice. Very LA. “We’re here for another few years without question unless I get fired. We’ve just bought a house and we feel very settled as a family.”  Does hot Mother Theresa Julia work? “Yes. She’s got an amazing job looking after two and a half children – me being the half.” Where and how did you meet? “Through my old flatmate Dominic Cooper. They’ve known each other for years because they grew up in Blackheath. He introduced us.”

Was it love at first sight? “It was for me. I doubt it was for her but for me she’s incredible. People always talk about me and how much work the show must be but it’s nothing compared to what she does. Our daughter was only twelve weeks old when we moved here. I had to come out earlier because my daughter didn’t have a passport. It was a massive thing to just pick up our life and come here, you know.  And we’re happy because we’re together all of the time. It’s not like I’m doing a movie where I say I’ll be back in a few months or a play with eight shows a week where every night you’re on your own. Predominantly this show is me being here in this office coming up with ideas and then we go and shoot stuff and do the show. Home every night.”

So in a way it’s more stable for them as they see more of you. “Without a question. Yes. I’m off at weekends and that’s just glorious. I watch football on TV and play with my children.” Is he a good husband? “I hope so, yes. I certainly try to be.” Was he a good boyfriend? “I hope so otherwise I don’t think she would have said yes.” What about other relationships. His on/off with Sheridan Smith. Was that fun? “Yes,” he says hesitantly. “I really don’t want to talk about other relationships in my life because I wouldn’t want to read about my wife’s ex- boyfriend. I don’t know if Sheridan has got a partner but I don’t imagine he would want to read about fun times that we had so I always try to be respectful.  We certainly dated for a while.”

Does he stay in touch? “No, no. I don’t. No.” Is that because your wife wouldn’t like it? “No. it’s because we were together, then we weren’t.” And that’s it? “Yes.” Seems very definitive. Is he like that? “I don’t know if I’m like that or not but that’s the situation. My previous girlfriend before that, Shelley, I was with for seven years. We lived together and I think there’s a reason you stop being together so then to carry on in any other way is not my thing. It’s not anything that I’ve ever thought about doing. It doesn’t mean there’s any acrimony but it’s just not part of my life.”

It seems weirdly brutal if you think about it and especially odd for a man who’s so full of warmth but it has a logic to it. Things aren’t working, no children involved. You get on and concentrate on another relationship that IS working.  Is he the same person at home as he is at work? As full on? “I try to be but sometimes the days here are a spiral of constantly talking and I get home and the last thing I want to do is talk. However my wife would have spent the day talking less so I’ve realised is wherever you are and whatever you’re doing you just try to be present in that moment right there. Like I’m trying to be as present as I can in this interview as opposed to thinking after this I’ve got to do this, I’ve got to do that. It’s the same in your home life. I try to be a present father and a present husband. It’s something you have to learn to do really.”

Does he sleep much? “Are you kidding? Last night I slept like a baby. 10 o’clock until 6am because the last two nights I was on a plane to New York and only got three hours sleep on a plane. Not fun but sometimes you’ve got to do it. You just don’t have any choice.”  He yawns again. “I could genuinely fall asleep right now but I’m not going to. I consider my job being the thing I have to care about every single second until the moment the show begins. Then all I have to care about is enjoying myself. That’s all I can do.

Boy George (July 2017)

When I first met Boy George – lifetimes ago – in the early nineties, everything about him was a melodrama. He could be charming but he was also outrageous. He was always in trouble for saying the first bitchy thing that came into his head. He definitely did not understand boundaries. That was what brought him success but it also brought trouble. At the height of his fame, he was hooked on heroin. Friends and family didn’t expect him to survive. His younger brother even went on national television to expose the addiction, a desperate cry for help. George was always extreme.

We are astral twins. Born on the same day June 14th. We share this bond with Che Guevara and Donald Trump.

After the plea for help, George was arrested for possession. Over the years, his life continued to spiral. The arrests and run-ins with the law stacked up – all awful, predictable stuff. Then, in 2007, he was sentenced to 15 months in prison for false imprisonment – he chained a male escort to a radiator.

A decade after this rockiest of rock-bottom moment, he is back on top of the world. After first appearing as a judge on the Voice UK, George has somehow rehabilitated himself via the unlikely medium of mainstream reality television.

In the US earlier this year, he was the runner-up in Arnold Schwarzenegger’s Celebrity Apprentice. In Australia, he has become a household name once again after a feisty role as a judge on their version of The Voice.  In supermarkets down under, kids who are far too young to remember Karma Chameleon and Do You Really Want to Hurt Me ask for selfies. “It’s funny that I’m so popular with seven, eight, nine years old,” he says. “These kids were really sweet – no attitude. There’s this niceness about Australia, it reminds me of England in the seventies.”

He also finds himself settling back into life on the road. After sporadic reunions, he and the original members of Culture Club set off to tour on a  wave of 1980s nostalgia, first in North America (“land of second chances”), now the UK and, towards the end of the year, Australia. “We haven’t had a big row for years,” he says of his bandmates. “Even when we do argue, it gets resolved quickly.”

“I could be more fluid if I did my own tour. With Culture Club, the view is that the audience expects certain things and that’s what we’re going to give them. Rampages on stage are a thing of the past. It’s not that everybody loves everybody but we’re very structured.”

Structure is clearly a new thing in George’s life. After a lifetime of undoings, accelerated by drugs, his years of sobriety have given him clarity.  He looks back on the old days with amusement, bemusement and, for the good times, a fair dose of nostalgia but now, as he puts it, “I’m happy.”

Are you in love, I ask the man who sang I Just Wanna Be Loved

“No.”

Maybe that’s why you’re happy.

“Yes, maybe. I’m not in love but I’m open to persuasion. But I’m quite busy at the moment and I’d rather be working than loving. I’d rather get paid than laid.” Just like the old Boy George. The one who said he preferred a cup of tea to sex.

Work, work, work, then. When he’s not touring, he’s working on his new album. Next year he will have a residency in Vegas with Cyndi Lauper. He’s excited about being a star in Sin City and just how “fluid” that show will be.

But the fluidity has strict limits. Today, he is as dedicated to life as he once was to destroying it.  “I talk a lot with my closest friends about happiness,” he says. “I try to find happiness in almost anything. Going to Starbucks, watching videos about new exercises, like ones you can do on a flight when you clench your buttocks.” We practice clenching and he bursts into laughter, neatly exemplifying the point. He likes to fit in a few moves as he walks down the street to Starbucks – if you cross your arms over your chest you burn more calories as you walk. “Finding happiness instead of misery at any given moment is not always easy but I do think it’s the key to survival.”

Food was the last excess to go and, after years struggling with his weight, he’s now back to his skinnier original self. He’s on a regime where he has to wait several hours between eating. Sugar is banned and exercise must be regular but, again, there are limits. “I have been reading articles about naked yoga classes,” he says. “Nudity is the enemy of style and I would never do it.”

George has always been about individual style. He is very anti the selfie generation. “Everybody on Instagram looks the same. Everybody looks like Kim Kardashian.  I suppose we had a version of the selfie in the eighties when we would dress up and go to a photo booth but you had to make an effort. You had to have a bit of pioneering spirit. There was never the opportunity for such narcissism before.

Today, he’s using what he learnt in the photo booth to build a burgeoning modelling career.

“I thought if I could do some modelling in my fifties that would be a real triumph,” he says. “You know, you’re always looking at these things as a measure of where you are.”  So at 55 he became a model for Dior. “I like to start at the top.”

He’s even taking up a new career in art and he’s planning an exhibition. “It’s a mixture of painting and graphic stuff with a narrative starting in the seventies, being the decade that really shaped me as a person. Glam rock, punk rock, all of the things that have remained my aesthetic. I’ve never lost my love of Vivienne Westwood. I don’t know where the exhibition is going to be but I’m very serious about it, even though it just started off as me doing stuff and people really liked it. A lot of my career moves have been accidental.”

There’s no doubt George looks good but be careful how you tell him that. “It really annoys me when people say you look good for your age,” he says. What does that mean? I’m like fuck off.”

Back in the very beginning of George, there were almost no gay pop stars. Obviously he was gay. He came out to his mum when he was 14.  During his acceptance speech for best new artist at the Grammys in 1984, he said: “Thank you America. You know a good drag queen when you see one.” It was, of course, the first thing that came into his head and, even though it was obvious that he was gay, it still made his press agent weep. “It was a period in history where people didn’t want to have it confirmed,” he says now. “Radio stations stopped playing my records. Oh well. Can’t turn the clocks back now.”

George has never hidden who he is, unlike the other eighties George, George Michael. In the eighties, the two Georges were compared constantly “We both were called George. Of course we were rivals.” Boy George had plenty to say about George Michael’s reticence to come out. “It was the eighties. That’s what people did. They were bitchy.”

Boy George said everything that came into his head. George Michael was the opposite.  He didn’t use drugs flamboyantly but he used them consistently, and never attempted a clean-up. He only came out after his mother died because he knew she would have worried about AIDS.

“I cried when George died,” he says now. “I felt very sad. You know I was never close to George. We never really became friends. We tried a few times.  We had a lot of mutual friends. There were a few evenings where the girls from Bananarama tricked me into going for dinner and he was there and whenever we met we got on great.  We had more in common than we didn’t.”

“Don’t you think that there was lots of stuff that was manipulated about him? If shower them with luxuries you are partly to blame as well.  I feel you can always separate what you think about somebody on a personal level from what you think about them artistically.”

“I’ve been listening to a lot of George Michael’s music recently.  I made a playlist the other day as a reaction to when someone put the boyfriend’s 999 call online.  I just tweeted ‘I’d rather hear this’.”

People always thought of George Michael as an outsider but Boy George was just as much of an outcast, albeit for different reasons. “Back in the day I used to be not invited to quite a lot of things. Remember that song, Don’t bring Lulu she messes up a party? That was me.  During the eighties I would hear about these fabulous Elton parties that I was never invited to. There’s a price for being opinionated.”

Today, he is far from reticent but he is certainly slower to unleash his feelings. “As I grow older I think I get better at being a human being,” he says. “I’ve got better at not saying everything that I think because I do believe in our most intimate relationships, we are held together by the stuff we don’t actually say.  I try to not put myself in situations that are bad for me like eating the wrong things, being unreasonable.  It doesn’t necessarily stop you doing A, B or C but the clean-up is quicker.”

It’s taken him all of his 56 years to get to this point. For most of his life, his first reaction was an extreme one. He was quick to explode with pain, anger, rage, whatever, and just as quick to get over it.  “Perhaps that’s because I grew up with a father who would throw the entire Sunday dinner on the floor and then be, ‘OK let’s put the kettle on.’ He would be fine so everyone else had to be.”

His father Jerry was a boxer and a violent man. When he walked out on his mother after three decades of marriage in which they raised six children, their relationship broke down altogether. They made up shortly before he died and these very different days, George enjoys boxing as part of his fitness repertoire. But he has had plenty of time to process his feelings on fame and bad behaviour.

“When you are successful, people allow bad behaviour just to get things done,” he says. “For instance if a record company is trying to get you on a TV show and you are behaving appallingly they condone your behaviour just to get you to the microphone. If that is repeated over a period of time, you start to think it’s OK. The good side of things that I learnt from my father is don’t dwell. I don’t hold grudges. There isn’t anybody in the world I wish harm to but I said some things that I shouldn’t have just to get a laugh.”

One thing he hasn’t got over easily was the death of David Bowie. Without Bowie there would have been no Boy George, no Culture Club. He was the major influence on the teenage George O’Dowd. “I knew he wasn’t well but you never know how unwell,” he says. “He first got ill in 2002. We were talking a lot during that time and then, quite suddenly, communication halted. I never really understood why. I didn’t know what I’d done wrong so I took it personally.  We were never big mates but I did feel like he was my family. The first time I met him I’d just been dropped by Virgin and I was backstage at a Nine Inch Nails and Bowie gig.  All the heads of Virgin were there so it was awkward and then Bowie opened his dressing room door and shouted “Georgie Boy!” and gave me a big hug. He was very real, very genuine but, of course, he was complex too. He managed to create this mystery around him. The worst thing that could ever happen is that people think you’re ordinary.”

Of course, he’s right. Ordinary is bad for business, but isn’t it also important if you want to stay sane, saty balanced?

“I don’t know, maybe,” he says. “Maybe nowadays, I can be ordinary.”

To the point of settling down.

“No, that’s not for me. Everyone thinks I’m alone and miserable but I have suitors. I’ll never go hungry. When people say where is this going, I say why does that matter? In that respect, I’m an old-fashioned gay man. I like that fact that being gay exempts you from the military. Gay marriage?  Of course you should be able to do whatever you want but I don’t want to marry anybody.  I’m happy with my own company. I can close the door and watch TV. I can have people come to stay but I like to see the return ticket.

“I don’t do the App thing. The worst thing that could happen with one of those is ‘Do you know who you look like?’ I prefer a cool customer. I’m not interested in anyone who’s a little bit eager.  If there are 30 people in the room I’ll be interested in the one who isn’t giving me attention. “

With sobriety comes emotional self-sufficiency. Or maybe that was always there. “I think I am emotionally self-sufficient. I think you have to like yourself.  I’m quick to judge and quick to say I was wrong about all sorts of things. Of course I make mistakes. Some people are exciting to be around and that’s fun.  Too much of it is exhausting.”

I leave the new Boy George checking out the contents of the many hat boxes in his room, just a small part of his distinctly unordinary collection of beloved, bejewelled head gear. He is still exciting to be around. He is a long way from ordinary but he’s a long way from the old Boy George too. He’s survived the dark years, he’s paid the price of fame and he’s happy on this side of the boundary.