Katy Perry (Stella Magazine, June 24, 2012)

I am inside the library of MOCA in downtown LA. Outside we hear the haunting vocals of Katy Perry telling us ‘…let’s go all the way’. She is rehearsing for a charity performance at a huge gala. The day before she was in London for one of the first screenings of her documentary film Part Of Me.
She walks in purposefully, a tiny powerhouse who dismisses her giant security guard. She is in track bottoms and hoody, beige with peacock motif and cream scoop necked T-shirt. Her face make-up free except for a very pale base. Her newly purple hair pushed back into a ponytail. Most of the time the under her hoody. Her eyes look rather large and owlish behind glasses. There’s not even a trace of sleeplessness, jet lag; only focus.
Her wit is quick and her mind is sharp. You are swept up in her enormous drive. It seems like she is taking everything in her stride and that everything is within her dainty manicured grasp. But as the documentary Part Of Me shows, there are many parts of Katy Perry.
The super hard worker whose work ethic is beyond most pop stars or indeed women of her age – 27. An ambitious visionary who is kind to her fans and loyal to her friends, and a vulnerable woman who is not afraid to cry and be filmed without make-up.
The movie was filmed over the course of a year. A year which saw Perry achieve phenomenal success and endure tremendous personal heartbreak. She has filmed all of it.
We see her Pentecostal Christian past with her father the preacher. We see her strumming her guitar when she was 15 with hardcore lyrics about Jesus. We see how her first record company tried to mould her to be the next Avril Lavigne, the next Kelly Clarkson, when all she wanted to be was not the next but the first Katy. We saw how she always wanted to speak to a worldwide audience, to people who didn’t necessarily fit in.
‘My audience don’t necessarily want to go with the trends. They want to feel like they can be themselves and they don’t need any kind of accessory to make them them. It was really important for me to keep some of the more unflattering shots in the film to show at the end of the day I’m just every kind of woman. A normal girl with a big dream who really worked hard to achieve it. You don’t have to be born into something or be born with something. You don’t have to have a material possession or a label. A lot of times peoples perceptions on people like me is that we are perfect from the moment we walk out the door and I wanted to show that is not the case.’ And indeed she does.
We see her making sure she has relationship days. that may mean flying from Birmingham to LA to spend 36 hours with her then husband Russell Brand. We see her valiant juggling. We see the relationship disintegrate. We see her curled up, wrapped only in tears, unable to move. Your heart lurches as you see her wrenched on to the stage.
We see the moment where she makes recording history being the only woman to have five Number 1s from one album ( Teenage Dream) I was there with her in Nottingham when that news broke. Her team had asked to film the interview I was doing but I said no. if I’d known the resulting documentary would be so rivetingly good I would have been proud to be part of it.
‘I remember you didn’t want to be on camera but I didn’t know it was going to be this mega deal with a big Hollywood studio (Paramount) and in 3D.’ The film was made by two British boys from London Fields, Hackney, who filmed her every move for a year. ‘We had over 300 hours of footage. I sold it to Paramount in the spring and it started coming along like a massive train.’
Katy Perry remembers pretty much everything – words, phrases, details stick with her. She is not afraid to show us who she is and my suspicion is that the movie will be huge because it is in no way self-congratulatory. We meet her grandmother, sister, brother, parents, fans. We see her run ragged. We see the life drained out of her. And then we see her in a dress with rotating breasts. The lasting impression of this movie, which could have been the ultimate in cartoon gloss, is that it’s raw and it’s real. And that’s why people will connect to it.
Was she not afraid to show the heartbreak? The face with no make-up? ‘I was in the edit suite saying this is okay. I think my peers might be scared of that but hopefully I can open up a pathway for them to be a little less scared. It has become a big thing that girls have to become so painted and perfect. I certainly think there’s a time and a place for that.’
Her nails are painted black and off white with the ying yang design, a metaphor for the extremes that meet within. This is the same person who did an arena tour including a segment where she was dressed as a cup cake, and who over the last year has had hair of every colour of the rainbow, today is looking stripped of it all. She is looking… I’m searching for the word. She tells me ‘normal is the word.’ But for every part of her that is normal, there is another part that is extreme and extraordinary.
We see in the documentary that she is fearless. Not because she bungee jumps, but because she lets the audience see her heartbreak. ‘I love those documentaries where everyone is fabulous and always perfect, but that doesn’t relate to everyone and I like to be more relatable than that and I don’t want to be above my audience, I want to be one with my audience.’
It is her audience after all and their ability to relate to her that has made her. When record companies wanted to make her into something else she performed her songs in small venues and went by what her audience liked, not her record company. She always had her own vision.
‘It’s funny seeing footage that I’d filmed at 17, 18, 19 and having such a vision for where I am now and a foresight for where I wanted to be.’
She always knew? ‘I always knew it. It was such blind ambition. It was this is what I am doing, nothing is going to get in my way, I am just going to do it and keep doing it and keep trying until it is done.
‘People ask me all the time do you know what you are doing next? And I still have the same mindset as I did when I was first moving to LA when I was 17. I know what I’m doing next and then next just because my creative faucet doesn’t stop.’
Her Christian upbringing has been well documented, and little understood. One assumes that by the time she sang I Kissed A Girl some kind of gritty rebellion and rejection of values had taken place. Perry is more complex than that.
We hear how when she was growing up she wasn’t allowed to watch normal TV programmes and the only videos allowed were Sister Act 2 and The Preacher’s Wife. Her world was very narrow, the spectrum of colour muted. No wonder she loves the bold pastel of fairytales and cartoons. No wonder her show is a multi-coloured defiant dreamscape that shows limitless possibilities.
She grew up in sunny suburban Santa Barbara, California – a place that is terrifyingly safe and contained. She always had a passion for self expression and a need to stand out. Yet rather than rebel and reject everything she grew up with she simply transitioned. ‘Yes, it was a metamorphosis. But I’m still an insect of sorts.’
Perry loves words. She’s excited when she finds the perfect word. She favours it. ‘Yes, a transition.’ It’s how she got from being a gospel recording artist to singing I Kissed A Girl. It feels biblical.
‘I’ve always been an open person. Even in my faith growing up I was always asking questions, like what about this and why is that so. I needed education to back up faith. The landscape was black and white and then I found the colour. I think if you come from a really sheltered place, then you want to be open and free, it’s like naturally you want to see the other side of that. But it wasn’t as cold and dark and strict as people paint it in their minds.’
In the film she says you can never be too cartoon. ‘I think I’ve executed the cartoon side of me a lot last year and the year before.’
The layer cake dress, the spiralling breasted dress, the Alice In Wonderland dress… ‘All of those costumes will be displayed in different theatres with the movie.
I love that it’s becoming such a big event. And I didn’t know that when I was doing it. I had the seed of an idea. I love to go big. I’m not afraid of the mainstream and selling out in all the right ways. I’m proud of the things that I’ve achieved and the landscapes that I have covered and I hope the film does the same thing.’
Like the film Perry is mainstream but extreme. It’s a riveting combination. We see the intimate songs performed in huge auditoriums around the world. We see the audience connecting with the outsider, making her an insider, we see her being loved. There is a moment where she talks about how in the past, when she heard other women saying that if you become really successful you have to concentrate on that and not have a relationship. She always thought why can’t you have a relationship and be a success? Because surely the person who loves you would support you? She admits that that was wrong.
‘It’s that continuing blind ambition. For a modern woman it is important to be supported and that there is equality in every aspect and that it’s not two halves that make a whole it’s two wholes that make a whole. So I have learnt.’
There’s a brief pause, a space in which a modicum of sadness or regret may have once seeped in. It’s another emotion that fills that space right now. It’s an embracing of the truth. An embracing of pain that makes it less painful. An understanding that life is in the present and the future is exciting.
‘I’ve always been ambitious since I was nine years old and that was never going to change. That’s exactly me. And the theme of this movie is that everyone wanted to change me along the way and I’ve stuck to my guns. I am going to continue to be who I was born to be and if there’s no accepting of me you are not allowed to be part of me.’
It’s been six months since Russell Brand filed for divorce. They were married for 14 months and dated around a year before that. While her career went stratospheric, his faltered. Perhaps that fuelled the gulf between them. Perry, I believe, did everything in her power to keep everything going.
‘There’s a part in the film where I’m talking about it and I say, “I wont’ always be on tour, but this is the way it is now when you have an album out. then you do a tour. Then you come home, rest and recharge.” I had planned to rest and recharge in the beginning of this year, then I just threw myself back into work because I think when you are a little bit heartbroken you just throw yourself into it.’
Brand didn’t want to wait for Katy’s tour to finish before he ended the marriage. There is no way back now. I wonder if he’ll watch Part Of Me and see her heartbreak in 3D.
In Sao Paulo she had to be helped on stage. ‘My personal problems are not the audience’s personal problems and I had to separate the personal and the professional. That’s my job as an entertainer.’
I tell her she looked like she was going to die with pain. ‘Yes, and I slapped a smile on my face. I wasn’t being dragged on stage, I just needed a shoulder to help me walk up the steps. I had to bend over so that my false eyelashes didn’t come off. I couldn’t let the tears stream because it would ruin the make-up. But I got through it. I’m still here, I’m still singing, I’m still alive. I’ve learnt a lot and I’m moving forward one step at a time.’
On the Graham Norton Show recently she said her dance card was very full but she wasn’t quite sure who she was dancing with. ‘Yes, because that’s how you answer that type of question on Graham Norton.’
Well, how full is her dance card? ‘I really wish I had more time to be cuddled right now but I don’t, and I’m very particular.’
She has been pictured with Robert Ackroyd, guitarist with Florence and the Machine. ‘Yes, he is a boy, but there is no label. I’m just hanging out with lots of dancers. It’s not appropriate for me to have something serious right now. I need to let my heart heal and to to digest life and to take a break really.
‘As of August 1 I don’t have anything planned and I think it’s going to be alright for people not to see me for a minute. There are plenty of gorgeous peers out there to put out songs for them. I have to recharge batteries and hopefully I’ll come back with an abundance of things to say and great songs. I’m going to get bored and I’m going to stay bored. I’m going to enjoy the world on my own terms, do some reading, catch up on films, I’m just going to be. No plans allowed.’
She has started making notes and taking down phrases and moods for her new album. I am sure there will be some great songs inspired by recent events. She smiles: ‘Somehow you can say things more when they are on top of a melody.’
Is she afraid perhaps of falling love again? ‘No, absolutely not. I’m excited for the future whatever it brings. This is a year about me being creative and finding a new evolution of my music. I don’t think I can always be the candy queen. I might end up starting to become bitter sweet. I have to evolve and I have to continue to push people’s perceptions of me. As an artist I like to do that. I don’t always want to be pegged to the one thought or idea because I love keeping people on the edge of their seats.’
She is clever, funny, warm and despite her protests utterly beguiling with no make-up. More than all of this, courageous.

Katy Perry arrives for lunch in the Dorchester all tartan restaurant. She looks like a 1930s diva in a silk playsuit, the colour of You Don’t Know Jacques nail polish, beige grey, and Stephen Webster jewellery and a big fat diamond engagement ring.

The waiter is floured when she asks for cucumber, avocado and baked beans. She gives a naughty smile. She likes being eccentric.

Her single California Girls has just gone to number one and her album Teenage Dream, soon to follow, is set to establish her in the big time. Many of the songs have been inspired by her boyfriend soon to be husband Russell Brand.
“Russell’s coming in tonight and he’s going to watch the football (England v. Germany). I’m going to take his mum and go shopping because I’m sure he doesn’t want me there getting too animated.”

Would she be supporting England even though she’s American? “I feel really English sometimes. This restaurant is over posh. It’s like the servers haven’t left for 200 years and they continue to live as ghosts. And perhaps there’s a Scottish terrier that will be just wandering around. I am more of a cat person because I like earning affection.”

I’m wondering if that’s something that she and Russell have in common? “I think I’m the ying to his yang and vice versa.”

People were a little shocked when evangelical Christian minister’s daughter Katy first hooked up with bad boy Russell who used to boast about sex addiction and drug cocktails. Since they met last September they have been inseparable and Russell completely monogamous.

Katy is of course gorgeous, clever and funny. But how has she managed to tame him? “It’s not about taming. He changed for himself. Everyone knows no one will change unless they want to change themselves.”
Do you think it was a case that he just met you at the right time? He was ready for a new phase of his life? “Yes. It was a cosmic collision.”

How do you think being a married person will change you? “I think it will be about prioritising things. I won’t be able to get smashed all the time, but I don’t want to. I won’t be able to waste hours on the internet, but I don’t need to. I have to be very precious with my time because I need time for myself individually and I want time with him. It’s just about the balance.”

Is there any talk of babies? “No. I’ve yet to get into that head space. Babies in a few years. If you see a bump it’s just water retention. I do have a new kitten, Krusty (Katy and Russell equals Krusty).
“She’s a lesbian,” she announces. Does that mean you’ve been kissing her? “All the time.” She shows me pictures on her Blackberry of the new kitten. Russell kissing Krusty. Krusty in a teapot. Krusty in a West Ham slipper.

She’s very excited about her cats – Kitty Purry and Krusty, and Russell’s cat Morrissey. Does she still get excited about number one records? “Of course I do.” Who does she call to celebrate? “Russell, my mum, Krusty, Morrissey, Kitty Purry. I collect them all into one room and say, ‘You’d better button up that tux, Morrissey. Straighten up and stop scratching me. We’ve hit number one.”

There’s not much chance of her and Russell and the kitties setting up home in London because Russell has just sold his place here. Aside from that she says, “I will miss it. I’ll miss the formalness of everything. I also like how English people, if they don’t like you they don’t like you to your face. But my serotonin levels would be all fucked up because of the weather. I’m a sunshine person. If the sun doesn’t come out my personality doesn’t come out.”

Her eyes widen. They are big blue kitty cat eyes. Her face is gorgeously glowing, flawless. “I have regular facials with Maki Maodus at Ole Henriksen. I tried different things to compare it to, but Maki, with the oatmealy honey smell that comes from her steam I crave. I’m addicted to all the creams she uses. I love her… If cats had jobs they would probably give facials, wouldn’t they.”

Does she have a diet or exercise regime – she looks kind of perfect, all skinny and curvy? “I skip rope and I eat greens,” she says succinctly. She exudes a kind of confidence that seems pure. She’s not afraid to stand up to her record company bosses. There’s a song on her album called Peacock – cute, double entendred, racy – that they didn’t like. “They were all a bit worried with the word cock and it gave me déjà vu because they did the same thing with Kisses A Girl. They said we don’t it as a single, we don’t want it on the album. And I was like, ‘You guys are idiots.'”

And what about Cheryl or Lady Gaga? “I knew Lady Gaga a little bit when she was coming up and I love her music. I’ve never met Lily but I’m a big fan. I don’t know Cheryl’s music but I love her dimples.” She smiles as if she wishes well on all the world and then tells me she’s very busy planning a wedding so no one will find out where it is. “My cats will be involved of course. Krusty will be the flower girl.”
She got her own way and I Kissed A Girl was a worldwide smash. “I feel very constant. I always try and make a lasting impression with the people who are letting me make a small music video or a big music video, you know. And I work very hard. My father has a saying, ‘You can’t be a flash in the pan.’ This record is important to me because it will resonate the fact that One Of The Boys (her last album) wasn’t just luck.”

She has a Jesus tattoo. Is that because she loves Jesus? “Yes. I got it when I was 18 and that is because I love Jesus.”
Her father is a minister and her parents were strict, yet she gets on fantastically well with them. “Because my ultimate goal was never to be rebellious towards my parents. I first started singing with singing in church. My parents were strict but they weren’t stiff or stuffy. We still had fun. I just wanted to be allowed to do some of the things that normal kids were doing. I wasn’t allowed to watch MTV or listen to any pop music.

“When I moved out I just became this living, breathing, eating, shitting sponge. It didn’t matter what genre music it was, I was just give it to me.” Because you felt you’d been deprived? “Yes, of course. I’ve always been an open person. I was never a kid who just took it. I was always like why, why, why. And that question has got me a long way. I moved, I transitioned. My parents and I now have a lovely relationship. Probably because they realise I am not going to turn into a crazy person or a prostitute or a Charles Manson.”

Do they worry about songs like Peacock? “They haven’t heart Peacock yet. There is a little red button that is constantly pushed with them and sometimes the red has pretty much worn off around it.”
Did it wear off with I Kissed A Girl? “No, it was still there then but it was wearing off when I called and said, ‘Mum, I’m naked in a cotton candy cloud.’ Or ‘I’m marrying Russell Brand.’ They really didn’t know about him. They always give people the benefit of the doubt and it’s up to the person to mess it up.”

Did Russell mess it up or charm them? “He’s very charming with them and he has an ongoing email love letter with my mum and she loves it. She flirts with him, which is totally inappropriate and I tell him to stop.”

Somehow I think Russell is never going to stop. But it’s probably better that he’s flirting with Katy’s mum than random other girls.

Another song, Firework, is inspired by Russell. “Russell showed me a passage from On The Road by Jack Kerouac and he said that this is what I am. The passage read, ‘I want to be around people that are buzzing and fizzing and never say a commonplace thing and shoot across the sky and make everybody go ah.’ So that has been my life statement.”

If Russell was a firework what would he be? “He’s all of them mixed into one. He’s the grand finale. I am one that has little gold leaves that fall like gold dust into the sea. He’s the one with all the noise.”

Are those two fireworks compatible? “They’re always in the same show, aren’t they.” She smiles her quirky little smile.
I wonder though if it is hard living with someone so flashy. Is there no ego clash? “All comedians are interesting characters plagued by their own genius; funny but very serious.”
Has she become more serious? “I think I could be more spontaneous but now my time off is more scheduled. I still love to go out with my friends and I still like Pinot Grigio. But I’ve learnt from some of my hangovers I don’t drink as much as I used to. My last big night out was probably Coachella (California’s Glastonbury). We had little golf carts to get from place to place but the golf cart broke and it was the middle of the night and we were coming back from a concert. We had to walk miles and then we saw another golf cart and got in it, but we got completely stuck again. I’m happy that Russell is sober because it’s had a good influence on me. It steers me in a more positive direction.”

Russell is about to start filming the remake of Arthur. He told me that he thought Katy would be perfect to play the Liza Minnelli character. “I guess she had dark hair and is a singer, but I could never beat Liza Minnelli, and he is going to be brilliant in it.”

Would you like to work with him though? “We work together well in the relationship because there’s no arguing. There is debating and you can do the same thing with a director. It’s really important to have your communication on the same level if you want to get the best out of both worlds. I don’t want to be the couple who make the mistake of working together and it ends up embarrassing. Who knows? I don’t think I’m ready.”

Besides, next year she plans that “I’m going to be touring my ass off. It’s probably one of the reasons I exist. I never want to come off as too mysterious, detached or unreliable. I love the personal connection between people.”

Has she ever said anything she regretted? I’m thinking some of the more barbed quips about Lily Allen. “I’m sure there are things that I’ve said that have been taken out of context. But just so everybody knows for the record. I like Lily very much.”

When I first met Katy Perry a few months ago I was overwhelmed by her huge sense of self. She seemed absolutely certain who she is, what she wants, with a kind of meteoric inner drive.
She comes though softly packaged in silky slinky clothes and super-sensitivity. There’s an urgency that she must grab everything now.
I first heard of Katy Perry a couple of years ago, long before she kissed a girl. My facialist Maki is her facialist. She told me as soon as her fingers had pitter-pattered across her her delicate cheekbones that her new client was going to be the most famous girl in the world. She was so naughty, so sexy, and so Christian.
The combination didn’t make sense to me. There were two failed record deals before her current megastardom. Perhaps it’s because of them that she makes sure she never relaxes. She is never less of herself as she believed that being moulded into what’s the vogue of the moment just dilutes you into failure.
Her current world tour is about expressing every particle of herself. Her cartoon sexuality, dizzying costume changes, fireworks, her love of her cats, and her love of “hubby” Russell Brand – it’s an enormous show in every sense. And the tour is almost a year long, and just after getting married that means there’s almost no domestic downtime. She’d never want that pause, give up on her music career. She wants to make sure it never gives up on her.
Marriage to Russell Brand could have worked against her, eclipsed her. But instead the symbiosis of their single fame has made for mega celebrity wattage. Their relationship seemed implausible chemistry at first. Minister’s daughter meets former sex addict and falls in love. But in fact they are more similar than different. Both love to be quirky almost to the point of outrage. Both have fast minds filled with funny lines. And both of them have a strong sense of spirituality which they manage sometimes to disguise. More of that later.
I am in Nottingham where Perry is to play the Arena. Outside little girls are in alien masks so they look like mini aliens from Perry’s video E.T. Although not quite like Perry in that video where her make-up makes her almost unrecognizable. The rest of her is taut, sinewy, and naked. First off she looks like a fairy and then reveals her lower half is that of a fawn.
Little girls love Perry and the show caters for this. It’s pink cotton candy. It’s Wizard of Oz meets Charlie and the cup cake factory. It’s David LaChapelle kitsch. It’s Lucille Ball kooky. It’s Carry On Down The Yellow Brick Road in the ultimate push-up bra. It’s kitty cats and red sequined shoes. One time there are seven costume changes in one song; it’s more of a magic trick. It’s glitter bustiers and cup cake crinolines that light up. It’s more is more. It’s a metaphor for her work ethic that nothing is ever enough, to make sure people are pleased. No tiny sequin of a detail has gone unchecked by Perry herself.
She’s on stage for two hours singing, dancing and bantering about the weird love triangle that is “my husband, myself and you, you sexy little Brits.” Then she’ll tell us that every song she’s put out has gone to Number 1. (Her last four singles California Gurls, Teenage Dream, Firework and E.T. got to Number 1 in the US). “And that’s because of you. I owe you. It feels nice to be loved.” She says it jokey but she means it. I got the same message backstage when I met her before the show.
I made my way through racks of multi-coloured fluffy costumes and dancers in candy-striped trainers. Perry has summoned me to sit on her hot pink sofa. It travels with her. She is wearing a plush cream bathrobe, nothing else, except a glossy black wig that’s part Wonder Woman, part Betty Page. She’s presented with a dark pink drink.
“Beets, carrots, ginger, maybe some pear. I have it every day.” It’s an LA style smoothie that’s made it’s way to Nottingham. “No it’s just by the end of this tour I’ll be looking like Edith Piaf in La Vie En Rose if I don’t drink it. It’s really exhausting and I’m trying to build stamina. My knees have world tour written all over them.” She shows me bruised and bloodied knees, one deep cut. “I got that one a while back. I’ll have to get it lasered off at some point. It just adds to my tomboy look.”
There is part of her that’s a gutsy tough tomboy, but the rest of her is extreme girl. A kind of Disney princess that has a superpower of extreme focus. She explains the bruising came from “a guitar solo interaction with my guitarist. And I had all this extra energy, so I slid through his legs and that felt very rock ‘n roll. So I’ve been doing it every night since.” Indeed she crashes on to the ground hard and slides fearlessly.
An assistant comes in with some vitamins. “Irons and Bs and multis. I take one pill that’s for moisture for my voice so that when I’m on stage I don’t get cotton-mouth. They are like horse pills. I also do no caffeine, although on my days off I might have a latte or something with cheese on it or a Bud Lite. But that’s cheating. I’m proud that I haven’t turned into a fully-fledged drug addict. I have no choice. I have to stay on the straight and narrow. We started the tour in February and we are going to extend it possibly to December. I think a year of being really good is important. It’s an extraordinary thing for me to play this size of venue three to four years into my career. I get to take chances and utilize a lot of different opportunities.”
She’s grateful. She never separates herself from that feeling of being knocked back and not allowed to be who she was. Although that seems a very long time ago. She was first discovered when she was 15 singing gospel in her parents’ church in sleepy Santa Barbara, California. She went to Nashville to record with country Christian rock veterans and learn the tricks of songwriting. The subsequent album failed. When she was 17 she moved to Los Angeles to pursue pop singing dreams. She was signed by Def Jam Island, released an unsuccessful album, then was signed by Columbia in 2004 and again was dropped. When she was signed by EMI Virgin she knew it could be her last chance.
“I’m a professional. I appreciate hard work and I know it takes an extra level of hard work to do this kind of thing. We’ve been filming everything. I’m not sure what we’re going to do with it or to what end, but this moment is special and I want to document it.”
It’s like when people fall in love, they write poems because they want to remind themselves that these intense feelings of love existed. It feels so unbelievable they have to write it down to make it true. “We might put an episode online. It’s nice because it gets to show that this is a lot of hard work.”
There’s nothing covert about her. She doesn’t want to hide anything. There’s something refreshingly old school about her candour.
“I feel very indebted. Touring to me feels like a debt repaid but in a good way. When people support you so much you owe them actual face time. I’m not always feeling 100 per cent. Four days ago I was sick in bed and went to the doctor. And now I have this lovely bruise on my butt from a steroid shot. I didn’t want to reschedule. You have to have a certain level of accountability. People have bus times, baby sitters. I’m not saying I’ll never cancel because I’m human.”
She whips up her robe to show me the giant butt bruise. It’s large and purple. I’m not sure why she wanted to show me the bruise’s graphic detail. Maybe so I could see just what lovely buttocks she has. Maybe because she likes to show and tell.
“I got a B, an antibiotic and a steroid. I got it in LA so I could get on the plane.” For her four days off she decided to fly from the UK to LA to be with her husband and cats. It seems pretty tough to me, but she is uncomplaining and happy she got to spend time there.
Do they Skype? “Yes, of course. We Skype and Krusty talks (the cat that is the feline love child of Katy and Russell, hence made up of both names). They all love clicking on the computer. That’s when I feel most safe and comfortable when I’m sitting in my house with my cats.” It strikes me as odd that suddenly there is talk of a need to feel safe. She did tell me once that she didn’t like sleeping in the dark.
“I sleep with the lights on unless I’m with Russell. I think a lot of evil things go on in the dark. I have to cover my toes because I’m that kid who thinks there’s a witch under my bed who’s going to eat my tootsies off. I have nightmares.”
She plucks out a throat pastille from a tiny box. Her finger nails are striped in candy cane Minx. She designed them herself. “These are for my voice. I’ve got lots of tricks. I’m sticking to vegetables and steamed things, some poultry. I don’t like the taste of fish. No caffeine. No alcohol. “It sounds boring but I think what I’m achieving.”
In the corner is an elliptical machine. She says that she did 40 minutes on it today. “I only do 40 minutes on show days because a show is about two hours and I don’t want to exhaust myself. I hate it. I’d rather be lying in bed reading books and watching my favourite TV programmes. Lots of English telly. I like My Big Fat Gypsy Wedding. And I like Morgana. And I like Charlie Brooker.”
She’s very Britified. “Well of course,” she purrs, “with the help of my husband. I think the British always have a dial on the things that are cool first. The music over here is one of the things I loved first. Especially the women like LaRoux, Marina and the Diamonds. And of course Morrissey. I’ve just met him once and he was very lovely to me and very unique.”
Brand’s cat is named after him. “The cat has some of his attributes. He’s always coming into the room with this attitude oh you again, I can’t be bothered, not unless you are going to feed me, and I won’t eat, I won’t eat next to the other cats. He’s a black and white cat and it looks like he’s wearing a tux all the time but a bit disheveled. Kitty Purry just got a nice trim, a lion cut. That means she’s got hair all around her face and neck but nowhere else. That’s perfect. And Krusty, so adorable. When I was sick the other day she was really sweet to me. Very protective. Pets are wonderful because they are constant love, non-judgemental, so sweet.
“Krusty is a lesbian. She’s such a tomboy. But she’s such a girl and she’s very proud of who she is.” Sounds like people really are their pets and Krusty and Perry really are very similar. Perry even looks like a cat with big blue wide kitty cat eyes and little kitty cat nose. I wondered if that’s one of the things that first connected her with Brand?
“I am more of a cat person because I like earning affection.” The earning, the working of her debt for people’s affection is core to her. Of Brand she says, “I am the ying to his yang and vice versa.”
Much was made in the beginning of their relationship that Perry and her Jesus background tamed him. “It’s not about taming. He changed for himself.”
I first met Brand three weeks after he’d met Perry and he pretty much told me the same thing. He’d changed. He was ready to be loved by one person instead of seeking the attention/affection of many. And even though they don’t see each other much due to extreme work commitments, they are extremely communicative, as you’d expect from the woman who first expressed her love in sky-writing. Her Twitter is full of “go hubby go” and “how cute is my baby boy” referencing picture of him in Arthur. “Yes, he’s working really hard right now and I’m working really hard right now.” Brand has had two movies out back to back, Hop and the unmissable Arthur.
Did she get to see much of him? “Yes, I see him. I planned my tour around being a professional and a married woman. I planned my tour eight months ago. I had four days off and those four days off were to see him. It’s a lot of pre-planning but at least the slots are there. He already came on the tour four times.”
Does she feel different when he’s around? “No, but I get certain tips from him about my banter back and forth with the audience. I ask him what all the football teams are because that’s good fo I am thinkr the boys who have been dragged along by their girlfriends.
“When I was in Dublin he said don’t forget Oscar Wilde is from Dublin and when I was in Manchester he said that is where Oasis is from. He’s always giving me bits and pieces.”
They are both over the top extreme, but have huge spirits and are not bored with one another.
Did marriage change her? “Well yes. I think when you’re a single person there’s an energy that you’re always looking for another half. The stresses and other things. Then when you get married you’re like ‘oh, I can take this energy and put it somewhere else’. You feel relieved in so many ways. When you find someone that is your other half you feel a sigh of relief. It’s a beautiful thing to have a partner that nourishes you and gets you and will always be there for you and gets you on so many levels you don’t have to do any explaining. You can make one expression and they understand the mood you’re in. your ultimate team mate.”
Does she believe in soul mates? “People label things however they want to and I’m not labeling him anything. He’s my husband. But I would love to think that that’s the case. When we’re on our deathbeds and forever is over we’ll know.”
The notion that forever is over is perhaps something that haunts Perry. The songs might be dressed up in pink and Firework sparkly and inspirational, its riff used on all the trailers for American Idol. It’s played all the time, yet there is darkness to it.
The song was first conceived when Brand showed her a passage from On The Road by Jack Kerouac which said something like I want to be around people who are buzzing and fizzing, who are full of life and never say a commonplace thing, they shoot across the sky like a firework.
“And I like the idea that when I pass away I’ll be put in a firework and be shot across the ocean in Santa Barbara. That’s always been what I wanted for my last hurrah. It’s poetic. But it’s not about romance.”
It is about the eternal though, what lasts forever and what doesn’t. She has Jesus inked on her wrist. Does she observe this? “I observe it because It’s on my wrist but I don’t necessarily make it a moment every day. Mostly it’s having a heart of gratitude and being appreciative. This is my job and it’s a fun one. I should be humbled every day, which is basically a head frame I have. Not to take the piss out of playing a stupid game of spirituality. That’s not who I am. Who I am if want to put my head and my heart in the right position, so when I’m giving out my energy it’s pure.” She got the tattoo when she was 18 “because I love Jesus.”
It’s impossible to erase her spiritual upbringing no matter how much she sings about kissing girls and loving peacock cocks and wondering what it would be like to have cream to explode from her nipples. Her parents taught her about God and the devil. Her childhood was seeped in it. She took it all in. she questioned it, but she didn’t quite rebel. She never fell out with her parents although there were some “transitions” involved.
I’ve always thought that Brand looked like Jesus, so maybe that was the main attraction after all. The depths of the spiritual instruction she grew up with doesn’t go away.
“No it doesn’t. I’m different. The roots are the same but there’s a sift. For me the general wonderful things I learnt about were about respect and integrity, the difference between right and wrong. I think everyone in their own upbringing had their own silly rooms. Each family is unique and they have their own quirks. Mine was no devilled eggs and no MTV. Instead we had to call them angels eggs, just really small nuanced things like that.”
For her Jesus is as indelible as that tattoo. The juxtaposition of spiritual integrity and overt sexuality is a fascinating one. She takes with her on tour a box of prayers. My grandmother used to have a similar box where you take out one prayer every day and it gives you guidance or wisdom for that day. She says, “Yes, my costume designer got it at an estate sale. They’re ancient. 60 years old. The King James’s version of the Bible. It’s nice to have a regime that we can all be part of. We go into a circle, read our little prayer. We do it at the top of the show. You’ll see it later.” She seems keen that I can see this spiritual aspect.
“I think I’ve always been looking for answers. Wherever you come from as a child you swear you are not going to be like your parents, you’re going to be totally different and never look back. And when you look back it’s right behind you, breathing on you.
“I started off in gospel music when I started singing in church. I’d moved out of the house and everything. It didn’t matter what genre it was, I was like give it to me.”
There is indeed something insatiable about her. The curious thing as well as wanting it all, she wants to pay for it all, feel like she’s earned it all. Quite punishing.
She hates flying, is scared of it even, yet makes herself do it she is so grateful to be on a world tour. “I get to the venue, work out, eat, dress, do make-up, we do our circle, do a meet and greet, do the show. When the show is over I’m on a tour bus. That’s the price you pay.”
It’s a recurring theme – price you pay, her debt, her bargain. Is she happy? “Yes, I feel very fulfilled. I’m not always in the Snow Whitest of moods because my humour is very cynical and sarcastic anyways. I’m here because people put me here. I’m responsible to give payback. I am close to my fans and I feel indebted to them. I wouldn’t say I’m the most spiritual in the world, but I’m very aware of how small I am in this big world and every day is a chance to remember where I came from, every day is a chance to ask for humility and grace. I have a constant feed between me and God and every day is like ‘don’t become too proud, remember where you came from, be positive.'”
Perry may well have encouraged spirituality in Brand but he was already on the way to devouring mysticism and acquiring his own spiritual guru Radhanath Swami. Her mother finds Brand charming. She feels that he is going to be “a great man of God and his transition is happening.” She says she has a “lovely” relationship with her parents. She is a middle child. Her older sister is on tour with her organizing meets and greets. Her brother is an actor in LA.
Is it true she bought her mother a facelift? “Oh no, I did not. She aged well and by her own choices. There are quite a few things that are written about me that aren’t true.”
Is it true that her mother slept with Jimi Hendrix? “That’s also not true. She danced with him.”
What about her father. Was he really best friends with Timothy Leary? “He was a hippy and he went to Woodstock and he was an acid dealer. He was associated with that famous dealer of acid and psychedelics. I’m sure he was just one of many, but that is his testimony.”
Testimony in that religion is like in AA when you say ‘I’m an alcoholic’ or saying aloud the act of contrition.
“So they’ve had their wild days too. Now they are ministers and they’ve been ministering for over 35 years. We all came from somewhere. I have to remember that not everybody knows and it would obnoxious to think that they all should know. I’m fine with it.”
I read that when she was in India she engaged the services of a mystical psychic parrot. So much weird stuff is written about her it’s hard to sift the truth. “I think it might have been trained. Sorry to burst your bubble. But the whole idea of the tarot parrot was the sound of those two words together. That was the only reason I hired it.”
You wonder how much she enjoys fame if it is indeed more of a restriction. Paparazzis chase her constantly. Stories with even less truth than the psychic parrot sprinkle the tabloids, made up fights with other girl pop stars, fictitious rows and melodramas.
“When I was nine-years-old and started singing I didn’t think ooh fame, I thought songs, stage, costumes, exciting performances, making your own record. Those were the key ingredients to it. Being on the cover of a magazine, those are byproducts and I try not to give it too much energy. I don’t like tabloids and I don’t like paparazzi. I don’t feel I owe them anything. I don’t necessarily mess with them. when I see them I never pose unless I’m working. I always take back doors. Never condoning this kind of activity because I think it’s disgusting. It’s spineless. Some places are worse than others. Nobody should want to sign up for that.
“I’m four months Google free,” she announces, sounding straight out of an addiction meeting. “I don’t Google myself any more. That was my New Year’s resolution. I don’t read papers. I don’t even look at reviews. I have a good team around me so if anything pops up that’s really good or bad I’ll know about it. All the things I need to see I see. Generally I feel much better being able to live my life like a normal person and not read yesterday’s news. It’s intense but I don’t play into it and I don’t give it any energy. I’m careful of certain things I say and I do. If I know the interview is being recorded I can be a little wilder because you’re seeing me. But if I’m doing a print interview where there are only so many words that are being put into an article and I know I’ll be edited so I’m just very aware of what I say.”
Has she changed in this respect? “I think I have become a lot more focused and my bullshit tolerance has gone. I like working with great people, I like putting on a great show. I appreciate good people and relationships, my family and friendships, and my fans are really important to me. If you fuck with my fans you fuck with me. You dn’t want to fuck with Mama Bear.”
Have you sifted out a lot of people? “No, I’ve always stayed away from those types of people. when you’re going to different levels not everyone can get there. if they have greatness within them they can rise to that level. Some people just don’t want to go there. I want to be a better version of myself every day. I want to evolve. I believe if you are not changing all the time then you are not moving forward. You’re stuck.”
Weirdly the whole arena smells of candy floss although there’s none of it in sight. It must be all the bubble gum pink that’s auto-suggesting it. In fact the backstage food is made by a team of chefs that specialize in delicious organic food. Both her managers are here on tour with her and one of them talks in a delightful Alabama accent which adds to the syrupy warmth. There’s a quiet announcement that her single E.T. is Number 1 in the US. Everyone cheers and their joy seems genuine and she much loved.
Perry and her band and dancers in multi-coloured pastel furriness and candy striped sneakers gather in their circle. Perry herself is looking more and more like Wonder Woman. She arches back as if she is mustering her super powers. I wait expecting a little prayer asking Jesus to guide the show into loveliness. All their heads go down like a rugby scrum and they shout “Robin Hood!” and head for the stage.

Monica Bellucci (June 17, 2012)

Monica Bellucci comes into the room and the room gasps. We are backstage at the Dolce & Gabbana fashion show in Milan. The room is dark, lit by floral chandeliers. Monica is wearing a dramatic black lace blouse, black flared jeans and dominatrix heels. Her long black hair is a silk sheet. She is not model tall. She is womanly with a magnificent décolletage.

Bellucci, 47, is known for her daring film choices like Mary Magdalene in The Passion and a rape victim in Irreversible. She is married to the actor Vincent Cassel, 45, who always seems to go for the sadistic roles, most notably as the artistic director who slept with the leading dancers in Black Swan.

She is Italian. Her essence, her style, her embrace are all Italian. He is French. And together they have two children Deva, seven, and Leonie, two. The family have houses in Italy, France, England and Brazil – though Monica, who comes from Citta di Castello in Umbria says her heart will always be in Italy.

We have met to discuss her latest role – as the face (or at least the lips) of the new Dolce & Gabbana lipstick, which comes in shades ranging from the dramatic Magnetic Monica, which is a compelling purple, to the classic red Chic Monica. Even Natural Monica, which is the most understated in dark beige, manages to look standout. Monica is wearing it for our interview to demonstrate that on her less is still more. “I have always loved lipstick, she says. “For women, that love comes from our mother and grandmothers. It seems so natural for a woman to open up her mirror, look in it and apply lipstick.” Here she happily discusses the joys of motherhood, marriage and her favourite Monica lippy.

I have been friends with Domenico and Stefano (Dolce & Gabbana) a very long time. We’ve done many beautiful things together, beautiful campaigns and they make beautiful clothes. We are close friends and I respect everything they do. I love what they do. Their clothes are sensual and elegant at the same time. They are real artists who love and respect women. Their inspiration is Italy – our culture and our tradition. They are inspired by great Italian movies – by Fellini and Rossellini and those amazing Italian leading ladies like Sophia Loren and Anna Magnani. And you can feel like one of these women in their creations. They have such a strong identity and you can tell they are Italian.

I am Italian through and through. Wherever I go I am Italian. The way I talk, the way I eat, the way femininity is important to me. The way I love Italian food. For this season’s fashion campaign Dolce & Gabbana shot me eating at a picnic with a family. That is beautiful – it’s not about the biological beauty, it’s about another kind of beauty. It’s about the womanliness that comes to your face and your body from your life and your experience.

I met Vincent working on a movie – my first French movie The Apartment. And we have now been together for 17 years (married for ten). It was not an instant thing, not at all. I was attracted to him – at the same time I wasn’t sure of him. We got together, I don’t know why. I feel we don’t really choose the person we are with. It happens for us – they are there and that was how it was and that’s how it is. For now.

You never know how long it will last. I can never say what’s going to happen. Of course I’d be very happy if we were together forever. But I don’t know. You never know. You should never take things for granted, especially in a relationship. But we do have our children and the love of them means that that love is forever. I hope our relationship will be forever but live this day by day. My relationship with Vincent has changed since we had children. We were together 10 years as a couple – a long time – so of course everything changed but for the good. I accept the fact we can never be in one place {because of our work} and so does he. This is our life. We are like gypsies travelling around.

I always wanted children late; I had my first daughter at 39 and the second at 44. Before that I wasn’t ready to become a mother. I wasn’t ready for something so incredibly huge, something that would change my life forever. I think it was because I am an only child. In a way I always felt a child – too much into myself. I worried I wouldn’t be ready to give myself. When the first one came, I thought I’d have another really quickly because I knew I didn’t have much time left. I was breastfeeding for the longest time and ultimately I wanted to have time with just her and be really confident with and know who she really is before I could get pregnant with my second. I was lucky to get pregnant at 44. We didn’t have to try for a long time. It was natural.

I would have been disappointed if I had left it too late to have a second child. But life is hard sometimes and you just have to accept things. They will either happen or won’t happen – it’s not in our hands. We have to be really humble and accept destiny. Some things happen that you just can’t change.

I have really changed since having my daughters. I feel more complete and they helped me grow up. In a way they help me escape from my childhood, which was like a prison to me. Not that my parents weren’t great, they were. But because I was an only child there was some loneliness, a disconnectedness. It was difficult for me to come out of these feelings. I had plenty of cousins and people around me, but always that same loneliness that made me sad. It was strange because now on the other side of it I feel that need for aloneness, a need for freedom, a need to be just by myself. And at the same time having children helped me learn how to love and be connected fully with others.

My children make me happy. When they are calm and sleeping in their beds I look at them and say, ‘love you.’ That makes me calm and happy. There are some days though where I wake up in the morning and maybe someone I know is not doing so well or the world is not doing well, and I feel sad. Usually I wake up happy. I have a cappuccino and maybe I’ll see a friend and everything feels fine to me. Usually I’m only sad when something sad happens. I am not a melancholic person. I like to live very much in the present. If I was an animal I’d be a little cat. They know the best things in life – they like to live life. My animal instincts come out every day. I feel that is important.

I travel so much that my oldest daughter speaks four languages – Italian, French, English, and Portuguese. I speak a little Portuguese but my daughter speaks it better than me. I always feel Italy is my home but it is important for my husband that we also live in France. Sometimes we live as a family all together but as we are two working actors sometimes we have to be apart. Sometimes I’m shooting a movie, sometimes he is. Now that we have the kids we try to make it that if one is working the other doesn’t work. The ideal would be if we could work together. We have worked together before but not in a long time. Luckily we are going to be doing a new movie together in Brazil. It is a love story about a couple who have been living together a long time and problems develop because they have lived together so long. They separate and we see how they deal with that. It will be filmed in Brazil and it’s going to be in Portuguese and English.

I don’t know if my work/life balance is perfect. I don’t work all the time. That’s why I waited to have kids until I was ready for that. I try to organise my time according to my kids because my kids need me. I don’t want to put my work first anymore because it’s not as important as my kids.

We are so scared about losing beauty as we age. I try not to worry about these things. I am scared about death because I have two kids and I want to see them grow up. There is nothing you can do about getting older, you just have to deal with it. Before I had children I didn’t think about death and I didn’t really feel that I was ageing. When I had my second child at 45 I felt old because I realised that I felt much stronger physically when I was younger. Having said that, I feel much better in myself mentally today than when I was 20. I am confident and I deal with my problems better. I accept who I am and that perfection doesn’t exist. I did a Vanity Fair shoot when I was pregnant In 2004. I didn’t care about being fat and pregnant. I think it’s beautiful.

Sometimes I think if I gain weight I will just wear black because it’s easier. I used to never work out. And even now I don’t like to work out every day. I don’t like to watch what I eat every day. I don’t want to be a machine. After my second daughter was born I realised that I needed to pay more attention to workout regimes. Before then it was much easier.

I have just finished an Iranian movie (Rhinos Season) which is coming out this year. I play an Iranian woman who is living 30 years after the revolution in Iran. (The movie is a love story set against the backdrop of the political changes in Iran from before the revolution to the present day). And I’m about to shoot a French movie where I play an over-the-top Italian, very exaggerated. It is a comedy and the first time I’ve done comedy. I’m looking forward to that. I think I can be funny.

The most important thing for my daughters is to find a passion in their lives. I want them to find that passion. When we are growing up we want to please our parents, as we grow older we have to articulate what we want for ourselves. I intended to study law at university (in Perugia). But there was a moment where I was asked to do some modelling and from that I fell in to acting. That was difficult time for me because all my friends were coming out of university and I didn’t know what to do with my life. I didn’t know if movies would be my future. I was really insecure. I felt really lucky that movies worked for me. You have to be ready to accept whatever happens. I certainly didn’t have the answers then.

I have a house in London and I come back to London all the time. I have some good friends there. In Italy we are much more provincial. In Britain you are much more courageous, especially in the way you dress. I feel a freedom there and that people care less about what people think. I don’t know if I dress differently there. In fact I usually dress in Dolce & Gabbana, but because of the way the clothes make me feel.

Monica On Make-Up….

I always wear some make up, even on quiet days when I am not doing so much with my time. I like to start using Perfect Finish Creamy Foundation as a base as it’s lighter than air and doesn’t make me feel ‘caked’.

I am also never afraid to try new colours – why not? For lipstick I love all the shades in the Monica Collection and feel drawn to the different shades depending on how I feel. I adore the Attractive one, which is the shade I wore for the advertising campaign. It’s a really fulsome red that is just timeless.

When you choose a red colour it’s because you feel you want to be looked at more. Sometimes you like this kind of feeling, and sometimes you just want to be natural. When you put on a red shade it’s because you accept people looking at you. The red is such a strong colour and it’s about you – this is not necessarily a sexual thing. If a man sees a woman with red lipstick he admires her, but often he won’t feel like kissing her.

Rules are made to be broken sometimes. I also don’t think it’s necessarily always the case that you should only play up lips or eyes – sometimes I like to wear a strong lip and then finish the look with a defined eye.

Lipstick is a statement that I’m ready for anything. Even if I pay no attention to anything else, I will put on a layer of mascara and add a slick of lipstick too, even if it’s a super natural shade.

I can’t compromise on the mascara and even if I’m wearing very soft make up I always wear mascara, usually a black one. It helps me to feel ‘finished’ and ready for the day. I love to use Dolce & Gabbana Intenseyes Mascara as nothing else creates such a beautiful full, feathered look.

Monica’s Hot List

Style Icon: Leading ladies like Claudia Cardinale, Sofia Loren, Gina Lollobrigida, Silvana Mangano…those stars of the golden age who oozed sensuality and feminine charm. I tried to channel that slightly audacious, knowingly provocative attitude in the shoot for my collection.

Favourite book: Irene Nemirosky.

Favourite book: La Dolce Vit