Mariah Carey

There are a lot of people in Mariah’s house – a grandiose mansion in a gated community in a suburb of Los Angeles. There’s a camera crew, sound guys, make-up people, photographers, photographer’s assistants, housekeepers, manager, manager’s assistant, bodyguards and people who carry things around.

Outside it’s blackly dark and deathly quiet, inside it’s intense buzzing tour preparation and all of this must be filmed for a documentary.  For a person who is notoriously private, it seems strange but not as strange as the hours she and the cast of many seem to keep.

She brushes past me in a black laced up gown and vertiginous Tom Ford heels. Everyone else in the house, including her glamorous manager, seem to be wearing Louboutins. The glamorous manager has reptile Louboutins, drips exquisite jewllery and long thick curls. She tells me I may have to wait..  Mariah has just come back from an event and there is all kinds of filming and I am sure not what else has to be done.  A hundred things .So I wait.

I wait in the house that arrived pre-furnished with its over-stuffed couches, mahogany twirly bits and endless chandeliers. The bathroom with its black velvet walls and its black diamond monogrammed hand towels.

I inspect the silver-framed pictures of Mariah and her twins Monroe and Moroccan: they’re at the beach, they’re on a boat, they’re in the sea.  They look relaxed in some other life that is the opposite to this bubble of chaos. It’s always just Mariah and her beautiful babies – there’s no man involved. There’s not even a photographic hint of her former husband actor-rapper-entrepreneur-TV presenter Nick Cannon or a hint of her new fiance James Packer, son of the billionaire publishing magnate. He is described as businessman, investor and philanthropist but even Mariah seems unclear about what he actually does.

I’m in a corner perched on a window seat.  I email her manager who is somewhere else in the  cavernous house to say I need to leave by midnight, knowing there’s very little chance I will.

Every aspect of Mariah’s life is to be filmed and therefore I must be filmed. I resist. This does not go down well.  No one seems to understand why I am not thrilled. When a lens the size of a small television looms in, I reach for my jacket to go. Mariah says in her velvet purr: “why don’t you want to be filmed Chrissy?”

Because I want to talk to her not worry about a camera.  Because I want cozy, intimate not a performance.   She gets it, she asks them to go away. She seems relieved too, that she’s not being scrutinized.

Why does she have all these people in her house? “I want people to see the whole thing, it’s a busy time right now and I happen to be on a night schedule.” (Indeed, communicating with her in the day has been impossible, not because she is a diva but because she was simply asleep). “I do sleep in the daytime but not all day because of the kids so it’s a little bit sporadic. I need to sleep and so I do. I’ve always been a night person. When I was six years old I wasn’t able to sleep. It started then. I was up all night and that was the precedent.”

I am sitting on a velvet cushion on the floor beside her who is in what can only loosely be described as a chair.  It’s a multi pillowed arm chair that is halfway between a couch and a chair for a giant.  She looks tiny, whatever diet she has been on has clearly worked.

When I look up it’s into her mesmerizing dark eyes, soulful, vulnerable, shy eyes. You imagine her as that child who couldn’t sleep, who felt she didn’t fit anywhere with a white Irish mother and an absent African-Venezuelan father. She was three when her parents divorced. But still, a determined spirit whose only catharsis was singing and writing songs and who never really considered she would do anything else. I am overwhelmed about an incredible sweetness about her.  The fact that she’s not confident or showy she doesn’t carry herself as a woman who knows she has the five octave range voice, one of the single most identifiable voices of her generation.  The last time she toured Europe was 2003 and she wants to make sure everything is right. After that she will come back for a residency in Vegas  which, she says, is an entirely different show.

“I love everything to do with music, I love the creative process, my favourite place is the studio. I love writing songs – to me that’s the best gift.”

She’s been writing songs since she was six and she used to sing them underneath the table because she felt that was the only way she could express herself.

She nods. “t was cathartic. Suddenly I’d come up with a melody. It would come from out of the blue, like a gift, nothing like it.” Prepping for the tour with its endless rehearsals and dress fittings seems less creative. She nods.

Does she have a special diet? An exercise regime? “Yes. My diet is very bleak.” Bleak is one of her favourite words. She giggles. “I overuse the word because there is a lot of bleakness going on. My bleak diet is horrendous but I don’t want to tell anyone about it because it’s none of their business.” I tell her the bleak diet is working well. She sinks further back into her pillows. “I just don’t want to talk about it because I don’t want people commenting.” It seems like she gets hurt if there are nasty comments and a picture where she looks fat but this Mariah in before me is super svelte and even much photographed magnificent breasts are reined in. She’s losing her voice a little. She is rasping.  I read that she sleeps with ten humidifiers. She nods. “I need them. At least four or five around my bed. I want them in the bedroom, a group of them. I also like to have a steam.”

Her children will be going on tour with her. “My son keeps asking can we go on an airplane. They’ve been traveling since they were three months old.” Her daughter Monroe, named after Mariah’s long-time girl crush Marilyn, likes to sing.

“She was singing last night with her friend. I can tell she’s got a really good ear – she can mimic what I can do. But she’s only four-and a half and it’s not fair for me to push it on her, so I am allowing her to be who she is. At the moment she’d rather just be silly with it. She knows she’s named after Marilyn and she can recognise her in pictures but I haven’t shown her the movies yet. They are into Disney and Halloween. It took a lot to get them to transition into Christmas.” So she has mini Goth twins? “No, I’m gonna nip that in the bud.”

She had a difficult pregnancy. Pre-eclampsia, gestational diabetes and it was suggested that the twins should be induced at 33 weeks. She refused because she didn’t want to be separated from them by an incubator when they were born. “I wanted to keep them with me as long as I could which was until 35 weeks and that worked out good.

There’s a flutter of her luscious eyelashes and I admire the diamond butterfly ring and then I notice the engagement ring. It’s not so much a rock, it’s a brick. It’s a mini choc-ice.

I wonder if she met Packer when she toured Australia. “No. I met him in Aspen where I go every year for Christmas. My friend Brett Ratner (film director and producer) are partners in business. So he invited me over. I didn’t feel like leaving the house but I went anyway. This was about two years ago and I didn’t see him again until I was at a movie premier, we started talking, joking around – stuff like that.” What’s his business with Brett Radner? I don’t want to talk too much about what he does but they produce movies. That’s not his entire job but that’s one of them.”

She once said that growing up without a strong male figure in her life on a day-to-day basis affected a lot of her decision making. It perhaps made her see her first husband, record company boss Tommy Mottola, as a stable father figure. He ended up being stifling. Does she still crave that kind of stability? “My perspective on that has changed. I don’t think it was because I was without a father figure, I think there were lots of elements about my childhood that made me who I am. Some made me stronger, some made me more vulnerable. It’s was a combo plate.”

So what’s on her combo plate now? “Oh my gosh it’s just way too full.” Does she feel happy? “Sometimes.”

“Do you feel happy?” Rarely I tell her  “Really? We have to change that. You just have to find the comedy in everything. There’s just so much nonsense that’s just not worth spiraling over.

She oozes empathy. I bring it back to her. Does she work compulsively?

“I had the whole summer off. I was relaxing with the kids. Right now, there’s a lot on. I do really enjoy performing. I like having an experience with people trying to make them feel that they are not just watching an untouchable person. I want them to feel like they are in my living room. I like to talk to them a lot. I want to give them something different.”

Is the dress she’s wearing, a figure-hugging black maxi dress, a tour outfit or a lounging in the house outfit? “I am wearing it because I went to an event but I can lounge in this – it’s stretchy.” Although her high heels have been cast off, she still walks on her toes. “Ever since I was a little girl I liked to walk on tippy toes like a Barbie. My babysitter used to say I was walking like a Barbie. I only had one Barbie and I cut its hair.  Then I went to beauty school but dropped out. I was singing and working in Manhattan and I didn’t have time for those early morning classes. But I feel that I’ve learnt in life because I’ve worked with almost every great hair and make-up person there is. My tips? I never will wear red lips – they just don’t look good on me. My ideal day? Lying on the beach without a camera or a phone surrounded by pink sand and the water.” That’s sounding a little honeymooney.

Do you have your wedding planned?  “It’s a secret.” It’s really happening? She waves the brick at me and says: “I’m not doing this for laughs.” That ring is pretty hilarious in the way that if you’ve got that ring on your finger you will definitely be grinning. “I enjoy it. When you grow up without a lot of things… I try not to take things for granted.” Why does she like the idea of marriage as opposed to just being in love- she has two failed ones behind her so she is not burnt from the experience. She looks at me very seriously. “I am very traditional. I have babies, it’s more appropriate. I don’t know if most people can relate to that but that’s just how I feel”

Did you know straight away that he was the one or was he a slow burn? “Oh we’re not going to talk too much about this part?” she says sounding a little tortured. “If I start talking about this relationship people will interpret it in their own way, so I think it’s safer for everyone involved to just not talk about the very personal aspect of this relationship.” But is she happy? “Yes. And content but I am also very busy.” Her voice is now cracking with exhaustion. “I am a private person.” And that brings me back to why the cameras are here. “We can’t announce what it’s for yet. It’s a very big thing for me.” A very private person who now has no privacy. “Yes, it’s annoying. I wanted to document this tour because I don’t know when I am going on tour again. I wish I could have documented other tours. I am documenting it for the fans, they’ll love it.”

Much has been made of the fact that Mariah would like to do some more acting. She was extremely well received in the movie Precious, which was hugely applauded but won’t be drawn any further on if she would ever swap singing for acting. She doesn’t enjoy being snapped by the paparazzi and quizzes me when I say I saw a photo of her online recently eating ice-cream. “Ice-cream? Not on the bleak diet. That must have been very old.”

So many contradictions. She feels invaded by the paparazzi and yet there are cameras in her house at all hours.

“I am a pretty insecure person but I have to get over that because this is the reality of my life. I look better than I looked a few months ago but I am definitely not one of those people who says ‘i look amazing today’. I have to point out this is a rented house – I would never have overhead lighting. High hats, they call them. In my apartment in New York it’s all recessed lighting, chandeliers, candles. This lighting is abusive.” I tell her I interviewed Dita Von Teese recently at her house where she insists all walls should be pink with no overhead lighting so you can feel you look good when you walk around naked. “That’s my thing about the pink. I rarely walk around naked in the areas that are pink. You still want to look good with clothes on! When I was pregnant, I had a house with lots of antique mirrors on the walls so as I walked around I couldn’t help but look at myself – this huge pregnant woman. I hated myself for decorating the house with all these mirrors. I was so mad at myself.” She laughs and there’s a real lightness to her laugh.

Her manager tells me that Mariah’s light is infectious and now my whole life is going to change because she shed her light on me.  Her fairy dust has been showered.   There is something so unexpectedly intoxicating about Mariah. The eyes…the giggles….the empathic being. Definitely wasn’t expecting those. You get why people go to her shows to bathe in her glow.

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Aretha Franklin (Sunday Times Magazine, Nov. 09, 2014)

Aretha Franklin has been called the Queen of Soul since she demanded Respect in 1967. That’s a lot of years to be regal and I suppose you can’t expect someone who is constantly revered not to feel a little distant from the world, a little divaish.
Her new album after all is called Aretha Franklin Sings The Great Diva Classics. Things like I Will Survive, People, You Keep Me Hanging On, and I Am Every Woman mashed up with Respect. Basically an album where she out divas every other diva.
It’s a compelling album. Her voice on it at 72 is not effortless. It no longer swoops and soars with dexterity, but instead it delivers something else, something that shows struggle, grit, terrifying emotional strength and triumph.
Of course I was excited to meet the diva of all divas. She rarely gives interviews. She hates giving interviews. For a large chunk of time she hated leaving her house.
Her last album with Arista Records – the company that first released her – was in 2003. Sure, there was a Christmas album after that merely to fulfil a contract and in 2011 there was a studio album made for Wal-Mart stores. But the Diva album is a proper return with music impresario Clive Davis at its helm.
The album has been generally applauded, as has her refreshed energy and weight loss. For some of those silent years where no one saw her it’s been said that she became huge. Her weight ballooned in the 90s after she stopped smoking because it was hurting her voice.
Last year she had a mysterious illness and undisclosed medical treatment. She came back after it fitter and thinner. Certainly there was a sense she was ready to take on the world again. What I wasn’t ready for was to take her on.
The interview had been on and off several times in several locations. Over a period of weeks. Finally it happens- within an hour of it being confirmed I find myself en route to Detroit, to the suburb of Southfield and the Westin Hotel, close to her home.
The interview is to be at 7.30pm. Would I go down and meet her to try to charm her? There was a fear the interview would be cut to ten minutes. Of course I would. At that time I didn’t realise she was uncharm-able.
It turns out she didn’t want to meet me first. She wanted to do the interview at 8.30pm, so I decided I would take a restorative bath. Five minutes in the bath I get a call she wants to do the interview now. Still wet I drag on clothes to meet her in the lobby. As the lift door opens and I go to get out she gets in.
She is wearing a black leather blouse, black trousers, black and gold trainers and a zebra print rucksack. She looks a little plus-sized but you don’t see her as fat, you see her as a presence. I would guess she’d be a UK size 16-18.
I wasn’t there at the exact time. Had she decided to leave completely? Was she angry? Will she come back? A few tense moments. Apparently she will come back and she will give me as close to my full hour as possible. The PR warns that I should ask any important questions first which does not bode well because you can’t really ask first off: Are you an emotional eater? What pain were you trying to bury? You can’t ask who in fact was the father of the son you had when you were 14? Or the next son a couple of years later?
You can’ t say how did it feel when your first husband Ed White used to rough you up and why did she want that bit deleted from her autobiography.
Her father was a super preacher who had a turbulent marriage with her mother who left when Aretha was six and died shortly before her 10th birthday. Just after her mother’s death Aretha began singing at her father’s sermons. She debuted with the hymn Jesus Be A Fence Around Me. That fence never came down. Can you even begin to ask her why? No, you cannot.
People become interviewers because they want to ask the questions we all want answers for. Asking questions requires a kind of fearlessness which has always come naturally to me. I have faced plenty of divas – pop stars, prime ministers and wannabe presidents. None of them have awed me. There’s something about Aretha. She’s absolutely terrifying.
I’ve seen her on TV interviews making mincemeat of fawning reporters. One look, an ever so slight roll of the eyes, reduces them to gibberish.
We are in the grand ballroom of the semi chi chi hotel. Me and Aretha poised opposite on low under-stuffed armchairs. There is her son, her granddaughter, a record company person, the British PR, and another man to whom I was not introduced.
There is a sort of wall around her. Later I learn from the staff at this hotel where she regularly comes often for omelettes they have dubbed her The Wall. One staff member who begged not to be identified says, ‘You just can’t get through to her and she makes everyone feel scared. It’s hard to be normal with her. Once I asked her son for tickets to her show but he said even he was afraid to ask her.’
Aretha is sat in front of me with the beginning of an eye roll and I am afraid, I am petrified. But unlike the song I Will Survive I fear I won’t. I tell her that her album is great. And it is. ‘Uh-hmm,’ she says.
I tell her when Sinead O’Connor sang Nothing Compares 2 U you felt she was going to kill herself, but when Aretha sings it with her own lines added, that not even ‘a strawberry sundae or ham hocks and greens, or roller skates or garlic toast,’ compare, you feel she is expressing triumph and joy and power. ‘Uh-hmm,’ she says, which I’ve come to learn is Aretha’s very succinct way of expressing what she feels which is that I’m full of shit.
She tells me, ‘That was Andre 3000’s idea to take the tempo up and just refresh that song.’
I tell her that on I Will Survive she sounds particularly empowered. ‘No. That was the basic thing that Gloria Gaynor did. Then we mashed it up with I’m A Survivor (Destiny’s Child) which is one of my granddaughter Victorie’s favourite songs. So I said “Hey, let’s put that there”.’
Victorie is here with us. I think she’s about 17. Hair in a ponytail and a striped T-shirt. ‘Victorie is going to be a singer. Every time I type her name in my phone it comes up Victories with an s. Maybe she’s going to have some victories. I hope so. I’m taking her there. I’m mentoring her. She performed for me on the BET tribute.
Does she coach her because she sees herself in her, because they have a special bond? Her eyes swivel and look through me. ‘I coach her because she’s my granddaughter and she wants to sing.’
I laugh nervously.
‘I’ve been around a while, so in terms of coaching her as a vocalist why not, hmmm? I did have vocal coaching at one time when I was a teenager and I was also taught choreography by Charlie Atkins who taught most of the Motown artists.’
I’d read that she wanted to be a dancer at some point. ‘Well, I could have been a prima ballerina. I took classes at the Academy of Ballet where I would do plies, semi-plies, grand plies.’
The barre workout is very popular now. Is that what she does for exercise? ‘No. Really. Is that what people do?’ She looks incredulous. ‘I walk. I have my fitness regime where I walk the big superstores. – K-Mart and Wal-Mart. I walk the whole store. Sometimes twice if it’s not a superstore. I don‘t do it with the cart. Security people mind the cart and I do the walking.’
Do fans recognise her and come up to her? ’Sometimes.’ Pause. Do they ask her to sign something? ‘Yes. Peaches or a lettuce.’ We laugh. ‘They are usually very nice and they want an autograph or a selfie.’
She smiles sweetly and for a moment she seems relaxed so I ask her why was there a period of no albums for a while? ‘Because I was between record companies and during that time I did a lot of concerts. I noticed somebody the other day, I’m trying to think who it was, and they said they hadn’t recorded for nine years, and I understood that perfectly. I love recording, but if you’re in concert as much as I was you’re just not thinking about it and of course you’re minding the store at home. I have four children, so that’s what was consuming my time.’
This puzzles me. Her four children, all boys, or rather men, are fully grown up. The oldest, Clarence Franklin, is in his late fifties, followed by Edward Franklin and Ted White Jnr., who by all accounts is a wonderful kind person, and Kecalf Cunningham, a musician who is known professionally as KPoint.
I want to ask her about why she still feels she needs to look after them but this is the first time in our interview there’s not been a silence. It’s been question, answer, silence. Her talking about walking the superstores is the nearest thing we’ve got to a conversation.
‘I love walking the superstore. You can shop, pick up things you need, and it’s good exercise.’
What is her favourite thing to shop for? ‘I love beautiful things, beautiful clothes. Pretty much what the average woman likes.’
The silence returns suddenly. There is no twilight moment. No cooling down, segueing in. There’s warm friendly and then cold silence. This is not your average woman. So I change the subject. She grew up near here, then moved to New York and Los Angeles.
‘Well, I had to come back to Detroit because of the incident that happened to my dad.’ She had been performing in Las Vegas when she got the news in 1979 that her father Clarence LaVaughn Franklin, known as CL Franklin, was shot twice at point blank range in his Detroit home. He spent six months in hospital and was returned home needing round the clock nursing care. ‘I came back to stay with him and my sisters and my brother so we could alternate looking after him.’
That must have been a terrible shock? ‘Yes.’ Long pause. Did they ever find out who did it? ‘They did and they were arrested.’ How did it happen, was it random or planned? ‘I couldn’t tell you, but let’s move on.’
Now there’s not just a silence but a silence with pins and needles in it. She was always extremely close to her father. ‘Yes, of course, sure. I travelled as a young featured vocalist. I would sing before he preached.’
I’ve read that his sermons were mesmerising, it was like going to a concert. ‘No. I would not say it was like a concert at all. My dad was a theologian and he ministered the congregation, very enlightening and educational.’ He had a compelling speaking voice? ‘Oh yes. He was famous for that.’ He recorded 39 volumes of sermons and he was quite the singer as well.’
Is she like him? ‘You could say that with respect to certain things.’ She was a daddy’s girl? ‘You could say that.’
And he had great friends? ‘Yes. Dinah Washington, Oscar Peterson, Art Tatum and Dr King. These people came into the city to perform on Saturdays and on Sundays knowing about his sermons came to our church.’
I want to know more about what it’s like growing up with all these legends and how does this compare to our modern divas like Beyoncé and Miley but before I can say the word twerk my throat closes up. I know she’s not going to talk about these things, I just know, and I’ve never had that feeling in an interview before.
I wonder if she too is afraid. When I heard that she was terrified of flying it seemed ridiculous that an artist of her magnitude with her 18 Grammys and over 75 million records sold and her constant breaking of Billboard records should have any fears at all. She is a legend.
‘Mmm-hmm,’ she says, almost savouring the moment that I’ve grasped she has fear. ‘Aretha is a woman like every other woman. Everyone has something.’ She looks at me sweetly. ‘I flew for 21 years and it’s just ridiculous for me not to fly. I’ve started working on it. One of these days you’ll see me back in London.’
Will she take a boat? ‘I don’t think so. There’s too much water. I’ll take eight hours on the Jumbo jet. I am thinking about that.’
What happened to create this fear? ‘A bad flight. A small plane. Two engines. Up and down, up and down. And I decided I would not fly again. I was not happy. Not a happy camper.’
It is at this point it strikes me Aretha has the wall because she feels pain like no other. She had a bad flight. She decides she can’t bear it. And that will never happen again.
The wall is not so much a fortress but a place where she traps herself inside herself. The wall I think would have come anyway, due to the tragedies in her early life and how in order to be the Queen of Soul she is the queen of sensitivity. Fame and being feted didn’t cause this wall, it just helped it stay in place.
‘I have a custom bus that I very much enjoy. I can go from city to city and see points of interest, get out and stretch my legs. If we go to California we have all these different things in the desert that you can see. I can do things on my bus that you can’t on a plane. You can’t stretch your legs at 30,000 feet.’
Does she have a bed on her bus? ‘No. I don’t want that. That’s too much bus. I get a good night’s sleep and then get back on the bus.’
Is it true the things she fears most are airplanes and interviews? ‘Where on earth did that come from? Never even heard that. Here we are in an interview and the planes as I said I’m working on it.’
Does she see a hypnotherapist? ‘No, no, no. I would never do that. I went to a fearless flyers class organised by US Air. I missed two classes. Last time I was standing at the gate when the rest of my class flew away because I’d missed a few lessons, but I am determined that I will graduate from that class. You do things like a rejected take-off where the plane goes down the runway, they start the propellers and everything, but then they stop and come back. We do that and actual classes where you watch films and find out a lot of things about planes.’ There’s another silence now.
Later on I speak to Versa Manos of Gorgeous Media Group. Manos was her PR at Arista Records 25 years ago. She looked after Aretha and Whitney Houston. I wonder was she like that then? ‘She is extremely sensitive, so if an interview becomes intimate or is about to discuss any of the big tragedies in her life it might make her cry, so it probably would be stopped before it got to that point.
‘She has had a very harsh early life. She expresses it in her voice all the time. Her detachment from the world is because she is so sensitive. That’s why she became slightly agoraphobic at some point.’
When she sang about demanding respect in 1967 it was when a black woman was rarely granted such a thing and now she is a legend she can demand it.
She sang for President Obama at his inauguration. ‘It was a tremendous moment. Certainly a historical one and I was delighted to be part of it. Throngs and throngs of people that morning as far as you could see. Unbelievable.’
She met him at Rosa Parks’ funeral. ‘Yes. That’s exactly where I met him. He was on his way out of the door and someone saw him leaving and said “Hey, Barack, you haven’t met Aretha and said hello.” He stopped, turned right round and came back. And that was a nice moment. He’s a very nice man. He’s very much in person as you see him on TV, charismatic.’
Did she maintain contact with him? ‘No, no, of course not.’ The eyes roll again. Did he ask her to sing again? ‘No. There is only one inauguration.’ But there’s a second term. ‘Oh. Well, how can that be an inauguration the second time? That’s not the same thing. The moment that was historical will only happen once in history and it happened when I sang the National Anthem. That’s the first time it ever happened. How can it happen again? I was there at one of the greatest moments in history. I was touched. That moment was the fruition for many who were involved in the Civil Rights Movement, particularly when we saw Reverend Jackson and there were tears flowing. I’m sure many, many things went through his mind, Dr King being one of them. It was the fruition of the hopes and dreams of a nation. Ah-hum,’ she says triumphantly. It’s an ah-hum that says her father would be very proud. ‘Ah-hum-hmm. Absolutely.
‘They were great friends Dr King and my dad. The march in Detroit was a precursor to the march in Washington. He actually did the “I have a dream” speech here before Washington. The applause was so thunderous the walls were shaking. There have been so many gains, but there’s certainly still a way to go.’
She says this with such passion I wonder how close she was to Dr King? ‘He was a guest of my dad’s.’ Not a personal friend? ‘Oh, please stop, definitely not. I understand exactly what you mean. None of that.’ She says this with a quiet ferocity, but then the moment passes and she becomes sweet again.
‘When he was a guest of Dad’s in our home we had a housekeeper who I used to call Catherine the Great because she was such a great cook. She asked Dr King what he would like for breakfast. Bacon, omelette, grits, or sorjetses because she couldn’t say sausages. Dr King thought for a moment and he says, ‘Well Catherine, I’ll have some bacon and I’ll have some of that sorjetses. He was such a gracious man he didn’t make fun of the moment or try to correct her, he just went along with it.’
At this point a voice comes in and says the interview must stop but Aretha is having none of it. ‘I love cooking. I do a great chicken and dressing and I do good spaghetti and omelettes. I also like banana puddings and peach cobbler. You know, these days I just very lightly taste. I don’t over taste when I’m cooking. If you mess up there you can gain a lot of weight. My favourite food to eat and cook and the most difficult thing for me to give up was ham hocks and greens. I just love ham hocks and greens.’
Maybe she should just stick to the greens? ‘Well no, I’d rather have the ham hocks with a little hot sauce, some cornbread. What could be better?’
A voice cries out, “The interview must stop.” Aretha says, ‘No. Let’s have another give minutes. She came all this way.’
So this is the even weirder thing. The minute she knows the interview is going to end she doesn’t want it. She becomes relaxed and super chatty. She tells me there are three deals on the table for the biopic movie of her life. ‘There might be Audrey MacDonald, Jennifer Hudson, or a gospel unknown playing myself. I don’t know yet.’
What about Alicia Keys? Aretha covers Keys’ No One on the Divas album so I thought there might be a connection. ‘That’s so interesting,’ she says animated. ‘There a possibility of Shonda Rhimes (writer and producer of Grey’s Anatomy) writing it. Uh-hmm,’ she says savouring it. Would she control the script? ‘I would certainly have edit approval and I don’t think you could beat that except maybe with the ham hocks.’ She giggles.
Her posse want the interview to finish and now we have passed a few sticky moments I think Aretha doesn’t want it to finish. The hot and cold is perplexing.
I ask her if we can have a picture. I sit on the floor before her and it looks as I am kneeling at the feet of a queen. ‘Do stop with that,’ she says. ‘There’s only one Queen, your Queen, and she’s still handling it. I really admire that Queen of yours. Such maturity from such a young age, and such great walking shoes.’
The tape recorder is off now and she is much more relaxed. She wonders if the Queen walks around the palace maybe as she walks around the superstore. She admires my eye make-up, which is dark and glittery, just like her eye make-up, which is dark and glittery.
Suddenly there’s an incredible warmth to her, or maybe it’s relief that I’m going. Puzzled I speak to Roger Friedman, Showbiz411.com columnist and friend of Franklin. Sometimes she’s sweet, sometimes she’s not.
‘Yes,’ he concedes. ‘She can be a puzzle.’ He tells me that changing her mind about interview dates and times is just because she changes her mind a lot and nothing more should be read into it. He tells me that she comes to New York to learn classical piano and teaches her teacher gospel piano in return.
‘A critic in the New York Times had accused her of using Auto-Tune on her Divas album. I asked her if this was true. I heard her ask, “Do we use Auto-Tune in the car?” She had no idea what it was. Of course she doesn’t use Auto-Tune.
‘What you have to remember is Aretha is a living legend. James Brown is gone, Dinah Washington, Ella Fitzgerald. She wanted to do this album as they were her idols. It’s so easy to make fun of celebrities. They are so daffy or whatever. But we have to appreciate who we’ve got and what they mean to us. Every singer wants to be Aretha Franklin and they never will be. She is singular. She can still make an album with all the trills and whoops and everything she adds that no one else can do. It’s easy to make fun of her as she is the ultimate diva, but all the other divas who are legends are dead. We have to treat her with respect now.’
She is indeed the ultimate diva and respect is something she not only demands, but has earned.

 

 

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Celine Dion (Mail Today, November 09, 2013)

I first met Celine Dion on the boiling hot rooftop of Caesars Palace, Las Vegas, just after watching her powerful, emotional stage show, complete with a raging real water storm for the Titanic number My Heart Will Go On.

I have always thought she is an odd mix, a diva who is totally humble. She has never been cool. She told me, ‘I don’t try to be, that’s not me.’ She’s never been edgy. Yet she’s sold over 200 million records worldwide, making her the best selling female artist ever. Her amazing multiple octave voice reaches across far expanses of the world.

When we met the album she played me was beautiful, perfect, but weeks before its release she decided to start again, to try to become the thing that she’d never been – cool.

‘The new album is half full of the songs I sing on stage, but the other half was because I started to be sent a lot of amazing songs, so we kept going to put them on the album.’

The new single, Loved Me Back To Life, is written by Sia, one of the hottest songwriters around. Other songwriters are taken from the cool pool of hitmakers like Ne Yo, Eg White, Tricky Stewart, and Babyface.

‘When all these amazing songs came in my 12-year-old said this is not possible that Sia and Ne Yo are sending you songs. I thought they wrote for Rihanna. They must have made a mistake.’

Her voice is also very different. It’s like a cat’s purr. ‘It’s very dry. Normally my voice would be blended. That’s been the recipe for it all my life, so I decided to modernise.’
These days she looks every inch a proper pop star in glamorous expensive designer slinky gowns. Yet her quirky rural French Canadian accent is still there when she speaks.
She is 44 and seems to have undergone the ageing process in reverse. She started off geeky looking and launched a thousand jokes of “Why the long face, Celine?” But she’s not only grown into her features, she is radiant. Lustrous hair, giant sparkly eyes, creamy skin.
When we are face to face the air conditioning isn’t working and it is 110 degrees outside at midnight and hotter inside. She doesn’t complain.
Maybe it’s happiness that has made her look better as she’s got older? ‘Maybe. I’ve worked hard for nearly 30 years and I feel like only now it’s paying off in terms of happiness. Emotionally I feel stable. So I do feel more beautiful. If I’d had 30 years of career and no children I would not have felt beautiful. I would have felt like I’d accomplished only part of a life.
‘I think motherhood has given me a stability and a strength. It’s given me a different approach to how I feel about myself.
determined not to commit until she was pregnant.
‘I don’t have to do any of this.’ She means performing and recording. ‘I do it because I love to sing. But the only reward that would mean anything to me is my children. There is nothing that can top being a mother. I’m 44 years old. I would like more but I don’t know if it could happen. I want the twins and I to have quality time. It’s selfish to keep wanting more, although I would love a girl. Imagine all the shopping, the jewellery, the shoes, the dresses I could give to her.’

Her twins came with a determination that is super human. Her first son René-Charles, now 11, was also an IVF baby and she had already had embryos frozen for future planning.
‘I did IVF six times one after the other (in 2010).’ Nobody does that. She shrugs. She must have been crazy with screaming hormones. She shrugs again. ‘I don’t know. You might have to ask René (Angélil, her husband) that. I was not over emotional, not even tired.
‘I did five years at Caesars Palace and went half a year around the world on tour, and it was finally time. I thought as long as my health permits me I’m going to go and on until I get pregnant. I told my doctor that unless he thought physically I couldn’t do it, I would go on until someone told me to stop.’
Six IVFs one on top of another are not only physically draining but mentally debilitating. I tell her about a friend of mine who has had four attempts over as many years. When she finally got pregnant she was in denial. She couldn’t believe or invest in the pregnancy because it was too important to her.
Did she suffer from anything like that? ‘No. Tell your friend to have coffee with heavy cream every morning and take it easy. Any pregnancy whether it’s in vitro or not you feel a danger. You have to remain positive and try to relax as much as possible. I always say that the first country my children own is inside of me, so I try to make it a good one and be healthy.’
Dion comes from a huge family. She’s the youngest of 14. She grew up in Charlemagne, Quebec. Her father was a lumberjack and they were extremely poor, but it wasn’t something she noticed. Did she always want to have a big family? ‘I never thought about it at first. I was on stage from being a child and I was busy professionally at twelve. I’d barely had a period.
‘I didn’t think about children in general but when love came into my life and I got married and I had money and success I was like, what’s missing? For a long time I thought that’s the price for me to pay for success. I’m from a big family. I now have a lot of money, I’m not going to be able to have children, you have to pay a price, you can’t have it all.
‘It was quite self-punishing. Then I thought I’m going to try to have it all. I’m going to try very hard, and it happened.’

She had René-Charles when she was 33. Getting pregnant at 42 was obviously going to be even harder. ‘So I had to deal with it. I was going to do whatever it took and of course there was a window of doubt. And I kept that window. I was 95 per cent positive, five per cent doubting. I didn’t want the doctor to call me and say, ‘I’m sorry, it’s not going to work and I would crash.
‘I needed to protect myself a little by saying I already have one child. I can’t make all my life, my spirituality, my strength, my happiness, dependent on the next pregnancy. What about my child now? I would say to him I hope you are going to have a brother or sister and when it didn’t work I told him it didn’t work, we’ll try again.’
How long did all this take? ‘We signed the contract to come back to Vegas and we had to postpone two or three times. If they’d said you want babies, we need a singer, I would have understood. I told René I can’t stop. I have to try and try and try all the way.

‘People stop because it’s very expensive but I kept on going and would only have stopped if I’d been told my health was in danger but I was not going to stop just because I had a contract for singing. I would have hated every song for the rest of my life, so I said try to postpone the Caesars Palace shows because it wasn’t a good enough reason for me not to try for a baby. A life or a contract? I couldn’t live with that.
‘If the doctor had said this is your last try, your health cannot go on any more, but he never said that. I was reacting better to the treatment as we went along.’
Cancelling a Vegas contract would have cost her millions of dollars but she already has millions of dollars. She is reputed to be worth £300 million.

She knew that IVF meant there was a good chance of a multiple pregnancy and when the test was finally positive, ‘I had three babies inside me. It was unbelievable. Every week I would go to the doctor and there would be three heartbeats. The doctor was freaking out because in your forties if you are expecting more than one baby there’s a high risk of Downs Syndrome, and also you’re more at risk from other things like high blood pressure. (You’re also at risk pre-eclampsia).
‘I went for ultra sound every week and saw baby A, baby B and baby C, but one week baby C was not moving. (Baby C had died). It was around three months into the pregnancy. The baby is tiny. It doesn’t even come out. It makes a dry patch on the placenta. That’s the only proof of a baby.
‘My husband and I shed a little tear. Then you reason to yourself that baby has passed, let go for a good reason. It was to give more strength to the other two babies. Who knows what might have gone wrong if three had remained. I didn’t have to make any decisions, any choices, I just focused on my two babies, and they got stronger and bigger. Nobody wants to have a 1lb baby.
‘When my twins were born they were 5lb 10oz and 5lb 4oz. almost 12lb of baby. I gained 60lb in all. That was just belly.
‘I had a C-section. I had one with my first child at the last minute and I was already dilating. That was hard but because it was twins they recommend the C-section and I wanted healthy babies. It wasn’t a fashion choice.
‘We scheduled it carefully. We wanted to wait till the babies were at least 5lb.’ She was 35 weeks pregnant when she gave birth to twins Eddy and Nelson in November 2010. They remained in a neo-natal intensive care unit for several days.
‘They were a little jaundiced at first so we had to stay in the hospital and we had a little bit of blood on their heels for a couple of days, but they were fine, more than fine.
‘We named Nelson after Nelson Mandela. You can’t have one child with the name of a hero and the other Bob the Builder. So I named Eddy after my other hero (Eddy Marnay), who wrote all my French songs for me at the beginning of my career.’ (He also wrote songs for Edith Piaf).

She says the twins now love to dress up and play with her clothes. ‘They have strong and very different personalities but both of them love to wake up first thing in the morning and go to their closet and decide what they will wear.’
Sometimes her Canadian French speaking is difficult to fathom because she speaks with a strange syntax. Sometimes it makes her speech poetic and heartfelt. ‘They told me one day I’d start dreaming in English and then speak it better. It didn’t happen. Although now I’m not sure what language I dream in. I like to sing in French because sometimes I connect better with the words. A table is not a table, it’s a feminine thing. But a chair is a masculine thing. It’s more precise, like Japanese, but Japanese is all about the emphasis.’
She starts singing in Japanese. I’ve no idea what she is saying. But even sat down in a suite at Caesars Palace her voice is astounding and overwhelmingly emotional.
Does she find it hard to juggle being a mother of three and performing every night” Isn’t it difficult to shift the focus?

‘I’m not sure there is a shift of focus. When I’m on stage my kids are with me. When I’m home my head sings songs. I don’t bring them with me because I don’t want to live that showbusiness life. I want to sleep, go home and get into my pjs.’
She has a house nearby. ‘After the last song I change very quickly and do a runner. I’m home at 10 o’clock to be with my babies and I leave at 4 o’clock, so I’m with them as much as possible.

‘In the morning one of my biggest pleasures is to have my kids round me and coffee with heavy cream, no sugar. I hold the cup like it’s a little bird nest. It comforts me. At night I go to bed and my kids are sleeping and I whisper I can’t wait for tomorrow to have my coffee and my kids. It’s the simple pleasures of life that make the most sense.
‘None of my children are good sleepers. My eleven-year-old, my big boy, likes to wait up for me to come home. My twins wake up constantly, but I don’t care. I have lots of help. My sisters and nannies make sure they are fine.’ She smiles in a kind of dreamy gratitude. She is very emotionally available and direct. If something moves her she cries. If she likes you she hugs you. She’s always waving her arms around on stage and off to express how she’s feeling.
‘I can’t believe I did this show for five years and then they wanted me to come back for 70 shows a year. We like to change the show and evolve it in case the same people come back. She likes to please people. She tries hard. She used to try even harder so her face would sometimes appear strained and tight. she dressed in trouser suits a lot, restricted. Now she loves the floaty, the drapey, the soft. Does she feel more sexy? ‘I feel more happy and sure of myself.’

I have read recent rumours that she is pregnant again. ‘No-o-o,’ she says emphatically, and goes into a small diatribe about the internet and she doesn’t even own a computer and assumes that’s where I’ve read it. She does add: ‘We did not really close the whole chapter on children, but right now I don’t have plans. I’m not pregnant. I’ll let you know if I am.’
There’s a wistfulness in her voice. She grew up as part of a huge family and would have liked to have something similar. She’s always claimed that her family were wonderful and loving, yet growing up was torture for her.
The song 17 by Janis Ian is particularly emotionally resonant for her. When she performs it in the show it brought much of the audience to tears because they identified with being ugly and rejected, which she felt at that age. Today she is a glamorous diva, but there is graciousness and humility that exudes from her, probably because she grew up tormented by her looks.
‘It was hard for me. I was not pretty. Going to school was hard for me. I was skinny and my teeth were really bad and we didn’t have the money to fix it with braces. I didn’t have these.’ She gestures to her now perfect formed and perfectly lined up sparkling whites.
‘When you’re the good looking little girl everyone wants to be friends with you and nobody wanted to be friends with me. I’ve never forgotten that. Of course I’ve emotionally grown. I’ve been a girlfriend, a wife, a mother. But when you’re ten years old, teeth right out there that are twisted, it’s cruel. I never wanted to go to school. I wanted to be home all the time because there I knew I was loved and would not be laughed at.
‘I don’t know if it’s normal that at eight you feel this way. I just know I love maturity and I never want to be eight or 25 again.’ Coincidentally at 26 she married Angélil, who was 52. ‘At 44 my life is getting better. Both parents gave me wonderful values of life, a foundation of love and support.
‘As soon as I hit showbusiness my mum was with me all the time. She didn’t trust anybody.’

Angélil became her manager when she was 12 and he was 38. At the time he had a bit of a bad boy reputation. He’d been married twice. ‘My mother didn’t trust him. She wrote to him to take care of me but she stayed with me till I was 18. I learnt a lot by meeting a lot of older people with experience. I would not change any of my journeys.
‘In my early 20s I fell in love with René but we were hiding it from the world because it was impossible to fall in love with a man who had three children and was married twice. It was a no, no, no with my mum.’
She bows her head and for the first time. She looks as if she is talking with difficulty when she remembers this. She shifts in her seat when she says it was deemed ‘inappropriate.’

‘When he first started managing me he was married. I was not involved with him but people imagine things. It was not proper, it was not the right thing to do.’
His marriage had been dissolved by the time she sang for Switzerland in the Eurovision Song Contest in 1988, aged 20. In the euphoria of winning the song contest she kissed him and has said that kiss was one of the greatest moments of her life. They married in 1994.

On the day she discovered she was pregnant with René-Charles her husband was declared in remission from skin cancer. ‘Imagine, we faced life and death in one day.’ She had put her career on hold to care for him through his cancer treatment.
Her love for Angélil is palpable and vice versa. He is now He was sat in front of me during her performance, hung on her every note, warmed to her every word, beamed with pride.
He carries himself with grace and confidence. His son Patrick from his first marriage is part of Celine’s management team and is equally gracious. Angélil was recently in a Quebecois movie called Omert where he played a Montreal mob boss. It topped the box office across Quebec. He got the part because in Canada people think of him as a kind of godfather-like character.
‘Sometimes I treat him as that character. They came to him because they know his personality. He is charismatic and low key. He’s a good poker player. He’s got the look.’

‘Today I feel more beautiful and more strong than I ever have. Next week my mum is coming to the show and then we’ll all move to Florida for a month where my son goes to school. She also has a house in Montreal.
‘I don’t want to be busier than busy. I don’t want my kids to feel I’m not there for them. I’ve wanted them for too long for that. I want to make the most of them. Now the simplest things make me happy. I’ve got a feeling the sky ‘s the limit. I don’t feel I can’t do this any more. I feel like I want to do everything; enjoy time with my children, enjoy the growth of my twins, and I also love to sing.’
She doesn’t just sing to her audience, she gets inside them, communicates joy, pain, everything she’s ever felt. ‘It proves to me that the world is still alive. If I cry it’s because I’m alive.’

 

 

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Cher (Sunday Times Magazine, September 22, 2013)

I am waiting in Malibu in an over-stuffed flamboyant house, lots of velvet, gold leaf, plumped pillows, chandeliers. It could be Cher’s house but it is in fact the house of a rich Russian person who has rented it out for my interview. Cher lives in another Malibu house eight miles away in her own gothic glory.
Cher, her manager, her make-up artist, her photographer, get lost in those eight miles and arrive a little late. The photographer has been hired to take my picture with Cher. It wasn’t something I asked for but Cher thought that I might like it.
She arrives with a green drink in her hand, giant hazel eyes sparkling as much as her giant treble-diamond ring. She is wearing a black tailcoat, white waistcoat, foamy chiffony shirt, dark jeans, thick boots. Rock chick clothes. Oddly she pulls it off. Her best features are her hair and her eyes which are so mesmeric you forget to look to see if you can see if the skin on her face has been pulled and tightened.
What everyone really wants to know about Cher is how did Cher, gay icon, gothic rocker, activist, former hippie chick, disco diva, Oscar winning actress, daytime vamp, the woman who launched a thousand drag queens, really feel when her daughter Chastity first came out as a lesbian and then underwent full-on sex change therapy to become a man.
You wonder just how you are going to ask her about this because you’ve read that she was mortified and you could imagine she would be. Cher, so slinky and feminine, loves men, manicures, sequins.
She made dresses for golden ringleted Chastity who would appear with her parents on the Sonny and Cher Show in the Seventies. How could she have imagined that her little girl would grow up first of all thinking she was a bull dyke and then realising she wanted to be a man, a very fat man at that?
I am surprised that Cher is warm with a relaxing motherly presence. Still, how does she feel about her daughter becoming a son is a difficult question.
Now the only child of Cher and Sonny Bono is 43 and renamed Chaz and is delighted to be burly, bearded hairy backed. He had death threats when he appeared as a male partner on Dancing With Stars, the US equivalent to Strictly.
I stumble over the pronoun. She and the he somehow get mixed up in my mouth and Cher gives me a look of concern and empathy for my embarrassment.
‘You mean Chaz. Don’t worry. I screw up the pronouns all the time,’ she says with a Mona Lisa smile and it reminds me that she won an Oscar for Moonstruck. Is this calm facade brilliant acting? Remember she was also nominated for her very un-Cher downbeat role in Silkwood, and so hilarious in The Witches of Eastwick. Of course more recently there was Burlesque where she simply a parody of Cher-isms. I decide rather than studied introspection what I see before me is real.
‘I would have said that Chaz is like Sonny and there is a portion of him that’s like me.’
What about when Chas became Chaz? ‘Oh yes, I had a hard time.’ She looks me right in the eye. You can tell her heart was quite pierced by this.
‘I didn’t have a hard time in the beginning because when Chaz came to see me and told me this is what I want to do I said well if you’re miserable then you’ve got to do it. But then as it was starting to happen, you know, it’s a strange change for a mother to go through.’ To suddenly have two sons instead of a boy and a girl. ‘Right,’ she says. I am surprised by how easy it is to talk to her about this.
When it was first happening she was afraid to see him in case she didn’t recognise him. She asked if he would save his old answering voice because it was his girl’s voice before it had been lowered by his daily injection of testosterone.
He had his breasts cut off and fat redistributed in a thickset blokish sort of way. As yet he has not had an operation to reconstruct his clitoris into a penis. He talks at transgender conferences and provides counselling for others in a similar situation. He is a pioneer. Perhaps he really is like his mother.
‘When I’m talking about Chaz in the old days it’s very difficult. [to get the pronouns right]. If I’m talking about something that’s happened with Chaz when we were in Aspen and when Chaz was little, he was she. But things that happen from now, or from a little while ago, Chaz is he.’
Did she have a sense of loss and mourning for her daughter? ‘It was difficult but now I don’t think about it so much. We talked about it on and off for years. He would talk about doing it and then he would go off it. And then finally he did it. It’s a huge decision and not something you make lightly. But it’s turned out well.’
Her voice has a certainty in it, and almost a soothing quality. ‘For the people who don’t understand it I try to help them understand it by saying, you know, I just love being a woman so much, but if I woke up tomorrow and I was a man I couldn’t function. And that is the only way to describe it to someone who doesn’t understand. But it’s hard to relate to, oh, I must change my sex. But I know that if by some miraculous something I woke up as a man I would hate it so much I can’t tell you.’
I look at Cher with her white fingernails, the pointed tips painted black, her ultra pouty pink lips and feathery-mascaraed eyes, her long dark glossy curls. There’s something almost doll-like about her. I stare at all of this. How could Cher, the most girlie of girls, cope with having a daughter who wanted to be a son?
‘You know, your children go their own way and I think it took so much courage. I don’t think I would have had that much courage. But he was so miserable in that body and now he is happy. Totally happy.
‘When I say I knew he wanted to be a man I don’t know what I really knew. I knew that he wasn’t happy but I didn’t know the exact reason he wasn’t happy, but this seems to be the thing that was missing. [When he was a lesbian] he was in a relationship [with a girl] but they broke up a long time ago. She is a lovely girl.’ Jennifer Elia, an attractive brunette, was his partner for five years and he’d always told her about his gender struggle, but when the change was complete the relationship faltered.
Was that because she was in love with him as a girl? ‘I don’t know. I think she was having a hard time with her sobriety for a while. But also they had been together for a really long time and I think the transition for her was really difficult.’
Apparently when Chaz was charged with all the male hormones he got aggressive and sexually demanding and in a documentary Being Chaz, Jennifer admitted that her sobriety had been tested over her girlfriend becoming her boyfriend and she said, “He’s not the person I fell in love with.” Indeed he (she) wasn’t.
What’s impressive is that Cher is old school. You ask her a question, she answers it unflinching. She doesn’t even try to plug her new record. She is not like some newbie pop star who only wants to talk about her music. That said, it doesn’t mean she doesn’t know how to be modern. She has come up with a record that is relevant – tracks produced by Paul Oakenfold and a song with Jake Shears from Scissor Sisters and songs written by Pink.
At 67 she still has the stamina to tour constantly (new world tour in 2014) and in silly tiny sequined outfits where she must feel she’s literally turning back time. At the end of her hot and throbby performances during her residency at Caesars Palace, Las Vegas from 2008 to 2011 she always said, “Top that, you bitches.” Sure, she likes to run with a young set because she likes to outrun them.
‘You know we were working out this morning, my teacher and a couple of friends and I said give me a break, I’m older than everybody here, but the teacher said, you’re full of shit, you’re 30. You work out better than my 30-year-olds. So in some ways I forget how old I am and in some ways I don’t.
Cher’s age is indeed a conundrum. I’m not sure what 67 looks like but it doesn’t look like Cher, and she doesn’t act it. Sure, she might have had a little help with her face. She admits to a nose job and a breast reduction. She denies the constant rumour that she had one of her ribs removed. She says that her good friends are often the teenage and twenty something children of her friends. ‘Young people like me. I don’t know why.’
Certainly she was friends with Lady Gaga. There was going to be a collaboration with Gaga’s prolific producer RedOne – a track called The Greatest Thing. RedOne thought instead of the original plan of Cher singing it, it would make a great duet. In the end Gaga was disappointed with the result and vetoed it. Cher voiced her own disappointment that the two icons could not be on song. When someone leaked a version of The Greatest Thing. Cher was all over Twitter in her anger at the unfinished version’s appearance.
Cher is an epic tweeter. I’m surprised she could take the time off tweeting to talk to me. She tweets whatever comes into her head. No censorship, lots of swear words,1.7 million followers. In her tweets she is forthright, funny, and likes to complain about Madonna. In person she is a lot less flighty.
Her new album Closer To The Truth will be her first in eleven years. ‘I am not a Cher fan. I don’t listen to the records I’ve made for fun. This one I’m surprised by.’
Has she now become a Cher fan? ‘No, no, no, let’s not go that far. It’s just my voice is very distinctive and it’s not a voice that’s appealing to me. And on this record there are a couple of songs, Silence and My Love, that I sing in a different way, a kind of straight way, no vibrato.’ Indeed, these songs do not sound like Cher. The voice is high and melodic.
Does she feel like a different person to who she was ten years ago? ‘I feel like an older version of myself. I don’t think I’ve changed much in what I think is right or wrong or what I think is bullshit. My mother is 87 and she’s pretty much the same person as when I was little.’
Recently she made a documentary – Dear Mom, Love Cher – about her mother. Georgia Holt looks tall and strong and at least 20 years younger than her 87 years. She also sings and sounds exactly like Cher. Her mother was six times married and says, “Don’t pay attention to age and it won’t pay attention to you.” Her mother is part Cherokee, hence the high age-defying cheekbones.
‘I had two grandmothers, one died at 87, the other at 97, and I said to the 97-year–old one, “Nana, how old do you feel?” And she said, “Darling, I look in the mirror and wonder who that old lady is because I feel so young.” And that’s sometimes how I feel. I forget that I’m older.
‘The other day somebody said how old are you and for a minute I forgot. I thought I was ten years younger and I still thought that was old. It’s not easy getting older in this business for sure.’ I notice she doesn’t mention any numbers here.
Does she feel that in her business becoming old is the same as becoming extinct? ‘No, there’s just not the access to older performers that there is to younger performers, especially women, because it’s a young person’s art.
‘More than any other time in history the people who came up in my time are now having a hard time. We don’t want to stop singing. The Stones don’t want to stop and I don’t want to. But it’s hard. You try to find your niche and stay relevant in your music and you keep going.
‘I hoped there wouldn’t be a prejudice because I was a certain age and people wouldn’t even give the record a listen.’ She says this in a deadpan way but it is obviously something she’s thought about.
Was that why it took so long to get the record out? ‘No. In those eleven years I wasn’t thinking about it. Honestly. I just forgot. I forgot to make a record. I was on the road, I was in Vegas. I did the movie Burlesque. I had some vacation and I didn’t really have a contract for a while, I was in limbo, so I went on the road and didn’t think about it.’
She performed a lot of shows. ‘That was very stressful. On the last day I wanted to kill myself. I cried and cried and cried. We were at the Hollywood Bowl and I spent the night on the tour bus. I’d never done that before. It was so weird that suddenly I just didn’t want to stop. The only thing that is stressful about being on the road is the road. The shows themselves are fabulous. I love that part. I just don’t like the road, the isolation of the road.
‘It’s hard because I can’t go many places. We might buy out a movie theatre or miniature golf course or paint china or go bowling. The only way we’d do those things is if we buy them out and no one else is there. We want to be where there’s no people with iPhones.
‘I remember going to the movies thinking why is everybody texting and emailing, and then I realised they weren’t, they were taking photos of me. So it’s hard for me to go about in a normal way. I love having freedom. In the old days the paparazzi were polite. They would say can we take a picture? They wouldn’t ambush you and be aggressive.’
‘Once we had to get a restraining order against a paparazzi. He made my boyfriend go into a ditch and we rolled our car. This was in the eighties.’ Her then boyfriend was bartender Robert Camilletti.
‘My boyfriend went to jail because he was so angry he went to their car and he ripped it apart and they said he tried to kill them. If you saw these guys they were just old and just wankers. If he wanted to kill them he could have done easily. But after they’d forced us to roll the car he was so furious he tore their car up. He went to jail for a day and then got so much community service. I think he could have killed someone and got less community service.
‘We had a restraining order on these paparazzi and they came on the property and they broke the restraining order and he was angry the whole time because he was trying to look after me. Whenever I went out I’d have to sneak out the driveway and lay on the floor of the car.’
Is being too recognisable a double-edged sword? Is there pleasure in being an icon as well as pain at the lack of freedom? Would she swap?
‘No, I’d rather have both of course.’ She pauses: ‘I’d probably go for freedom. Fame is great and then it gets hard. Like things you used to take for granted you can no longer do. Like if I wanted to make a run to Safora (a beauty supplies shop) I have to know exactly what I want to get and go for it, like a hunting expedition.’
It must be tough being Cher. It must be even tougher being Cher’s boyfriend. Traditionally Cher has dated men who are younger than her, but not always less gothic looking than her. There’s been Val Kilmer, Gene Simmons of Kiss, Bon Jovi Richie Sambora, and biker Tim Medvetz.
Did she find it unsettling that boyfriends didn’t like being Mr Cher? ‘It wasn’t so much unsettling for me. I’ve also had some amazing boyfriends and some really famous ones but it takes a certain kind of man to be able to put up with it. It certainly puts a strain on them. Like Robert for instance. He didn’t buy into go into jail or having people chase him. He’s a private citizen and people were very mean to him. That stuff doesn’t keep you from having relationships it just makes it harder to go for a walk on the beach or something like that. You have to outsmart people and try and just live your life.’
What have the men she’s gone for had in common? She perks up. ‘Actually many of them have had amazing senses of humour and they’ve all been really kind. I love people who are kind and I wouldn’t date anyone who wasn’t, it just wouldn’t work for me.’ Kindness is very underrated. ‘Yes, and it’s a game changer for me. Intelligence is great but I don’t know that it trumps everything. Kindness and an adventurous spirit is what does it.
‘I still like to do dumb things. I like to do kid things. So I like it when the person I’m with wants to ride a paddleboard or go-karting or take a run to Disneyland or go to Hawaii. I like people who are adaptable because I have to pick my moments.’ Meaning if she suddenly finds a break in her schedule she likes to make the most of it.
Does she have a boyfriend now? ‘Er, well, actually, no. I just broke up with someone. Or let me rephrase that. It went to a certain place and I couldn’t see me putting any more time into it so it wasn’t really a break-up. I think relationships have to go in stages and we just couldn’t go to the next stage. We are really good friends but there was no impetus to keep going. Love feels to me like unbelievable fun, and if it’s not unbelievable fun you stop it.’
Is she the person that ends a relationship? ‘Most of the time. I am a serial monogamist. My relationships seem to go for two and a half years, maybe three, and then that’s it.’
She was married to Gregg Allman, from The Allman Brothers, from 1975 to 1979, but her longest relationship was with Sonny Bono. They met in 1963 and broke up in 1972, but didn’t divorce until 1975. He died in a freak skiing accident in January 1998, aged 62. Meeting him, loving him and losing him were the most important things that happened to her.
‘Meeting him changed everything and leaving him changed everything as well, and losing him was huge. It’s like when people say losing a parent is a huge defining moment. It was like that. Even though we weren’t that close at that point in so far as we weren’t seeing each other very often, but it was a huge, huge loss.
‘I was in England when it happened and I remember going to a certain place that I didn’t think the paparazzi would follow because I was so upset. I got there and I was sobbing and sobbing.
‘It was the end of an era for me. It was the end of a time that had been so important for me. It was the end of something that had been a major part of my life. It was like a parent dying. When I met him I was 16 so he was…’ I finish the sentence, a father figure. ‘…Well he was a mentor. He got me a job background singing and he always believed in me and wanted me to be a solo artist and I didn’t really want to and then we became famous together. I had so many milestones with him that would never have happened without him. I wouldn’t have done any of that. I had the energy but I was so scattered. He was the person who focused it all.’
She was born on May 20, 1946, the last day of Taurus. In some astrologers view the beginning of Gemini. Is that scattered energy her Gemini side? ‘If you knew me you would see that I am very Taurus. I am sturdy, in my own way a plodder, but I have the vocal energy of a Gemini.
‘Taureans can be very spontaneous and are stubborn. And I’m really stubborn, ridiculously. A lot of Taureans can end up quite corpulent because they like food, like Orson Welles, and I like food when it is good, but it’s not a major thing for me to eat for the sake of it, but I’m very materialistic. I like my house and I love things.’
Did she have to fight against the love of good food? Is she very disciplined? ‘No. When I was growing up we were very poor and my mother was from the South and we didn’t eat a lot of meat because it was expensive so I never got a taste for it. I eat vegetables because meat is something l don’t like the taste of. I do have a terrible sweet tooth.’
They moved around a lot when she was growing up and her circumstances could change dramatically depending on who her mother was married to or if she was on her own. Mostly she grew up in California where her mother had bit parts on TV shows.
‘She married my dad twice, I don’t know why. She told me she never loved him that much. She just said he was very convincing but that never made much sense to me. I didn’t meet him until I was 11.’
How was that? ‘He was nice. I enjoyed him.’ Wasn’t her whole life trying to find her missing father figure? ‘No, because when I met him it was fun. I was a lot like him in certain ways. Suddenly I knew where a lot of my expressions came from.’
So nature rules over nurture? ‘Right. Elijah is like that too with his dad.’
Unfortunately, Elijah, 37, inherited his father’s addictive personality. Gregg Allman was a heroin addict. Elijah had a problem with drugs. ‘There are so many thing that Elijah that Gregory does which is odd because they never spent much time with each other.’
Didn’t Allman once try to kill her when he was high on drugs? ‘No, he didn’t try to kill me. He would never have done that. But he lost his temper when we were in Jamaica and I had to spend the night on the beach with this fabulous who was the housekeeper in the house we rented and we sat on the beach all night while guys with torches hunted crabs. It turned out to be an interesting adventure. We didn’t split then. Not then. He and I went back and forth, back and forth because I was crazy about him. But you can’t have people that are doing drugs that are around your kids.’
Elijah inherited that side of him? ‘Well, yes. But he’s okay now. He’s great. But it took a chunk out of his life. A chunk out of both of them. He very much looks like his dad. I think he is going to be a manager.
Does she think not having her father around made her attracted to a certain type of man? ‘It might have done because Sonny was very nurturing. And when I first met him I was very sickly. He was much older than me and he had a vision. I was just running around dancing and hanging around with my friends. I wanted to be a singer, I wanted to be an actress. I didn’t have any focus. Maybe I would have got there anyway, but Sonny was the one who said if you do this, this will work. This will be the right thing to do. He was a catalyst for everything.’
Was that when she fell in love with him? ‘Oh no, I did that way before. We didn’t work together at first. I think I hero-worshipped him because he was as very extraordinary person. Not fabulous all the time for sure, but he was a very forward thinker, interested in life. He would do things that maybe men would have had a problem with. Like I used to dress him crazy in the beginning and he just said okay, fine, this is fun. He was open to a lot of things. He wasn’t open to a lot of things as well and we got into fights, but he liked to stretch himself. I think he’d given up before he met me and I was a spark for him too. He tried to have a career that didn’t work out so we sparked each other.’
So what happened with this man that was such a huge influence, what went wrong? ‘It didn’t go wrong. I was just finished. It started to become more about the work than the relationship. Plus I was 27 and I didn’t need to be told what to do any more.’
She says this without a trace of regret because regretting nothing is all part of her mantra. She takes a swig from her wheatgrass drink. ‘Honestly, it doesn’t taste disgusting. It’s got powdered vitamins in it. I’m not the kind of person who wants to suffer ill health.’
I’d heard she had a phobia of getting sick ‘No, that’s not true. But a long time ago I had Epstein Barr (syndrome) and it made my life a misery for two years.’ The symptoms are extreme tiredness, lethargy. ‘I’m not very phobic at all. In general, I’m very happy.’ If this is not the case, she’s done a very good job of convincing me.

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